Best B4 1984 by Chris Low (former drummer with The Apostles, Part One, OI Polloi etc) is a beautifully presented, limited edition, A4 size, fine-bound, 100 page collection of over 120 of the most visually stunning and ideologically engaging images from the 1980-1984 halcyon days of the UK Anarcho Punk scene. Printed on 100% eco-friendly, non bleached recycled paper it features facsimiles of fanzine pages, gig posters, cassette covers, handouts, flyers and other ephemera from Chris’s personal archive collected over this period including works by: Crass, The Apostles, Rudimentary Peni, Part One, The Mob, Poison Girls, APF Brigade, Psycho Faction, Living Legends, Flux of Pink Indians, Annie Anxiety, The Alternative, Oi Polloi, Hagar The Womb, Krondstadt Uprising, Lack of Knowledge, Assassins of Hope, Riot Clone, Political Asylum, Dirt, AOA, Napalm Death + many more; pages from fanzines including Kill Your Pet Puppy, Pigs For Slaughter, Toxic Graffiti, New Crimes, Scrobe, Antigen, The Book of Revelations, Coming Attack, Final Curtain, Scum, Dawning of a New Error, Tender Mercy, Twisted Nerve, Children of The Revolution, Cobalt Hate, Hysteria, A New Body, Enigma, The Fanzine With No Name and documents by anarchist/political groups such as Stop The City, Class War, London Greenpeace, London Autonomists, Anarchist Youth Federation, Persons Unknown Defence Campaign plus others.

Contact is the document of the inaugural meeting - on stage at St Georges in Bristol - between two improvisers who share a fearless approach to collaboration based in radical forms of communality and the practice and politics of deep listening. Playing together for the first time without prior rehearsal, Maggie’s voice, piano and tapdance meet Dan’s gong drones and percussive patter with profound results, presented here in full via a masterful live recording by Annie Gardiner. "From the very first sounds we made, the connection was profound and the music came through us almost effortlessly. It just keeps getting better” - Maggie Nicols  

A beautiful edition of only 150 glass mastered CDs in a clear poly sleeve with hand stamped cover and a 22 page full color booklet featuring photos, drawings, and text by Laura Steenberge, with additional text by Michael Winter, Rebecca Lane, and Catherine Lamb. "In medieval chant, music seems to have come from elsewhere. It is the angels that are singing, they said, like gourds hung up for purple martins. By the time notation started coming around, hundreds of chants were already hundreds of years old. New chants followed in their footsteps, trying to seem unwritten. In some monasteries, the monks sang for six hours a day. Through the daily toil of reenacting eternity, subtler shapes become audible. Sometimes the angels show up when the consonants are taken away, or some other change is made that renders the language unintelligible. Swedenborg said there are some angels who speak with U and O and other angels that speak with E and I, but that in the center, inmost heaven, language is made of patterns of numbers. The labor required to hear the angels is mundane and physical. Singing for hours a day sounds idyllic but also laborious. Singing for so long in such reverberant spaces, I wonder about the complexity of harmonics, combination tones or whatever other sonic artifacts that the monastic singers gained sensitivity to. In this collection there is a piece for one performer, a piece for two performers, a piece for three performers, and a piece for four performers. But even in the solo it is about relationships, as the two parts are created with the same breath. The demonic energy is in between things, the sounds cast shadows upon each other." - Laura Steenberge all music by Laura Steenberge Performers: Rebecca Lane - bass flute, voice Catherine Lamb - voice Julia Holter - voice Yannick Goudon - voice Evelyn Saylor - voice  

In the late 1960s, Antonio Infantino linked his name to the Beat world and to italian performance and gestural music circles (Bussotti, Chiari, Curran). A poet and singer, a tireless devotee of the musical traditions of Southern Italy, he focuses his research mainly on the mysterious phenomenon of Tarantismo, a cultural syndrome of hysterical type found in the Mediterranean air and made famous by the studies of Ernesto De Martino. With his group, Infantino twists and reinvents the traditional repertoire of Basilicata, creating an entirely new and original songbook. The music reflects the states of Trance induced by the bite of the spider tarantula, with obsessive and hypnotic rhythms characteristic of the incandescent blood of the peasant world. A deep and universal human sound, it also takes its cues from Dylan's folk revolution and the frenetic drums of North Africa.

