Limited edition riso done for Dali's residency. 25 white, 25 orange, printed by Good Press on uncoated "Arena Rough Natural" 200gsm and 230gsm Orange. Designed by Oli Barrett.

A2 screenprint for our four-day residency with harpist Rhodri Davies, an artist immersed in the worlds of improvisation, musical experimentation, composition and contemporary classical performance. He plays harp, bray harp, horse-hair harp, electric harp, and builds wind, water, ice, dry ice and fire harp installations and has released eight solo albums. Designed by Sally Pilkington and printed on 175gsm colorplan paper by Tartaruga.

Edition of 200 two colour screenprints.Artwork by Peter Brötzmann.Printed with high quality 175 gsm paper by www.tartaruga.co.ukSize: A2 Artwork by Peter Brötzmann. Design by Untiet.

Edition of 200 hand numbered two colour screenprints. Artwork by Peter BrötzmannPrinted with black and white ink on high quality GF Smith Pale Grey Colorplan 175 gsm paper by : www.tartaruga.co.ukSize A2

Two color screenprint for our Music and Other Living Creatures series, designed by Silja Strøm and printed on 175gsm colorplan natural paper by Tartaruga.

A2 screenprinted poster for our shows with the great Arto Lindsay on 14th October 2023. Design by Oli Barrett. Printed by Tartaruga Press on high quality, 175gm claret colorplan paper. Edition of 100.

The Dead C’s improvised noise rock verges on disintegration with a trademark hazy disorientation, invariably evoking hypnotic and heavy moods. But The Dead C are no bummer. They seek liberation from shallow and easy rock conventions; amid the murk of cardboard box guitars, underwater vocals, and ramshackle drumming, a new consciousness emerges. The recognizable, sullen strumming, mumbling and lyrical ennui of Michael Morley, anchored by percussionist Robbie Yeats and punctuated by the atonal bursts of Bruce Russell coalesce in a solid front that mocks the efforts of schmaltz-peddling hacks. – Starlight Furniture CoA2 screenprinted poster to mark this June's very special residency with The Dead C! Printed by Tartaruga on high quality, wild black paper. Edition of 100. Design by Oli Barrett

A3 risograph print for Tashi Dorji's June 2023 Cafe OTO show alongside Steve Noble. Printed by Good Press in dark grey ink on pale yellow paper. Design by Oli Barrett Edition of 50.

A3 risograph print for Sophie Agnel's June 2023 Cafe OTO residency with Steve Noble and John Edwards. Printed by Good Press in metallic gold ink on black paper. Design by Oli Barrett. Edition of 50

“Licht and Connors know all the arguments, have heard all the theories. They’re just choosing to do something else” – Freq Longstanding collaborators, Connors and Licht have an instinctual, fluid interplay that has been honed over many years, building a totemic sonic architecture that is even more than the sum of its considerable parts.A very special, four-colour A2 screenprint, created to mark the upcoming residency with Loren Connors & Alan Licht at Cafe OTO, designed using a photograph by Loren Connors himself. The prints make use of split, halftone colour layers, to recreate the ephemeral, painterly textures of the original photograph, meaning that each print is unique.  Printed by Tartaruga on high quality, 198gsm Takeo Satogami charcoal paper. Edition of 100. Design by Oli Barrett / Tartaruga from a photo by Loren Connors.

Design by Bill Nace to mark the occasion of Steve Noble's first OTO residency. Screenprinted on Plike paper by Tartaruga. Numbered /100.  ""Originally planned for June 2020 I am very pleased that this is happening-and am delighted to be able to play with such great musicians First time duets with NiNo/MiNo and TiNo and a chance to present two new groups of mine-SOS and 4tet. And to start-a solo and the duo 'the both' (I first met Pat T back in 78 in Oxford). Roll on!" - Steve Noble

Signed, numbered edition A1 print of 'Parrots, Drawings and Cheap Glue' by Adam Bohman. High quality giclee print on heavy weight archival paper.Limited edition run to raise money for the Adam Bohman Exhibition Fundraiser. Adam Bohman has been operating on the outer fringes of underground music for decades. However, his tape cut-ups and home-built instruments represent just a tiny fraction of his artistic practice. In parallel, Adam has been creating and carefully stockpiling an extraordinary collection of collages, ink drawings and graphic scores that only a handful of people have ever seen. We're planning an exhibition at our project space that will present these works publicly for the first time. We hope you can help us make it happen. More images.

