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bison

New album on bison from Kumio Kurachi, whos only performance outside of Japan was here back in 2009. "After 11 albums and unknown quantities of cassettes, compilations and split releases, Sound of Turning Earth is the first release outside of Japan for one of the most original figures in Japanese music, Kumio Kurachi. Recorded by Jim O’Rourke at his home studio, Sound of Turning Earth is Kurachi solo on vocals and guitar, mixing surreal lyrics and theatrical vocal personas with unorthodox tunings inspired by Japan’s national instrument, the koto. Lyrically Kurachi draws life from the small events of life, the hira, - the joy of choosing a lipstick in springtime, the business of changing the tatami, raindrops deciding whether to fall as snow. Set to his own brand of progressive folk in the Hirajōshi scale and laced with winding melodies which can be hard to forget, Kurachi maps his own territory for the people who inhabit his everyday. As much a visual artist as a musician, we are pleased to present Sound of Turning Earth in the form of a deluxe CD accompanied by new artwork by Kurachi and full translation of his poetic lyrics. These striking songs speak for a liberated imagination." “The music is so melodious that the mixture of the strange wording, guitar and variations of voices thrives all together and it can haunt you without noticing it, just like the small events of everyday life you can't escape from." - Midori Ogata  --- All songs written by Kumio Kurachi Guitars and vocals by Kumio Kurachi Recorded and mixed by Jim O'Rourke Mastered by Daichi Tokunaga (PLUM) Translation by Midori Ogata Design by Maja Larrson Special thanks to Midori Ogata --- Kumio Kurachi has performed actively in Japan since the 80's, and still plays shows in Fukuoka regularly. Past collaborators include Taku Unami and Tatsuhisa Yamamoto. He has played with Tenniscoats, Kazuhisa Uchihashi, Katsura Yamauchi, Tori Kudo, Jim O'Rourke and Eiko Ishibashi." 

Kumio Kurachi – Sound of Turning Earth

The latest chapter in the unfolding musical story of Bill Wells finds the Scottish jazz outsider’s compositions played by a trio of tuba players with contributions from young brass players from his adopted hometown of Glasgow.The results, The Viaduct Tuba Trio Plays The Music Of Bill Wells, are alternately ruminative, playful and profound, ranging from the cyclical opener Fanfare For Three Tubas to a mischievous interpretation of The Midges, a comic tribute to the entomological scourge of the Highlands by Scottish singer Kenneth McKellar, and the doleful Chorale 4K before the arresting finale of Stone Throw Dream Anthem. Throughout the record you are reminded of both the power and tenderness of brass instruments – their capacity to astound and reassure, to soothe and tickle.The trio in the title – Antony Hook, Danielle Price and Mark Reynolds – formed in 2018 to perform in the lee of the Glenfinnan Viaduct as part of the Loch Shiel Festival. Built on the West Highland Line and opened in 1901, the 21-span viaduct is nowadays best known for its appearance carrying the Hogwarts Express. Wells contributed three tunes for the performance, including Fanfare For Three Tubas, and composed the remainder after being commissioned by Glasgow’s underground/experimental festival Counterflows as a direct result of the Glenfinnan Viaduct performance. The trio subsequently performed Wells’ tunes in Glasgow with the Gorbals Youth Brass Band, who play on three of the album’s 10 tracks, sharing a bill with a duo featuring Chicago composer, flautist and educator Nicole Mitchell and London-based percussionist Mark Sanders.The Viaduct Tuba Trio Plays The Music Of Bill Wells represents another creative achievement for the prolific composer and multi-instrumentalist, whose output in recent years includes an album for an Estonian indie label (Remixes For Seksound, 2018), the eponymous debut LP by The Sensory Illusions, his guitar-and-tuba duo with Danielle Price (Karaoke Kalk, 2019), and Standards Vol V by his mischievously titled National Jazz Trio of Scotland (Karaoke Kalk, 2019), featuring the voice of Gerard Black (Rozi Plain, Charlotte Gainsbourg, Francois and the Atlas Mountains).Prior to these Bill collaborated with artists including Yo La Tengo, Amy Allison and Syd Straw on Nursery Rhymes (Karaoke Kalk, 2015) and Aidan Moffat on Everything’s Getting Older (2011) and The Most Important Place In The World (2015), both on Chemikal Underground. He has also recorded albums with Jad Fair, Maher Halal Hash Baz and Stefan Schneider of To Rococo Rot among others.The Viaduct Tuba TrioMark Reynolds studied in Glasgow and Munich. During his time there he performed with, among others, the Munich Philharmonic, Bavarian Radio Orchestra, Bavarian State Opera and the Munich Symphony Orchestra. In 2001, he was appointed principal Tuba of the Royal Philharmonic of Flanders, Belgium and became a founder member of the Ottone Brass Quintet. He has frequently performed as a soloist including performances of the Vaughan Williams Tuba Concerto with the Royal Philharmonic of Flanders and the Royal Scottish National Orchestra.Rising star Antony Hook was Loch Shiel Festival’s Young Artist for 2018 and currently studies at the Guildhall School of Music and Drama.Supported by the Countess of Munster Trust, Danielle Price studied at the Royal Conservatoire of Scotland and graduated with distinction from the Master of Music Course in 2013. She has since enjoyed a versatile career playing in a range of projects and ensembles including Pure Brass Quintet, The Sensory Illusions, Dopey Monkey, Red Note Ensemble, The Old Fountain Jazz Orchestra, New Antonine Brass Quintet (current Live Music Now Scotland artists) besides traditional jazz ensembles The Copper Cats and The Red Hot Rhythm Makers. She has also performed in the bands of Bill Wells and Aidan Moffat, Ashley Paul, Bella Hardy and Oxbow, and as an extra musician with the BBC Scottish Symphony Orchestra and Royal Scottish National Orchestra.The Gorbals Youth Brass BandThe band was formed in 2012 in Glasgow to offer local children free instrumental tuition. Each child is provided with a brass instrument and attends weekly lessons and rehearsals. GYBB also attend competitions, masterclasses and concerts.  The Viaduct Tuba Trio Plays The Music Of Bill Wells was recorded at Castle of Doom studios in Glasgow by Tony Doogan, mixed by Bill at Loathsome Reels and mastered by Norman Blake of Teenage Fanclub. The cover art is by longtime collaborator Annabel Wright.

