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Old Heaven Books

Label based out of a book shop & cafe in Shenzhen, China.


Tracklisting: 1 Chine (1) 5:172 Ezeng 4:353 地球民歌 Folk Song of the Earth 5:004 老地图 Old Map 8:345 Chine (2) 7:266 Shangkobez 5:547 工人神曲 The Divine Comedy of Workers 6:208 90's 4:179 室内游牧 Indoor Nomadism 2:3010 Mayda Konger (Akan Seri) 3:02 马木尔 Mamer - 吉他 Guitar / 口弦 Jew's Harp / 冬不拉 Dombra / 人声 Vocals录制于第七届OCT-LOFT国际爵士音乐节,2017年10月29日B10现场,中国深圳Recorded at the 7th OCT-LOFT Jazz Festival on October 29, 2017B10 Live, Shenzhen, China --- CD2 1 Kün 8:532 Kim 7:273 Babalar 8:494 Zen 5:385 Sêh 5:346 幽浮部落 UFO Tribe 4:317 核磁 Nuclear Magnetic 4:208 Tin 6:269 Daidiydao 7:4410 冬不拉即兴 Dombra Improvisation 6:23 马木尔 Mamer - 贝斯 Bass / 冬不拉 Dombra / 人声 Vocals录制于第八届OCT-LOFT国际爵士音乐节,2018年10月17日B10现场,中国深圳Recorded at the 8th OCT-LOFT Jazz Festival on October 17, 2018B10 Live, Shenzhen, China"After his self imposed exile from the global world music niche, Mamer found his stage at Shenzhen’s two annual music festivals – Tomorrow Festival and OCT-LOFT Jazz Festival – curated by his loyal friend and supporter Tu Fei, who would always reserve at least one set for Mamer’s newest sonic experimentations. Mamer’s most recent album Faintish Radiation documents his full performances of solo improvisation at the seventh (2017) and eighth (2018) OCT-LOFT Jazz Festivals, in which he performed electric bass, guitar, dombra, jew's harp and vocals. These recordings register Mamer’s trajectory towards a maturing avant garde composer who is able to capture the audience with an everchanging bizarre sonic kaleidoscope, one which summons industrial noise, doom drones, heavy metal riffs, dark and punchy grooves, and broken pieces of folk melodies. In each of his solo performances, Mamer would start from random notes and eventually build up an overpowering atmosphere that is distinctively his own, knowing only too well when to release a delicate Kazakh tune as a reward for intensive listening. Here “Daidiydao”, a heartbreaking love song believed to be composed by Kazakh poet Magzhan Zhumabayev, was unleashed towards the end of the 2018 performance, before an abrupt, typically Mamer stop that ended the whole set. --- 录音 Recording:曾君 Zeng Jun;罗绿野 Luo Lvye混音 Mixing & 母带处理 Mastering:刘英 Liu Ying制作人 Producer:涂飞 Tu Fei设计 Design:尹思卜 Yin Sibo封面照片 Front Cover Photo:@Waitetc_等等其它摄影 Other Photos:阿瓜 Wain;陈鸿@DAFA;蒙润

