Posters and Prints

Screenprinted on thick, quality paper printed by Tartaruga. Design by Han Bennink Limited to 100 numbered copies  “Han Bennink is an international treasure, a towering catalyst bringing sparkle, humour and character to an art form that too often is dull.” – London Jazz News In the fields of experimental and outsider music, the word "legendary" can be applied far too liberally, but for Han Bennink no other word will do. Celebrating a three-quarter century this year, the Dutch drummer and percussionist has had a colossal impact and influence in the fields of free jazz and improvised music, from his seminal and varied work with the likes of John Tchicai, Peter Brötzmann and Derek Bailey in the 60s and 70s, to a still restlessly inventive collaborative output with artists as wide-ranging as The Ex, Pat Thomas and Eugene Chadbourne in more recent years. Cafe OTO has had the privilege of playing host to many of the greats of improvised music since its inception in 2008, but one artist who never seems to have performed here enough is Han Bennink. This residency – his first shows here since 2013 – aims to go some way in redressing that balance, with a packed line-up of duo and trio performances alongside collaborators old and new. Combining equal parts virtuosity and anarchic irreverence, Bennink has never rested on his laurels, and this should be an enthralling and thrillingly unpredictable three days “What ultimately makes Bennink special is his manifest love for the music, a love that inclines him to tear down the cardboard walls that too often separate different schools of jazz. At his best, with colleagues who share his all-encompassing stylistic embrace, Bennink plays the continuum of jazz as an instrument unto itself.” – Drummerworld

HAN BENNINK 3 day RESIDENCY A2 SCREENPRINT

Screenprinted on thick, quality paper printed by Tartaruga. Design by Maja Larsson / Organ studio. We're delighted to present a four-day residency with one of the greatest living UK-based improvisers - Pat Thomas. Criminally unheralded, Pat is a fearless and uncompromising player who – despite coming from a background of free improvisation and new music – can feel as close to the worlds of noise and experimental music. His performances range in approach and texture from fearsome cacophony that can sound like a piano having its guts ripped out, with Pat thumping discordant clusters of keys with his fists or rattling the exterior wooden frame; to delicately soothing passages where his fingers glide over the keys, creating microscopic tones and resonant melodies that can hold an entire sonic landscape. The residency coincides with the release of Pat's new LP - The Elephant Clock of Al Jazari - on our own in-house OTOROKU label, which comprises four typically genre-defying and sonically dexterous pieces from one of the UK's most extraordinary pianists. "I can't quite think of anyone else who sounds quite like this: it is in a class of its own." - Bruce Lee Gallanter, Downtown Music Gallery "Thomas runs the gamut of techniques, splashing clusters, weaving contrapuntal lines and building elaborate structures from the inside out. Despite their variety, they share a fundamental quality – they truly sound like spur of the moment creations, not the final draft of ideas mulled over for weeks, if not months on end." - Bill Shoemaker, Point of Departure 

Pat Thomas - 4 Day Residency A2 SCREENPRINT