Compact Disc

Genre

Label

Date

Compact Disc

John Chantler — synthesizerSteve Noble — drumsSeymour Wright — alto saxophone This recording shares music from the first time public concert of a new trio formed by John Chantler — best known for his solo synthesizer recordings and work with pipe organs — and two of the most instantly recognisable voices in the scene loosely associated with London’s Cafe OTO — drummer Steve Noble and saxophonist SeymourWright. Recorded 7 May 2017 at Cafe OTO by Shaun Crook. Mix/edit by John Chantler.Mastered by Stephan Mathieu. John Chantler is a musician and organiser living in Stockholm, Sweden. Chantler’s recent recordings are characterised by headlong dives into ravishing texture and extended stretches of surface stasis that are disrupted by abrupt cuts, deft variations of density and unexpected diversions that draw on a domestic reimagining of studio based electronic music/musique concrete and 20th century minimalism and delivered with brash, revitalized energy. www.inventingzero.net Steve Noble is London's leading drummer, a fearless and constantly inventive improviser whose super-precise, ultra-propulsive and hyper-detailed playing has galvanized encounters with Peter Brötzmann, Derek Bailey, Matthew Shipp, IshmaelWadada Leo Smith, Stephen O'Malley, Joe McPhee, Alex Ward, Rhodri Davies and many, many more. In the early eighties, Noble played with the Nigerian master drummer Elkan Ogunde, Rip Rig and Panic, Brion Gysin and the Bow Gamelan Ensemble, before going on to work with the pianist Alex Maguire and with Derek Bailey (including CompanyWeeks 1987, 89 and 90). He was featured in the Bailey's excellentTV series on Improvisation for Channel 4 based on his book ‘Improvisation; its nature and practise’. He has toured and performed throughout Europe, Africa and America and leads the groups N.E.W. (with John Edwards and Alex Ward) and DECOY (with John Edwards and Alexander Hawkins). SeymourWright – saxophonist, investigator, artist – lives in London. His practice is about the saxophone – music, history and technique – actual and potential; an on-going, rigorous and exhaustive exploration of the instrument.The energy of this learning is applied to various collaborations and contexts to access/share what he has called the ‘awkward wealth of investigation’. His work is documented on two widely acclaimed self-released collections SeymourWright of Derby (2008) and SeymourWrites Back (2015). His current collaborations include lll⼈人 (with DaichiYoshikawa and Paul Abbott), GUO (with Daniel Blumberg) and XT (with Paul Abbott).

John Chantler / Steve Noble / Seymour Wright - Front and Above CD

John Butcher: tenor or soprano saxophones - plus feedback (1), motors (1, 3, 4), embedded harp speaker (5)Rhodri Davies: pedal harp, lever harp with embedded speaker and electric harp. Aeolian electric harp (7) Tracks 1-6 recorded by Andrew Mills at Elipse Studio, Newcastle upon Tyne, UK, May 2, 2008Track 7 recorded by Angharad Davies and Rhodri Davies at Crear, Kilberry, Argyll, UK, August 21, 2007 (aeolian electric harp); and by John Butcher in London, April 8, 2009 (soprano saxophone)Edited, mixed, and mastered by John ButcherDesign by Hirozumi TakedaPhotographs used by kind permission of Newcastle Libraries and Information ServicePackaged in a cardboard jacket John Butcher is one of the leading sax players on the free improvisation scene. Rhodri Davies transcends conventional ideas about the harp--an instrument rarely associated with improvised music--in his wide-ranging projects. The two British musicians have worked together in a variety of contexts since 1997 and gave their first duo concert in 2000. As a duo they toured the UK and the U.S. in 2002, and Japan in 2004. In their performances they draw upon extended and unique playing methods mastered over the course of their careers, leaving far behind the imagined limits of their respective instruments. Carliol contains 7 tracks studio-recorded between August 2007 and April 2009. With its multi-hued timbres and textures, sonic beauty, conceptual freedom, experimental spirit and sophisticated structure, this CD dazzles on many levels. While the 2001 album Vortices & Angels (on the UK label Emanem) includes duo tracks by these two artists as well by Butcher and Derek Bailey, Carliol is the first all Butcher/Davies duo album to be released since the start of their duo collaboration a decade ago.