Mamer – Faintish Radiation

Tracklisting: 1. 老来难 = Old Man Blues - 8:052. 吹牛 = Big Talk - 18:183. 老妈妈劝闺女 = Mama's Counsel To The Girl - 12:554. 十大劝 = Ten Commandments - 14:18Born in 1945, Guo Yongzhang is a true maestro of Henan Zhuizi, a traditional Chinese talking-singing art that has a history of over 100 years. Almost blind, he plays Zhuihu and Zhuibang to accompany his own singing. His vocal style is peculiar, resounding yet smooth, adopting various types of arias from traditional local operas such as Shandong Bangzi and Shandong Zaobang, and he always sings with deep feelings and great verve. Originated in Henan, Zhuizi is included in the national intangible cultural heritage list and has been popular in Henan and its nearby regions. Its main accompaniment musical instrument is Zhuihu, a two-stringed bowed instrument made of wood, and secondly the Zhuibang, a wooden percussion played with foot tapping. Since Zhuihu has a wide diapason with a soft sound and relatively high volume, the performer can use it to imitate the voice of human and animals. Guo was born with bad eyesight. Growing up in poverty, he never had enough food and had been living on begging in the nearby village with his parents. It was during that period he discovered Zhuizi for the first time, and was so obsessed with its unique charm that he decided to learn playing by himself. He bought a second-hand Zhuihu from the local opera troupe with wages from hard physical labor, and soon managed to play some short pieces by hard practice. However, it was still difficult for him to gain respect from the local folks without training under the traditional master-apprentice system that he couldn’t afford, and even worse, his eyesight went worse and worse to nearly blind. Not until he turns 17 was he reluctantly accepted by a Zhuizi master and has been assiduously learning and playing until now. Lyrics of Guo’s Zhuizi are about respecting the old, valuing the righteousness and compassion, while keeping a sense of humor. Today, he is widely-known in the border region of Suzhou, Shandong, Henan and Anhui, and is commonly regarded as a Zhuizi master. Guo has been playing among people tirelessly for decades. As he ages, Guo knows there is not much time left for him, and he feels sorry that nowadays only few people want to learn Zhuizi. He is worried that this precious art form would disappear someday. This studio album is recorded after Guo Yongzhang performing on the 5th Tomorrow Festival stage. Released by Old Heaven Books, 2019

Guo Yongzhang – Guo Yongzhang Zhuizi Selections

LP / CD
  • LP SOLD OUT
  • CD SOLD OUT

"Born in 1945, Guo Yongzhang has performed zhuizi - a traditional Chinese style of narrative singing - for half a century. An artform whose history spans over a century, zhuizi originated in Henan province. Its main musical instruments are the zhuihu, a two-stringed bowed lute, and the zhuibang, a wooden percussion played with foot tapping.  Almost completely blind, Guo Yongzhang is known for his peculiar, resounding yet smooth vocal style. He sings with deep feelings and great verve. Lyrics deal with both the hardships and good values of life while always maintaining a sense of humour. Despite being long regarded as a folk master, Guo has continued to play tirelessly among ordinary people, often travelling from village to village and performing for a whole day at a time. As he nears the end of his life, Guo regrets that nowadays, few people wish to learn the art ofzhuizi. He worries that this precious art form may soon be lost.  This release, titled after one of Guo Yongzhang’s most well-known songs, Lao Lai Nan, commemorates his performance at the 5th Tomorrow Festival. Guo co-headlined the last day of the festival with French prog-rock act Gong on May 20, 2018. His performance was recorded live and is due to be released on both CD and LP by the Old Heaven label in November 2019. --- Guo Yongzhang /  Zhuihu, Zhuibang, Vocals --- Recorded in the late-1980s, Released in 2018

Guo Yongzhang – Lao Lai Nan (Old Man’s Blues)

