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In the 1970s David Toop became preoccupied with the possibility that music was no longer bounded by formalities of audience: the clapping, the booing, the short attention span, the demand for instant gratification. Considering sound and listening as foundational practices in themselves leads music into a thrilling new territory: stretched time, wilderness, video monitors, singing sculptures, weather, meditations, vibration and the interior resonance of objects, interspecies communications, instructional texts, silent actions, and performance art. Toop sought to document the originality and unfamiliarity of this work from his perspective as a practitioner and writer. The challenge was to do so without being drawn back into the domain of music while still acknowledging the vitality and hybridity of twentieth-century musics as they moved toward art galleries, museums, and site-specificity. Toop focused on practitioners, whose stories are as compelling as the theoretical and abstract implications of their works. Inflamed Invisible collects more than four decades of David Toop's essays, reviews, interviews, and experimental texts, drawing us into the company of artists and their concerns, not forgetting the quieter, unsung voices. The volume is an offering, an exploration of strata of sound that are the crossing points of sensory, intellectual, and philosophical preoccupations, layers through which objects, thoughts and air itself come alive as the inflamed invisible. Spotify and QR Codes This is a book about music, and we wanted to bring the print text to sonic life. We have compiled a series of web links to take you to recordings of the music, musicians, and artists David Toop describes, as well as to artists’ websites. We have placed codes in the margins, so you can listen to the music written about as you read. These codes can be scanned by a smartphone camera. On some phones, the built-in camera app will automatically recognise a code. On other phones, you would need to download a QR code reader app. We have endeavored to find online as much of the music as possible, whether the pieces have been commercially released or not. Many of the links take you to the Discogs database. There, there are links to videos and audio on YouTube. Some links take you to the artist’s gallery website or personal site. For the music that is commercially available, we have compiled an Inflamed Invisible playlist on the Spotify music streaming service. The playlist is accessible. Individual tracks from this playlist are seen as Spotify codes in the margins. To scan these, please download and use the Spotify app on your phone. Select the magnifying glass icon to search, then select the camera icon and scan the code. Atau Tanaka, Sonics Series Editor

GUO - a multidisciplinary duo formed of Daniel Blumberg and Seymour Wright - collaborate with Crystabel Riley (drums), Fran Edgerley [Assemble] (text) and Peter Strickland (film). GUO - a multidisciplinary duo formed of Daniel Blumberg and Seymour Wright - announce GUO4, a new release on Mute available on vinyl and digitally on 20 September 2019. On GUO4, their first release for Mute and the latest in an ongoing series, the pair have collaborated with Crystabel Riley (drums), Fran Edgerley [Assemble] (text) and Peter Strickland (film). Peter Strickland's film has just been announced to premiere at the 76th Venice Film Festival on 6 September. Watch a teaser for the film - a confrontation between two swimmers in a locker room - here: https://youtu.be/f031c56f_5E Strickland explains, “The framing of traditionally macho scenarios in a homoerotic context takes its cues from the covert porn of Bob Mizer. The combination of muscle and beat-up lockers somehow evoked the music in my mind.” The name ‘GUO’ itself is ancient Chinese for a metal vessel, or cooking pot, and the resulting work layers alto saxophone, electric guitar, feedback and metal distortion alongside the distinctly-voiced 'ekphrasis' response from a range of collaborators operating across different mediums. The album was mixed by Marta Salogni. It also features original etchings by GUO and stills from the film. Previous releases have included ekphrasis by the English musician, author and professor, David Toop (GUO1) and the American filmmaker (Childhood of a Leader & VOX LUX) Brady Corbet (GUO2).

"Their 5th album finds the band in a studio again, in their label Trost Records hometown Vienna, with time and the desire to try something new. Seven compositions in the disctinctive strong FULL BLAST nature get an exciting electronic treatment by Michael Wertmüller (sounds/electronics by Gerd Rische- head of Berlin Acadamy of Electro-acoustic Music 1995-2014) during and after the recording." "With all the projects Peter Brötzmann is currently working on, Full Blast -- with the precise and dynamic Swiss rhythm section of Marino Pliakas and Michael Wertmüller -- is the most consistent and the longest-running. Their fifth album finds the band in a studio again, with time and the desire to try something new. Seven compositions in the distinctive, strong Full Blast nature get an exciting electronic treatment by Michael Wertmüller (with electronics by Gerd Rische, recorded months before his death in October 2015) during and after the recording. For mixing the band decided to work with Gareth Jones (well-known for his work with Einstürzende Neubauten and Depeche Mode), whom they have used with Pliakas's band Steamboat Switzerland before. Full Blast have created an album that in its nonconformity and richness in variety stands on his own in contemporary jazz."  --- Peter Brötzmann / reeds Marino Pliakas / e-bass Michael Wertmüller / drums Gerd Rische / electronics --- CREDITS:Recording: Martin SiewertProduction: Konstantin DrobilMix: Martin SiewertMastering: Martin SiewertArtwork: Peter Brötzmann