We need your help – please

Become a member of Cafe OTO and support amazing shows, residencies and new commissions from musicians across the UK and overseas. Your membership also ensures that we can continue to present the most ambitious programme possible.

You can also purchase gift memberships by clicking the "Buy For Friend" links below. Gift memberships come in durations of 3 months, 6 months and a full year. After purchasing you will be sent a pdf voucher that you can print or forward on to the recipient at a time of your choosing.

If you are unwaged or on a low income and are unable to afford the current ticket prices at OTO, we offer FREE Venue Membership, no questions asked. Find out more here.

You can also get free Venue Membership if you are a student. Find out more here.

Venue only
  • Cheaper tickets for you and a friend with no booking fees
  • Early-bird booking and previews
  • Discounts online and in the cafe shop
  • At least one free-to-members event each month
  • Regular member newsletter
  • MORE INFO

£10 month
£100 year

Buy
Buy for friend

Venue only

  • Cheaper tickets for you and a friend with no booking fees
  • Early-bird booking and previews
  • Discounts online and in the cafe shop
  • At least one free-to-members event each month
  • Regular member newsletter
  • MORE INFO

£10 month
£100 year

Buy
Buy for friend

Full membership
  • Cheaper tickets for you and a friend with no booking fees
  • Early-bird booking and previews
  • Discounts on records, books and more online and in the cafe shop
  • At least one free-to-members event each month
  • Three downloads each month from OTO Digital and other labels
  • Regular member newsletter
  • MORE INFO

£15 month
£150 year

Buy
Buy for friend

Full membership

  • Cheaper tickets for you and a friend with no booking fees
  • Early-bird booking and previews
  • Discounts on records, books and more online and in the cafe shop
  • At least one free-to-members event each month
  • Three downloads each month from OTO Digital and other labels
  • Regular member newsletter
  • MORE INFO

£15 month
£150 year

Buy
Buy for friend

Digital only
  • The best of OTO's archive
  • Three downloads each month from OTO Digital and other labels
  • New labels added regularly
  • Discounts on records, books and more from our online store
  • Regular member newsletter
  • MORE INFO

£10 month
£100 year

Buy
Buy for friend

Digital only

  • The best of OTO's archive
  • Three downloads each month from OTO Digital and other labels
  • New labels added regularly
  • Discounts on records, books and more from our online store
  • Regular member newsletter
  • MORE INFO

£10 month
£100 year

Buy
Buy for friend

Latest Downloads

Kuljit Bhamra, Evelyn Glennie and Charles Hayward improvise together for the first time as part of Trestle Records ongoing One Day Band series and to mark the release of One Day Band compilation volume 1 on vinyl and download. A masterclass in percussive improvisation from three exceptional musicians from three very different fields of practice.  The One Day Band sessions are an ongoing programme of recorded improvisations hosted by Trestle Records. This will be the first time that the session has left the studio to be recorded live in front of an audience. The idea is to facilitate an environment for musicians to meet and collaborate with one another on a record made in a day. Often the musicians are meeting for the first time in the studio itself whilst other times we ask an artist to curate the participants. This often results with people inviting musicians or friends they have wanted to work with but haven't yet had the opportunity / reason.These recordings are owned equally by the artists who make them. We provide the studio, engineer, mix and master the session for it then to exist on www.trestlerec.com to be heard for free. This is purely an environment for experimentation and improvisation with the results available to whoever may be interested. -- Kuljit Bhamra - tabla Evelyn Glennie - percussion Charles Hayward - percussion -- Recorded live at Cafe OTO on the 24th of August 2019 by Shaun Crook