Huge compilation of remarkable Chinese musicians in and around the Old Heaven scene in Shenzen, China. Recorded live at Tomorrow festival in Shenzen in 2023, there is music from bigger names Mamer, IZ & Lao Dan alongside local musicians Yang Yi, The Two Other Comrades and Wu Tun. If you're wondering what the festival is like, this is a great taster, or if you're already into Mamer then get to know his peers. Folk / blues / industrial / rock / electronic out of Shenzen. Not ur everyday. “Encore 72 Hours” is a special project including some remarkable Chinese domestic musicians. This release is a live recording compilation of the project. The album set is available on 3LP and 3CD+1DVD. All mixing and mastering are done by famous mixing engineer Liu Ying’s studio thus possess extraordinary quality. The album is not only a recording and a reproduction but also a necessary supplement to a live performance, even an artistic reinvention of acoustic. We hope to strike resonance among some listeners." - Tu Fei Track 1~2
杨一 Yang Yi - 吉他 Guitar / 人声 Vocals / 口琴 Harmonica  Track 3王凡Wang Fan - 笔记本电脑 Laptop Track 4~5马木尔 Mamer - 吉他 Guitar / 人声 Vocals夏力 Xalhar - 吉他 Guitar / 和声 Backing Vocals别克 Araybek - 打击乐 Percussion Track 6~7欢庆 Huang Qing - 吉他 Guitar / 合成器 Synthesizer / 人声 Vocals李琨 Li Kun - 钢琴 Piano / 合成器 Synthesizer / 人声Vocals Track 8~9法茹克 Ph - 吉他 Guitar / 主唱 Vocals翟晓明 Zhai Xiaoming - 贝斯 Bass / 主唱Vocals法如克 Faruk - 鼓 Drums Track 10~12马木尔 Mamer - 贝斯 Bass / 人声 Vocals夏力 Xalhar - 贝斯 Bass / 人声 Vocals别克 Araybek - 鼓 Drums老丹 Lao Dan - 萨克斯 Saxophone(Track 10) Track 13~14吴吞 Wu Tun - 人声 Vocals / 吉他 Guitar / 自行车 Bicycle / 鼓风机 Wind Blower  Track 15~16
小河 Xiao He - 主唱 Vocals / 吉他 Guitar张玮玮 Zhang Weiwei - 手风琴 Accordion郭龙 Guo Long - 打击乐 Percussion Track 17李剑鸿 Li Jianhong - 吉他 Guitar/ 人声Vocals韦玮 VAVABOND - 笔记本电脑 Laptop / 合成器 Synthesizer / 人声 Vocals   Track 18小河 Xiao He - 人声 Vocals / 吉他 Guitar杨一 Yang Yi - 人声 Vocals老丹 Lao Dan - 人声 Vocals / 萨克斯 Saxophone   现场调音 Live Sound Engineer & 录音 Recording:曾君 Zeng Jun,罗绿野 Luo Lvye现场灯光 Stage Lighting Engineer:张坤 Cheung Kwan混音 Mixing & 母带处理 Mastering:刘英 Liu Ying制作人 Producer:涂飞 Tu Fei主视觉设计 Main Visual Design:林溪 LINXI’s Office唱片设计 Album Design & 统筹 Coordinator:尹思卜 Yin Sibo影像出品 Video Production:大發錄像 DAFA“明天音乐节特别策划:返场七十二小时”现场,录制于深圳B10现场,2021年5月21日~23日Live at “Tomorrow Festival Special Project: Encore 72 Hours”, recorded at B10 Live, Shenzhen, May 21~23, 2021旧天堂书店 & 深圳B10现场 联合出品Published by Old Heaven Books & B10 Live, Shenzhen 2022

VA – Encore 72 Hours

Tracklisting: 1. 抓时 Just 01 04:342. 抓时 Just 02 02:113. 抓时 Just 03 05:284. 抓时 Just 04 01:095. 抓时 Just 05 10:30 Liu Ying is a guitarist, producer, mixing engineer and electronic musician. 远眺或低头不语 刘英的音乐里,充满着“音乐”。 而不是玩弄一些自我麻醉无病呻吟的声响——每一个音符背后都是严肃的作曲和演奏,尽管你看不见,有可能也听不到,但是它们就在那里。 这种错位不是天生的,是他作为一个音乐人长期练习的结果。 刘英也曾多次强调,就算设备再好,乐器再多,观念再新,但如果自己不练习,也不会让音乐变好一分一毫。 正是这种朴素的音乐观,加上他天真的本性,以及作为一个吉他手、编曲者、混音师的复杂工种带来的多重影响,使他的音乐充满了一种“格格不入”的气息。 太空无言,现实无常,温情无义……这些都将在一堆冷酷的模拟合成器上得到体验。 令人沉思是必然的 —— 抓紧时间,抓住时间,搬一张塑料板凳,守护贫瘠的梦境。 文: 涂飞 --- 作曲 Composed by 刘英 Liu Ying电子合成器 Synthesizer by 刘英 Liu Ying封面摄影/设计 Photography/Design:张咏瑜 Zhang Yongyu文案 Liner Notes:涂飞 Tu Fei统筹 Coordinator:陈铁梅 Chen Tiemei   OH 033旧天堂书店 Old Heaven Books,2022

Liu Ying – JUST