Bill Wells – The Viaduct Tuba Trio Plays The Music Of Bill Wells

"Fast Edit is the second LP by Still House Plants, the Glasgow and South London-based three-piece collective made up of Finlay Clark, David Kennedy, and Jessica Hickie-Kallenbach. Written aided by mobile phones, dictaphones, laptop recordings of rehearsals, conversations and live shows, Fast Edit is a collage of different fidelities and headspaces, most tenderly exhibited on album centrepiece “Shy Song”. Overlays of past and current sit things on top of each other, fall over one another, get stuck, predicate. Fitting now, but reflective of a period doing shows in South America.The sentiment of the record is probably best described in part of an intervention written for what would have been the 2020 edition of Glasgow's Counterflows Festival by Frances Morgan:"Getting used to the idea of never getting anywhere except for between these three notes, these two words, getting tired, getting beyond it, getting locked in. Trying to get it down, trying to get it written. Like the song that didn’t get anywhere: it still moves, it doesn’t move.It is getting to you that this is heaviest verb to get across. Loaded and overloaded. Getting as in becoming, as in acquiring, as in catching, as in having, as in receiving, as in changing, as in arriving, as in moving through and over, it’s the same....How do you think we should do this. The song does something different now, puts the other foot forward. How do you know when it’s done. End on a verb and it becomes a command: run! Towards the next thing. Do – towards the next thing to be done.What have you been doing today, a day with nothing doing: watching a nesting falcon on a webcam, what’s it going to do. Googling the appropriate prayer, what does it say you should do. Bouncing the sticks off the snare, what does the sound do. How are we all doing. Doing, never done. Listening, never done."www.counterflows.com/intervention-one/   --- Recorded & mixed by Shaun Crook and Darren Clark at Lockdown Studios, London. Mastered and cut by Helmut Erler at Dubplates and Mastering.Typeface by Still House Plants, layout by Maja LarrsonProduced in partnership with Blank Forms, New YorkBlank Forms Editions 013BIS005

