We need your help – please

Keiji Haino – 黑的意义The Meaning of Blackness 礼节先于义务 比一切都要快 未曾诞生于光中的微笑

The Meaning of Blackness, More Decorous than Duty
Having become faster than everything A smile that was never birthed into the light (Live at the 3rd Tomorrow Festival 2016 @ B10 Live)

This release from Shenzen's Old Heaven Books documents a blistering live performance, recorded in B10 as part of the 3rd Tomorrow Festival. Over the last fifty years few musicians or performers have created as monumental and uncompromising a body of work as that of Keiji Haino. Through a vast number of recordings and performances, Haino has staked out a ground all his own, creating a language of unparalleled intensity that defies any simple classification. Haino lets loose a 90 minute performance maelstrom, marrying the immersive echo-fields of kosmische music to the rough and ready hands-on feel of classic wall of noise intensity that he's known for. This is both an essential historical document and a classic performance in its own right.

Keiji Haino considers this live album as an integral work that cannot be separated.

Released by Old Heaven Books, Dec 5th 2019

Tracklisting:

A. Part 1 - 22:44
B. Part 2(Featuring ここ)- 16:33
C. Part 3 - 25:42
D. Part 4 - 22:37

Keiji Haino

Born in Chiba on May 3, 1952. Inspired by Antonin Artaud he aimed for the theatre, but an encounter with The Doors stimulated him into music, where he has examined and absorbed a wide range of music from the early blues especially Blind Lemon Jefferson or European medieval music to popular songs across the world. In 1970 he joined a group “Lost Aaraaf” named after Edgar Allan Poe’s poem as a vocalist. Meanwhile, he started to work on home recordings and self-taught the guitar and percussions. In 1978 he formed a rock band “Fushitsusha,” and since 1988, after a recuperation period from 1983 to 1987, he has been internationally active in various forms including solo, groups such as Fushitsusha, Nijiumu, Aihiyo, Vajra, Sanhedrin, Seijaku, Nazoranai or The Hardy Rocks and DJ as “experimental mixture,” as well as collaborations with artists from different backgrounds, drawing the performance of the guitar, percussions, the hurdy gurdy, diverse wind and string instruments, local instruments from across the world and DJ gears to the extreme through unique techniques. He has released more than 200 recordings and performed live at least 1,800 times.

http://www.fushitsusha.com/