The Necks – Matinee show
Nearly an hour of rhythmic explorations from tonbak player Mohammad Reza Mortazavi. His first vinyl release on Padre Himalaya was stocked by Hardwax - the comparisons between his technique and techno are evident. Live in a hot room, his playing barely ceases, and the organic polyrhythmic patterns he creates command a hypnotic force. ---
Mohammed Reza Mortazavi / tonbak, daf
Recorded live at Cafe OTO on Friday the 8th of June by Shaun Crook.
Mohammed Reza Mortazavi - 8.6.18
Once there were 3 boys from the haunted bits of Michigan who found a dark tunnel in the side of a hill that had 'TRIP METAL' written on the walls (in blood, probably). They entered on a skateboard and emerged as rabid beasts, their hair long and their mouths forever open.
In 2014 3 men climbed out of an underground lair for a show at Cafe OTO. Upon hearing the first 'note' of the 'music', the crowd spat out their salted caramel brownies and stamped on them, screaming "WOLF EYES RULE." Mysteriously no iPhone footage of this evening remains, so all we have left is this brutal recording - yours for just £6.
(…\ /..)\….\ /…./ \….\ /…./ \…./´¯\/.¯`\ /… |….|..(¯¯¯\ /I….|….|…¯| \ \\I…..|´¯|´¯|..\…)\…..` ¯..¯ ´ ….'\__________ / |oo o o oo| |oo o o oo| |oo o o oo|
Wolf Eyes - 02.08.14
"Combining visual strategies, free improvisation, UK garage and punk, Still House Plants build melodic hierarchies scaffolded around ambiguities and intimacy. Fresh from being selected for the Cafe OTO x Jerwood Foundation Artistic Development fund, and following two sold out tapes on Glasgow label GLARC, the trio’s debut LP 'Long Play' collects the group's raw guitar-drum-vocal palette and stretches it to include violin, piano and intimate home recording. Ranging from seconds-long to seven:minute:somethings, the album coagulates to form a heady meld of rudimentary phrases, kinetic repetition and malleable samples. Experimental songwriting is rarely so forthcoming, emotive, or approachable."
Jessica Hickie-Kallenbach / vocals
Finlay Clark / guitar, piano, violin
David Kennedy / drums
Recorded by Ronan Fay at Green Door Studios, Glasgow, April 2018. Mixed by Ronan Fay. Mastered by Katie Tavini. Artwork by Still House Plants.
Still House Plants - Long Play
"First commissioned by the French Government in 1981, the LP Rose Des Vents Action Musicale evolved out of a six year project by Swiss composer Pierre Mariétan to document and musicalise the sound environment of urban landscapes within France, creating an inter-geographical auditory map of cities and townships located in the suburban reaches of Paris, including Bezons, Herblay, Montmagny and l’Isle Adam. Through a mix of field recording, interviews, vegetable market catcalls, braying animals and urban hubbub, Mariétan paints a broad, psycho-acoustically vivid and decentralised profile of metropolitan life from the period; carried to the ear through a coupling with musical studio performance and serialist compositional technique. Over an hour and forty minutes, the recording provides an intersectional and ambient passage through environmental and urban narratives, the radiophonic voice of Ana de Carvalho offering fleeting, poetic orientation with announcements of each titled scene, divining and evoking the sonorous qualities of each landscape as it comes into focus. Each scene tangible yet non-specific, the artist arranging and signalling the possibility of civic and pastoral space as a musical container for spontaneous, sonorous interactions. Mariétan’s profile is of a rigorous yet open and exploratory composer, utilising principles of chance and curiosity in organising found sound and often negotiating or encouraging encounters with improvisatory gesture or incidental and occurring sound. In 1966 he established the outfit GERM, grouping composers and musicians dedicated to developing new meeting points between composition and improvisation. Members assist in contributing recordings and performances throughout Rose Des Vents, including musical passages on piano, synthesizer, horn and saxophone. These studio pieces, played on saxophone by Daniel Kientzy or piano by Gerard Fremy, recall and redeploy techniques developed over the lifespan of the project, where site- specific actions and concerts were performed within each of the towns. In many ways, the album is a folding of each facet of the author’s life and work into a single representative culmination. A sympathy towards radiophonic or documentary production values is recognisable—Mariétan produced two iterations of Rose Des Vents. Action Musicale for Alain Trutat and Jean Tardieu’s ground-breaking Atelier De Création Radiophonique on Radio France Culture ahead of this LP release—alongside the influence of his work in urban acoustics and research into forms of sound ecology. So too is the obvious pleasure taken in introducing the sweetness of music to children, with notable samples from his educational workshops and sound installations helping to internalise and evoke a sense of inquisitive delight. It’s these components, combined with themes and concerns about the acoustic environment that resonate 30 years later and establish Rose Des Vents as such an approachable, listenable and lovely piece of experimental sound art. The conjuration of an emotional or psychological plane through musical and metaphorical synthesis allows the listener to situate themselves within the montage in a near cinematic manner, discovering an underlying sonority embedded in the psychic atmospheres of communal life."
Pierre Mariétan - Rose des vents
Two previously unreleased works from the late Danish composer, musician, publisher, artist and performer.
Rødhætte (1985) is a rendition of Little Red Riding Hood featuring Ursula Reuter Christiansen as narrator. All the hallmarks of Henning’s unique approach to music/sound appear as the tale goes deeper into the depths of animalistic frenzy.
Ruinmusic (1984) inhabits the last breath off the piano housed within the former Marienborg Manor, an estate once on the Danish island of Møn. Prior to the destruction of the estate Henning Christiansen played a final haunting melody before the instrument was dumped down in the dirt.
Artwork by Ursula Reuter Christiansen.
Henning Christiansen – Rødhætte / Ruinmusik
Note: this is a pre-order. We will ship mid-Nov.
One of the final Incus releases and one that was written up in The Penguin Guide to Jazz as ‘an essential document of modern music’. Otoroku is proud to release the first ever vinyl re-issue of Evan Parker’s legendary recording The Snake Decides. Featuring 4 solos recorded in 1986 in St. Paul's Church, Oxford by the late Michael Gerzon. The Snake Decides is a groundbreaking example how far the language of a particular instrument can be taken.
From Brian Morton’s liner new notes:
“The Snake Decides attracts a certain array of adjectives - intense, radical, fearsome, hypnotic, virtuosic – and occasionally allows a more ambitious reviewer to avoid platitude by talking more specifically about 32nd harmonics, circular breathing, multiphonics and Gerson's exact choice and placement of microphones. But this misses a point, too. Listening to this record, either for the first or the fortieth time, is an arousing experience.”
Remastered by Giuseppe Ielasi and housed in a reverse board sleeve with new liner notes by Brian Morton this is the ultimate document of one of the most important recordings in all of Parker’s extensive and exploratory catalogue. Edition of 500 copies.
Evan Parker - The Snake Decides LP (pre-order)