New music from XT (saxophone player Seymour Wright and percussionist Paul Abbott) in the form of an exhilarating, super compressed, reflective re-assembling of a dozen years working together. Re-animating free improvisation with a Chicago house palette, Deorlaf X is made up of frenetic slabs of mutated multiphonics and triggered percussion, suspended in bouts of possessed reflexive quiet. Where the duo’s 2019 release Palina'tufa on Empty Editions focused primarily on a response to the real (and imagined) landscapes of Hong Kong, Deorlaf X is located in Dalston, and specifically at OTO. Wrung through Shuan Crook’s studio over three nights, the recordings dug from XT’s archive aren’t simply ‘duo’ - instead they actively draw on their public and social contexts, involving the influence of audience, engineers and other visiting musicians - Ghédalia Tazartès, Jamaaladeen Tacuma, Senyawa, RP Boo and others. “A changing cast of OTO guests, audience and emotions hosted each time in a new London. XT structures sound an ongoing attempt to listen and learn about the rich and transformative affordances of the situations we occupy.” The resulting record puts a pin through a dialogue between Abbott and Wright, between histories, potentials, fact, fiction, ideas, friends, audiences, and spaces. The heavy use of referencing recalls the footwork or house traditions of sampling across all manner of influences; what’s recalled is primarily the structures of jazz - Ornette Coleman, Charlie Parker, Anthony Braxton - but also Ann Quin, Clarice Lispector, Anna Halprin. What’s created in recall is a kind of diary, a hyper re-membering - a blisteringly warped kind of future music. --- Recorded by James Dunn, Shaun Crook and Paul Skinner. Assembled, mixed and re-recorded 19, 20 and 21 January, 2020 by XT at Lockdown Studio, Cable Street. Engineer Shaun Crook. Sounds/design by XT. Cover painting Leon Kossoff 'Dalston Junction No.3, June 1973' oil on board, 20.5 x 25 cm. © The Estate of Leon Kossoff. ROKU026

Honoured to present this new work by Japanese improvisor, producer, and singer-songwriter, Eiko Ishibashi. This mysterious "live session" sees her paring back her song-craft in favour of a multifaceted suite of synthetic sound and rhythm, pushing and pulling her work in radical new directions. The work opens with seething, dense layers of synthesis, driven skyward by the powerful dual percussion work of Tatsuhisa Yamamoto and Joe Talia. Elsewhere she embraces scattering electronics, allowing programmed and indeterminate elements to trip over themselves. As the session progresses, iridescent organ laments and spiraling synth arpeggios emerge, collapse and dissolve, birthing moments of lava-hot extra-terrestrial funk. This is Eiko going truly "out": loosening, expanding, falling off the grid and into deep unknown terrain. We're here for it. "Actually, I'm still afraid to play music live. But the feeling of jumping off a cliff, the feeling of being able to go far from my consciousness, the feeling of resetting to go to creation again, the feeling that my world is inevitably opened by customers and people I meet at live performances... these feelings, I wouldn't get anywhere else.  I am deeply grateful that I was able to have such experiences with the help of many live music venues and their staff in Japan and overseas. I hope to see you again in good spirits.I will do my best until then.The live performance I did at cafe oto was also an unforgettable one.I want to come again. Thank you for the opportunity. "   - Eiko Ishibashi <Japanese Text > 沢山の国内外のライブハウス、スタッフの方々に助けられ、育てられて今の自分があります。 崖から飛び降りるような感覚、自分の意識から遠いところに行けるような感覚、そこからまた創作に向かうためのリセット感、お客さんやライブで出会う方々によって自分の世界が否応なく開かれる感覚は他では得られないものです。 元気な姿でまたお会いできたら嬉しいです。 それまで精進致します。 cafe otoのような素晴らしい場所がこの状況を乗り越えて存続していきますように。 このような機会をくださってありがとうございました。 石橋英子 -- EIko Ishibashi: Synth, Piano, Voice, Flute, Vibraphone, Sound CollageTatsuhisa Yamamoto: DrumsJoe Talia: DrumsMastered by Jim O'Rourke