Still House Plants – Fast Edit

  “a notea voice, screamsa batterysounds, grating noise, scratcheshere it startsMusic, musicYou who shudderWho makes you dance, singWho moves the buttand now begins Humming Dogs” - Florence Decourcelle, Humming DogsAn absolute pleasure to present ‘Les Borigènes’ - the first LP from France’s Humming Dogs. Born from the radical ‘Oiseau Mouche’ (Bird-Fly Company) - a troupe of actors and comedians who focus on the theatre of gesture - Humming Dogs make joyful, avant rock music, which pooh poohs the po-faced in favour of a party.Humming Dogs are made up of eight members - David Bausseron, Mathieu Breuvard, Florence Decourcelle, Thierry Dupont, Chantal Esso, Léa Le Bars, Florian Spiry, and Valérie Waroquier, who each write and create songs, swap instruments and sing collectively. Guitars, bass, drum kit, and keyboards mix with toy percussion, amplified pine cones, pot lids, iPads, a zither and an arsenal of effects. ‘Ha Ha Ha’ opens the record with the group dispersed and growling at one another, only to break out in infectious laughter, a free word riot and a thick bass melody. The traditional French song, ‘Karnaval’, gets totally sent by keyboards and a slung low guitar scrawl, egged on by the bands hooting and hollering. ‘Ça Me Gratte’ haunts and grates until it splits with a rising synthesizer and squeaking Bonios. The spitting, itching, near exhausted vocals from Chantel Esso are unlike much else we've heard.‘Les Borigènes’ contains the self taught, simple charm of the Shaggs ‘Philosophy of the World’, performed in the spirit of village revelry and recorded and edited beautifully in the tradition of the GRM. Democratized experimentation, low ego rock’n’roll - Les Borigènes is a truly joyous, remarkable and wild record. It arrives in an edition of 500 140g black vinyl LPs, with artwork from London’s Submit to Love Studios and Taylor Silk.Humming Dogs have performed at Sonic Protest, Cafe OTO, and Counterflows.

Humming Dogs – Les Borigènes

“Urs Graf Consort, a collective with a corrupted genealogy, produce trail-blazing simulacra - songs nested within themselves, with the experimental accents of Ursonate. A protean duo operates under the name of Swiss engraver Urs Graf (1485 - c. 1529); Prune Bécheau and Adrien Bardi-Bienenstock are composers and performers for ensembles that are as varied as the motley company brought together in The Peasants War which Urs Graf depicted; Uva Ursi captures on-the-spot at acoustic vigils on the edge of amplified battlefields. Baroque violin, vièle-à-trou, bass, arranged drums, a broad spectrum of vocals, tuba, trumpet, synthesizer, spinet, sanza, shakers, bells and rattles... are all played in different concerts by: Simon Sieger, Mathias Pontévia, Jœl Grip, Samuel Burjade, Sam Langer, Paul Ferbos, Pierre Borel, Adrien Perron, Rachel Ramos, Emmanuel LeGlatin, Mathieu Cahuzac, Camille Émaille, Gabriel Bristow, Antoine Hummel, Makoto Sato, Arden Day, Olivia Scemama, Pascal Sieger, Geoffroy Gesser, Malgorzata Kasprzycka, Gwladys Le Cuff, and many others. The sheer number and differing degrees of participation by these musicians and their voices avoids genre - from passionate, rasping dialogues and the slow sedimentary effort of building the composition, to the use of six languages in various arrangements and surprise oral interventions. The same applies to the modes of recording, whether in the studio, live or by integrating direct sound recordings.The compositions on Uva Ursi - or bearberry, a medicinal mountain plant with small white flowers - confound expectations and established standards and attain new forms of interplay between Italian variety, free jazz, cabaret, instrumental theatre, Lettrist recitation, the disruptive intensities of improvisation and noise, and walrus songs. These disjunctive synthesis do not exclude humming or toe-tapping either, even though they may initially seem untenable as a whole: the airs are captivating but any dancing only arrives in passing, and either gets bogged down by weird meter or catches a chill from deceptive disintegrations and globbed down by macabre sounds.” Gwladys Le Cuff  --- Adrien Bardi Bienenstock : french, italian, spanish, danish, bassesPrune Bécheau : baroque violin, synthesizer, piano, organ, mandolin, french, german, danish Simon Sieger : trombone, accordeon, tuba, radiator, danish, frenchMathias Pontévia : drums (on pair tracks, except track 8)Joel Grip : double bass, danish, swedishSamuel Burjade : drums (on impair tracks)Sam Langer : electric guitarPaul Ferbos : spinetPierre Borel : saxophoneAdrien Perron : zarbRachel Ramos : pandeiro, bell, shakersEmmanuel Le Glatin : acoustic guitarMathieu Cahuzac : congasGwladys Le Cuff : Apocalypsis NovaEnregistré au Tuquet en Dordogne, à Ste Foy La Grande en Gironde, à Euphonia et au 51 rue du petit puits à Marseille. Tecnici di registrazione e mix : Loïc Lachaize, Prune Bécheau e Adrien Bardi BienenstockMastering : Loïc Lachaize and Jan Vysocky.Ooro hihi : frontière ronflanteHülle : Prune Bécheau und Adrien Bichon BardiGrafik : Maja LarssonEnglish translations : Sam Langer & Patrick DahnThanks for the technical support (and more) of Thomas Pujols, Samuel Burjade, Eloïse Burjade, Emmanuel Le Glatin, Mathias Pontevia

Urs Graf Consort – Uva Ursi