Screenprinted on thick, quality paper. Design by Maja Larsson. Limited poster to celebrate the two day residency by the legendary and uncompromising Patty Waters.  From original listing:  Patty Waters must be acknowledged as a vocalist who has tested the limits of the human voice’s capabilities. Since her brief recording career in the mid-6O’s – after Albert Ayler brought her to the attention of ESP Disk – and despite performing very rarely, her influence has spread far beyond the realms of avant-garde and jazz. She has received much critical acclaim for her two ESP Disk recordings - Patty Waters Sings and Patty Waters College Tour. Waters' interpretation of Black is the Color of my True Love's Hair still remains a bold testament to the power of human expression. With a repertoire ranging from hushed piano solo ballads – in which her voice can fade to a whisper, barely audible – to performances using her voice as an instrument, conveying an incredible range of emotions, Waters is a singular artist and we're delighted to host her for a very rare two-night residency alongside Burton Greene (piano) and Tjitze Vogel (bass). “One of the best fucking singers alive.” – Rolling Stone “Praised by people like Miles Davis. her range moves easily from intimacy to introspection to rage. and her evocation of “Black is the Color of My True Love's Hair” has no parallel In musical history.” – San Francisco Sentinel “Hear her voice with the ears of wolves. A sound contour never before heard in American music and poetry. It transcends virtuosi vocalizing. It is presented as Shamanic ritual. The most perfect realization of Jazz song as siren song. Compels a revisioned understanding of the lure of the sweet woman's voice as a passage to paradise.” – Village Voice

Poster for Craig Leon's performance of his seminal album, ‘Nommos’, with the Silk Street Sinfonia at OTO on 17 January. Design by Tank Boys. From the original listing... “Acclaimed producer and composer, Craig Leon, presents the live UK debut of his seminal album, Nommos, with the Silk Street Sinfonia string quartet. Leon has produced albums for the likes of Suicide, The Fall, Blondie, The Ramones, and Richard Hell but it's perhaps his own debut album, Nommos, (originally released on John Fahey's Takoma label in 1981) that deserves most acclaim. Out of print for 30 years, Nommos built up an ardent cult following before a full re-issue in 2013 and is now finding the audience it deserves. With its unique mix of analogue electronics, African drum samples and expansive arrangements it sounds every bit as vital now as it did upon it's original release.”

Poster print for the Intersect event that took place across Cafe OTO, The Vortex and Servant Jazz Quarters in December 2013. Design by Paul Abbott. From the original listing... “An extended evening of adventurous music taking place across Servant Jazz Quarters, The Vortex, Cafe OTO and The OTO Project Space. The ticket price gives you a wristband that gets you access to all four venues throughout the day. Line-up includes: Alex Ward Angharad Davies Blue Eyed Hawk Chris Weaver Daichi Yoshikawa Dollyman Fumi Okiji Guillaume Viltard Hannah Marshall Isnaj Dui James Dunn Jennifer Allum Julie Kjær Klavikon Matthew Bourne Oli Brice Oliver Coates Orchestra Elastique Ore Paul Abbott Peter Blundell Phil Julian Rachel Musson Ross Lambert Seymour Wright Strobes Steve Noble Tom Rogerson Woven Entity Yoni Silver”

Screenprinted on thick, quality paper. Design by Maja Larsson on the occasion of the special one night event featuring Loren Connors at Cafe Oto.  From original listing:  Thrilled to welcome back one of the most singular guitarists of our time for a very special solo performance - his first European show since 2011. Loren Connors' singular adaption of the blues is a distinct personal vision combining the Delta bottleneck sound and the ancestral blues voice (appearing as distortion, baying hounds or multi-tracked guitar), with hauntingly unexpected sounds. Outside of his three decades of solo work, Connors has also collaborated with the likes of Suzanne Langille, Jim O'Rourke, Darin Gray, Alan Licht, Christina Carter, Keiji Haino, San Agustin, Jandek and many others, as well as leading the group Haunted House. Loren's set will be preceeded by a screening of ‘Gestures’ – a short film on Loren Connors by Vincent Guilbert.

Slightly larger than A2 poster print for Russell Haswell's three-day residency at Cafe OTO: https://www.cafeoto.co.uk/events/russell-haswell-three-day-residency/ 70cm x 50cm. Poster and GIF design by http://www.muirmcneil.com

High quality screenprinted on deluxe thick paper printed by Design Club Dalston. Design by Maja Larrson  Limited to 100 numbered copies  The Necks are one of the most distinctive and enthralling groups in music. Ever a pleasure to witness their mesmerically symbiotic musical interplay and we're delighted to welcome them back following their 30th anniversary last year! The hard-earned, almost telepathic rapport that Chris Abrahams, Lloyd Swanton and Tony Buck have developed over the past three decades is truly one of the most compelling in live music and it's a privilege to have them back here at OTO.“among the world’s greatest forces in music...” – LA Times“One of the most extraordinary groups on the planet... a sonic experience that has few parallels or rivals.” – The GuardianTHE NECKSThe Necks offer a phenomenal musical experience, unlike any piano trio you may have heard. Masters of their own musical language of long-form improvisation, each night they step onto the stage with no pre-conceived ideas of what they will play – they and the audience will go on a sonic journey that is created in the moment and in that room.Over their 30 years together, they honed an assured process of building around repeated motifs through subtle shifts and layering, to produce an extraordinarily dense and hypnotic effect which builds in a mesmerising, epic fashion …. a trio conjuring an orchestral expanse. Every Necks' performance is a singular event, 2 sets of approximately 45 minutes, entirely improvised and working with the acoustics of the room.