John Butcher/Rhodri Davies - CARLIOL CD

Akio Suzuki: pebbles, glass plate, sponge, pocket bottle, voice ANALAPOS, brass plate, cardboard box, wood screws, bamboo stick, metal plate, noise whistle, swizzle sticksJohn Butcher: tenor and soprano saxophones (amplified on 1)Arika "Resonant Spaces" Tour, Scotland & Orkney - June 2006Wormit Reservoir, FifeHamilton Mausoleum, South LanarkshireSmoo Cave, Durness, HighlandsTugnet Ice House, Spey Bay, MorayLyness Oil Tank, Island of HoyRecorded by Ruari CormackFtarri Festival - November 2015SuperDeluxe, Roppongi, TokyoRecorded by Chihei HatakeyamaMixed and Mastered by John ButcherArtwork and design by Cathy FishmanPackaged in a cardboard jacket________________________________Sound artist Akio Suzuki crisscrosses the world with his self-made instruments. British tenor/soprano sax player John Butcher is a leading figure in improvised music. These two musicians have been carrying out duo performances since 2002. The six tracks on this CD are recordings of their duos in Scotland in 2006 and Tokyo in 2015.In June 2006, an event was held in which Suzuki and Butcher visited and performed in places around Scotland that have highly distinctive acoustic characteristics. Butcher's solo performances from this event were released in the CD Resonant Spaces (Confront, 2008). Recordings had also been made of the duo performances, and these are being released for the first time on this CD. The fascinating performances on these five tracks, each of which is 5-8 minutes long, made use of the special acoustic environments of five locations: the underground Wormit Reservoir in Fife; the Hamilton Mausoleum in Hamilton, well known as a manmade structure with long reverberation; the gigantic Smoo Cave in Durness; the large Tugnet Ice House in Spey Bay; and the Lyness Oil Tank in the Orkney Islands, which was used during World War Two. Suzuki and Butcher also performed together nine and a half years later, in November 2015, at Ftarri Festival2015, held at SuperDeluxe, Tokyo. In this 27-minute-long performance, they exchange myriad sounds in a flexible, spontaneous manner.

Akio Suzuki & John Butcher - Immediate Landscapes CD

Ten Years Alive On The Infinite Plain is the quintessential work of artist/filmmaker/composer Tony Conrad. Comprised of both film installation and minimalist score for amplified strings, Ten Years leaps across genre and medium to connect his revolutionary structural filmmaking with the experiments in long-duration sound that Conrad had begun in the 1960s as part of the Theatre of Eternal Music."Ten Years began with image before sound," writes Andrew Lampert, "a row of quadruple projections arranged side-by-side, all the shuffling stripes cascading into each other. Over the next two hours the music throbbed and the projectors incrementally shifted inwards, their beams gradually uniting to form one pulsating, overlapping picture."For its 1972 premiere at New York's The Kitchen, Ten Years included Conrad on violin as well as Rhys Chatham and Laurie Spiegel performing on instruments of the composer's own making. Chatham played the Long String Drone – a 6-foot long strip of wood with bass strings, electric pickup, tuning keys, tape, rubber band and metal hardware – while Spiegel carried out an arrhythmic bass pulse throughout.Superior Viaduct is honored to present this previously unreleased recording of Ten Years Alive On The Infinite Plain's breathtaking premier performance. As Chatham recounts in the liner notes, "When I first listened to this recording after not hearing it for over 40 years, it transported me back to the early Kitchen and the heyday of early minimalism, played outside the Dream Syndicate."Track Listing:Ten Years Alive On The Infinite Plain (1:28:18)

Tony Conrad - Ten Years Alive On The Infinite Plain 2CD

This duet between bass clarinet and circuit-bent Casio SK1 sampler was recorded at the Pittville Pump Room in Cheltenham in January 2003. As one might expect, the music has some of that cold silence which pervades classical music institutions, and which is so repellent to ears used to the demotic bustle of jazz and pop. However, the musicians use one aspect of classical recital to their advantage, which is its staged singularity of performance. Where so much issued music has become calling cards for celebrity rather than a significant act in itself - the malign influence of free music’s reduction of music to the musician; the free jazz griot, the improviser genius - Cundy and Dunn have put everything they can do into one CD.   The musicians are fully in control of their pitches and the music often proceeds by finding a harmony and then forcing it into crisis, unbearable tensions resolved into rhythmic exchange. Cundy also uses a Tinnitus Analyser to detect noises and elevate them into audibility. This provides the musicians with a stimulating randomness - the difference between the unexpected shapes generated by looking and drawing rather than simply doodling and reproducing habit, the eversame.   Eric Dolphy’s example on bass clarinet allows Cundy to exploit the natural resources of the instrument: its old fashioned wood-panelled formalism, the humour of its duck quacks, the urban urgency of its sinuous high tones. Dunn’s electronics are a masterclass in the resources of outdated technology. After being exposed to so much laptop texturing, the ear appreciates the SK1’s limits. They give Dunn’s contributions a jagged starkness, like coming upon a crude screenprint in an exhibition of digital printouts. It’s possible that both musicians are a little too guarded to force the music into a contradiction that might unify an hours performance. However, the quiet care and intensity in the way they listen to each other is really touching.

Grace And Delete ‎– Grace And Delete CD