"First release from the duo of two important yet often underappreciated musicians, Eiko Ishibashi and Darin Gray. Ishibashi is a singer-songwriter, keyboardist, drummer, and multi-instrumentalist, known in Japan both for her own elaborately conceptual solo albums and for her frequent collaborations with figures such as Jim O’Rourke, Merzbow, and Phew. Darin Gray is a bassist and multi-instrumentalist known for a multitude of collaborations (with O’Rourke and Loren Connors, among many others), for On Fillmore, his cinematic post-exotica project with Glenn Kotche, and as one half of Chikamorachi with Chris Corsano, one of the finest free-jazz rhythm sections around. Presenting the entirely of a live set performed at Tokyo’s Super Deluxe in March 2013, the set begins as a duet for Ishibashi’s flute and Gray’s upright bass. Calmly melodic yet harmonically inventive, with shades of ‘spiritual jazz’, the pair’s acoustic ruminations are gradually joined by Ishibashi’s lush electronics, which randomly flicker between chords in a manner recalling the classic work of David Behrman. As the electronics build into a gloomy fog of slowly cycling loops, Gray lays his bass aside and turns to making strangely mournful interjections on a mouthpiece. Eventually Ishibashi moves to the piano, enveloping the audience in rippling pools of sustained, octave-doubled melody, provided by Gray’s bass with a fluid and dynamic foundation. For much of the second side, both Ishibashi and Gray turn to electronics, ultimately arriving in a bizarre space of melancholic arpeggios and random sputter and sizzle, oddly reminiscent of 70s outsider prog acts like Wapassou. An uneasy coda of rich piano chords ends the set. Captured in warm room ambience and beautifully mixed by Jim O’Rourke, Ichida is a rare combination of improvisational acumen and emotional directness, both adventurous and immediately accessible."

Venue Membership

Becoming a venue member gets you cheaper tickets, cheaper merchandise, access to early-bird booking and free-to-member only shows. Venue members receive our pre-sale mail outs which offer tickets before they go on general sale. Due to our small capacity, this is sometimes the only way to ensure a ticket to our more popular shows.

Can I use my membership discount when buying tickets on the door?

Yes. Please bring ID with you. You will need to pay in cash as we don't have a card reader on the door. Please note that we cannot guarantee entry to members so advance booking is recommended.

Can I use my membership discount when buying records and other items in the Cafe shop?

Yes. Please bring ID.

Do I get a membership card?

We don't issue membership cards, but your membership is automatically registered when buying tickets or items from our shop online. Please bring ID for discounts on tickets and records in the cafe shop.

Do I need to renew my membership when it expires?

Your membership will automatically renew on a monthly or annual basis - depending on what you initially purchased. To cancel your membership you just need to log in to your account on our website and terminate the membership before your next payment date.

Digital Membership

OTO Digital makes our archive available internationally for the first time. We aim to make two new recordings from our archives and four releases from other independent labels available as downloads each month. Each recording is professionally mixed and mastered in house, and agreed with the artist. The label aims to reflect the diversity of Cafe OTO’s program, support new artists in getting an early stage release out, or showcase new or previously undocumented work from more established names.

OTO Digital also works closely with small independent labels to sell their releases through our shop. Each label is carefully selected, featuring artists with strong ties to OTO’s programme and some long out of print releases.

How do the credits work?

We’ll add three credits to your account each month. Each of these credits can be used to download any recordings from the ‘Digital Downloads’ section of our website - including releases on other labels. If you have credits, you'll be given the option to download any of the available titles under the 'BUY' links.

There is no time limit on using your credits whilst you remain a member.

The website will show you how many credits you have left and when they will next refresh.

Do the artists get paid?

Yes. When you download a recording as part of your digital membership we pay the artist £1. For downloads by non-members we pay the artists 50% of receipts.

What is the recording quality like?

All of the live recordings available will be professionally mixed and mastered and approved by the artists. Most recordings are sourced from the high quality multi-track hard disc recorder we installed in May 2013 and all are handled with the same attention to quality that we’ve given our vinyl LP releases.

Recordings are available to download as 320k MP3 / 24-bit FLAC files or 320k MP3 / 16-bit FLAC in the case of some older external labels.

We would like to acknowledge Sound and Music and The Hub’s ‘Joining The Dots’ project for their support in the development of our digital membership offer.