"Originally formed in the mid noughties, when Wilkinson depped for an indisposed Lol Coxhill, the Edwards / Noble / Wilkinson trio quickly established itself as one of the most vibrant combinations on the London Improvised music circuit, playing often atthe earlier iteration of OTO, and around Britain on festivals at home and in Europe. They produced 2 highly acclaimed CDs for Bo’Weavil Recordings the second of which ‘Live at Café OTO’ was voted one of Stewart Lee’s CDs of the decade in The Times. Their music is characterised by a fearless approach to improvisation with lightning responses, flipping from time to abstraction and back again, incorporating inflexions from a vast array of influences. Its great to hear them again.' ---  Alan Wilkinson / alto and baritone sax, clarinet and bass clarinet John Edwards / double bass Steve Noble / drums and percussion --- Recorded live at Cafe OTO by Shaun Crook on 18.10.20. Mixed and mastered by Alex Ward. Design and loyuot by Noble and Blake. 

Recorded the same year as the legendary Osaka Bridge was released, “Bill Wells Presents” is a document of a life changing tour of Scotland and its Highlands by Bill Wells and his friends Kazumi Nikaido, KAMA AINA, Maher Shalal Hash Baz and Tenniscoats. Brought together via Stephen Pastels’ Geographic Records, “Bill Wells Presents” is a reminder of the life affirming musical relationships that can form with the support of labels and funding bodies who act with open minds and hearts. “Bill Wells Presents” contains a condensed version of the Scottish tour, featuring previously unrecorded music from KAMA AINA, Kazumi Nikaido and new compositions written on the occasion of the Scottish tour by Tori Kudo.“Kazumi Nikaido was introduced to me by way of Koki Yahata who was working for the Japanese label P-Vine who had released Also In White (Geographic, 2002). When I toured Japan with Maher Shalal Hash Baz in 2004 Nikaido joined for a couple of the dates and also appeared on GOK (Geographic, 2009). When I first heard her he thought that she was a remarkable artist and mesmerising performer. Similarly, I met Takuji (KAMA AINA) while on the same tour; we did some recording together and he also played and recorded as part of the band in Tokyo. I knew about him previously as we were both on Stephen Pastel’s Geographic Records.That was also how I met and got to know the Kudo family and Tenniscoats. Regarding the music; this record is an attempt to make a condensed version of the full show that was played nightly on the Scottish tour. Everyone played different sets each night, though some were more different than others. However, as far as I know, the CD features the only recording (at Wick) of pieces which Tori wrote for Maher Shalal Hash Baz while on that tour.” - Bill Wells  --- Kazumi Nikaido - guitar, vocalsTakuji Aoyagi - vocals, banjo guitar, percussion, bassSaya - vocals, keyboards, pianoUeno Takashi - guitarReiko Kudo - vocalsTori Kudo - keyboards, piano, guitar, vocalsNamio Kudo - drums, percussion (Tolbooth)Mitch Mitchell - drums, percussion (Aberdeen & Wick)Robert Henderson - trumpet (Tolbooth)Bill Wells - keyboards, piano, bassTracks 1, 4,5, 10-14 & 23 recorded by Dave Lewis at the Tolbooth, Stirling on 13.4.2006Tracks 3, 9 & 21 recorded by Bill Wells at The Lemon Tree, Aberdeen on 16.4. 2006Tracks 2, 6-8, 15-20 & 22 recorded by Bill Wells at Lyth Arts Centre, Wick on 21.4.2006Tracks 1-3 written by Kazumi NikaidoTracks 4, 6 written by Takuji AoyagiTrack 5 written by John OxenhamTracks 7, 9, 10, 11 written by Saya & Ueno TakashiTrack 9 Trad arr. Saya & Ueno TakashiTracks 13 ,14 written by Reiko KudoTracks 12, 15- 21 written by Tori KudoTrack 22 written by Bill WellsTrack 23 written by Reiko Kudo & Bill WellsCover image by Jad Fair, design by Hannah Marine.Thanks to Jackie Shearer, Wendy Niblock, John the bus driver, Alasdair Campbell, William Wilson, Evan Henderson, Gordon Maclean, Koji Saito, Koji Shibuya and Thorsten Lütz.Bill Wells acknowledges the support from the Scottish Art Council’s ‘Tune Up’ award scheme.