OTOROKU Downloads

Download only arm of OTOROKU, documenting the venue's programme of experimental and new music.

Take a deep breath, this one doesn’t let up for a second! Stockholm-based trio Kyosaku create a swirling maelstrom of sound from guitar, bass and drums that doesn’t so much press you back in your seat with its intensity as send you tumbling out the door and down the road. Recorded in September 2023 under their previous name of Missnöje, the group waste no time setting the pace but charge out of the gates as though this might be the last chance they've got. Finn Loxbo's squalling electric guitar and electronics setup races around the room whilst Elsa Bergman's gnarled and driven electric bass effortlessly weaves between the gaps with a playing style that is no less nimble for it's stomach-rumbling brawn. Through it all, Ryan Packard's seemingly indefatigable drumming rucks and surges in a way that leaves you reeling. This is no empty bedlam though; rather, there's a euphoric, galvanising joy to the sheer, relentless energy of it all. Kyosaku create the clamour; all you have to do is give yourself up to it. In Zen Buddhism, the keisaku is a flat wooden stick or slat used during periods of meditation to remedy sleepiness or lapses of concentration by administering a strike or series of strikes. No worries here, the strikes come thick and fast with an unrelenting fervour that should almost have you levitating by the end. But the Zen aspect is not lost, simply approached from a different direction. Noise can be meditative too, and Kyosaku create such an Augean tumult that by the end of this set's 35+ minutes you're left with a mind that feels shiny, gleaming and new. --  Recorded by Billy SteigerMixed and mastered by Oli BarrettCover photo by Erik Viklund

Kyosaku – 11.9.23

All proceeds from this release will be donated to MAP (Medical Aid for Palestinians): Thrilled to be able to share the phenomenal first meeting of this ensemble, consisting of Washington DC's Blacks' Myths - aka Luke Stewart (electric bass) and Warren Crudup (drums) - alongside Pat Thomas and Orphy Robinson's longstanding Black Top project plus incendiary sax and guitar work from Soweto Kinch and Dirar Kalash. From the first stirrings it's clear that something very special has been captured here, the sextet slowly circling and building with inexorable momentum until the energy fully coalesces and nobody looks back. There's a dexterously symbiotic interplay that would be impressive for a group a couple of decades in; that you can hear this level of chemistry from a first performance together is extraordinary. There's so much to unpack across the set that it's hard to know where to start, the group covering more ground in just under an hour than most would manage over the course of a week-long residency. The long-honed, multilayered grooves of Blacks' Myths' bass and drums blend seamlessly with Black Top's ecstatic sonic range to weave an utterly immersive sound that drives relentlessly forward to thrillingly propulsive effect. Add the incredible musicianship of Soweto Kinch and Dirar Kalash weaving deftly throughout, and the result is this joyful, galvanising rallying cry of a performance which doesn't so much lift the spirits as cast them into the stratosphere. Here's hoping this meeting is not the last. -- Recorded by Billy SteigerMixed and mastered by Oli BarrettCover design by Dirar Kalash

5.9.23 – Blacks' Myths meets Black Top featuring Dirar Kalash & Soweto Kinch

Sequel to Sean McCann's heavy reggae/dancehall mix of 2020 which bedded the late Jean-Marie Massou's cave recordings under the likes The Summertaires, Barrington Levy and Freddie McKay. Vol 2 marries Caetano Veloso's sound poetry with the Jack Ruby Soundsystem, Horace Andy and The Wailers. Very much what we need to drag us into 2022 - thanks Sean. Sean McCann is a Los Angeles-based composer, sound artist, curator, and audio engineer. He concurrently operates Recital, a label dedicated to sound poetry, new music, and Fluxus archival recordings. In 2022 Recital will celebrate it's 10 year anniversary - congrats to Sean and all the artists who make it such a special label. We should say that we initially wrote to Sean asking him to contribute to our festive mailout with a mix, and we were a little slow with the idea - Silk House shared a brilliant choral / sound poetry mix he made in December. Definitely worth checking out after this. --- Barrington Levy - Mine Yuh MouthWailing Souls - Old BroomAugusto de Campos & Caetano Veloso - Dias Dias DiasFreddie McGreggor - BanduloIcho Candy - Selassie IAugusto de Campos & Caetano Veloso - QuazarCornell Cambell - Broken Hearted GirlDon Carlos - Infra Red DubAugusto de Campos & Caetano Veloso - PulsarTenor Saw - Roll CallSugar Minott & John Wayne - Jamming In The StreetLenox Miller - Better Must ComeCarlton Livingston - 100 Weight of Collie WeedHorace Andy - ElementaryHubert Lee - Pressure & SlideAngus MacLise - Humming In The Night SkullThe Wailers - I Need YouToots & the Maytals - Oh YeahThe Martinis - Second That EmotionIcho Candy - Where Do They PlayNoel Ellis - Marcus GarveyBarry Brown & Brigadier Jerry - ChaliceJack Ruby Soundsystem

Sean McCann – The Games of the Leaves Vol. 2