Incus Recordings

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Incus Recordings

"Oxley and Bailey first played together in 1963. Although they come from the same city and share the same kind of background their meeting was, in a way, coincidental. Bailey - 10 years older than Oxley - after some years working away from their hometown, returned for what was initially intended to be a brief family visit. The musical situation he found there persuaded him to stay. Oxley and Bailey then worked together, continuously and intensively, for the next three years and developed, with Gavin Bryars who was then a bass player, their own particular approach to free improvisation. Since 1966, their working relationship, although intermittent, has continued in a multitude of different playing situations. Initially, during the late 60's and early 70's, much of it was in the context of Tony Oxley's small groups - quartet, quintet and sextet. From the late 70's on, it would sometimes be within Derek Bailey's improvisor's ensemble, Company. Throughout, and increasingly in the 1990's, they have played in duo. These recordings, a London studio recording made in 1977, and a concert recorded in New York 1995, are testament to the remarkable richness and sustained variety of their musical relationship." - Simon Kelly --- Derek Bailey / electric & acoustic guitars Tony Oxley / acoustic & electric percussion, violin --- Tracks 1-4: Recorded in Soho, London in February 1977 by Kevin Spencer. Tracks 5-10: Recorded at the Knitting Factory, NYC in September 1995 by James Mclean. PPhotographs of Derek Bailey &  Tony Oxley in concert (France, May, 1997) by Franz-Heinrich Busch. Post Production & design by Karen Brookman.

Derek Bailey & Tony Oxley - Soho Suites

"The Levis are accomplished masters of the warp-speed sound bite: 26 of them here, set out like a board of weird sushi. Though most clock in at between 30 seconds and pop-single length, there are two more substantial tracks in the middle of the set- the combative "All Against All" and "Lady Ms Girl Shine"- which confirm that this isn't just a comic put on." - Penguin Guide to Jazz --- Bob Stagner / percussion, fiddle, zither, cymbal, rototoms, drum machine, violin, cowbell Dennis Palmer / synthesizers, drum machine, effects  --- Tracklisting: 1. The Popcorn Gomer - 1:242. Rev Jim's Belly - 1:203. Quarrelsome Brother Love - 0:324. Sunday School Breakfast - 1:575. Green Eyed Lovely Chimp - 1:446. Big For My Size - 2:037. Humming Devil - 2:098. Bullet Proof Cross - 5:409. Dob On Ah Stob - 1:2910. All Sweet Like Babies - 1:4311. Vampires Like To Bite - 1:5712. Tiny Tarkus - 1:4313. Magic Pulpit Ride - 1:0814. All Against All - 7:4815. Lady Ms. Girl Shine - 4:0316. Heart Beam - 2:0417. Sissy Gladiators - 1:3918. Hip Oh Critter - 2:1619. Two Cycle Hell Harp - 0:4720. Jumping Devil "Seven Examples" - 1:5521. Merry Dang Soul - 1:3222. Astral Peeper - 1:0923. Where's The Bible? - 1:5524. Catbird Technique - 2:1325. Lil' Hellbender - 1:5926. Corpse O' Earth - 2:43 --- Produced by Ray Norwood. Tracks 1 to 11 were recorded mixed and engineered at the Sound Lab, Chattanooga, Tennessee, January-April 1992. Tracks 12 to 26 were recorded in Palmer's basement in June 1992.

Shaking Ray Levis - False Prophets Or Dang Good Guessers