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For the time being we are unable to get to the post but if you order now your item will be posted as soon as things return to normal. Thank you for your support. "Japanese bluesman Kan Mikami is nothing less than an unalloyed force of nature. A skin-shredding blast of frozen wind from the poor, rural north of Japan that he calls home. In the late 1960s, like thousands of other Japanese young people Mikami made his way to Tokyo in search of a life different from that of his parents. Since then he has forcefully carved out a space for himself in the culture as a modernist poet, a raging folk singer, an author, a actor, an engaging TV personality, and one of Japan’s most uniquely powerful performers. For most of Mikami’s career as a singer, he has performed solo. Just him and his electric guitar against the world, creating jagged A-minor vamps to drive along the surreal wisdom of his lyrics. But he’s equally at home in more demanding improvisational contexts such as those provided here by John Edwards on bass and Alex Neilson on drums. Their dense propulsive textures seem to spur on Mikami, his voice arcing powerfully into fragmented spaces, his guitar darting, colliding, shedding jagged and angular splinters of sound. A pulsing, raging maelstrom of serrated-edged energy. Gruff, rough, honest and very, very real." - Alan Cummings --- Kan Mikami / vocals, guitar John Edwards / bass Alex Neilson / percussion --- Recorded live at Cafe OTO on 3rd April 2013 by James Dunn. Mixed by John Chantler. Mastered by Giuseppe Ielasi

Kan Mikami / John Edwards / Alex Neilson – Live at Cafe OTO

For the time being we are unable to get to the post but if you order now your item will be posted as soon as things return to normal. Thank you for your support.   We're very pleased to announce Pat Thomas's ‘The Elephant Clock of Al Jazari’ on our in-house OTOROKU label. Recorded live at OTO in May 2015 and mastered by Giuseppe Ielasi, the LP comprises four typically genre-defying and sonically dexterous pieces from one of the UK's most extraordinary pianists. In Pat's own words: The title for this Album, was inspired by the incredible automatic water clock invented by Badi' al-Zaman ibn al-Razzaz al-Jazari. Al Jazari refers to the fact he was born in Al Jazira which lies between the Tigris and the Euphrates in what is now Northern Iraq. Badi al Zaman means prodigy of the age. He is known by historians of technology as the father of modern robotics. The Elephant Clock at seven metres high is a testament to his engineering genius, it utilizes Greek water raising technology, combined with an Indian elephant, Egyptian phoenix, Arabian figures, Persian carpet and Chinese Dragons celebrating the diversity of cultures in the world. This and other marvels of engineering can be found in his Book of the Knowledge of Ingenious Mechanical Devices translated by Donald Hill (Pakistan Hijra Council). Over 50 devices are mentioned. Amongst them the first analog computer, his remarkable Castle Clock, however, the debt the world owes this muslim genius is found in his remarkable water raising devices, particularly water raising device number 4 where for the first time a crank connecting rod system is used. The crank is considered to be the most important single mechanical device after the wheel, by 1206 this is found fully developed in Jazari`s machines predating Francesco di Giorgio Martini by 3 centuries. 'For Al Haytham' is dedicated to the great polymath genius who wrote the great book on vision, the first person to give us a true understanding of how we see. 'Lubb' is an Arabic word meaning innermost consciousness whilst to conclude proceedings 'Done' is loosely based on a well known standard. - Pat Thomas 26TH May 2017 Pat Thomas began playing  piano at the age of eight. He studied classical music and reggae was an early interest. Thomas was inspired to take up Jazz after seeing legendary pianist Oscar Peterson on television. By 1979, Thomas was performing seriously as an improviser. In 1980 he became a member of oxford based group Ghosts with Pete Mcphail and Matt Lewis. Has worked with Mike Cooper, Steve Beresford, Geoff Hawkins, Chuck Berry, Tim Hill, Alex Ward, Eugene Chadbourne, Steve Noble, Jimmy Carl Black, Thurston  Moore, Mats Gustafsson, Evan Parker, Oliver Lake, Alan Silva, Bill Dixon, Joe Gallivan, Alan Wilkinson, John Edwards, John Zorn, John Butcher, John Russell and a duo with Mark Sanders since 1986 a duo with Steve Noble (who first met in 1979).  Current activities include Black Top with Orphy Robinson, Valid Tractor with Lawrence Casserley and Dom Lash, About Group with Alexis Taylor and John Coxon, Albert Newton with Charles Haywood and the Founder Effect with John Coxon, a duo with Han Bennink and a trio with William Parker and Hamid Drake. Pat Thomas received Paul Hamlyn Foundation Award for Composers in 2014. --- Pat Thomas / piano --- Recorded live at Cafe OTO on the 4th May 2015 b Mark Jasper. Mastered by Giuseppe Ielasi. Photo by fabio Lugaro. Design by Maja Larsson. 

Pat Thomas – The Elephant Clock of Al Jazari

For the time being we are unable to get to the post but if you order now your item will be posted as soon as things return to normal. Thank you for your support. Keiji Haino, one of the foremost exponents of the Japanese avant-garde, always provides a masterclass in constantly shifting improvisation. John Butcher is a saxophonist of rare grace and power, who has expanded the vocabulary of the saxophone far beyond the conventions of jazz and other musics, to encompass a staggering range of multiphonics, overtones, percussive sounds, and electronic feedback. Haino and Butcher met when Butcher opened for Fushitsusha at the show Cafe OTO arranged at St. John, Hackney - 5 years ago. In 2016 they were invited to play two duo concerts – at The Empty Gallery in Hong Kong and at Cafe OTO in London. Otoroku is proud to present the audio documentation of their first UK meeting. Recorded live at Cafe OTO in July 2016 the results are an uncompromising milieu of swirling sound played out as a total union of these two legendary performers.  Haino’s blues drenched guitar entices skittering notes from Butcher’s sax playing as numerous sonic clues unravel over the course of of this unique and compelling journey. Light Never Bright Enough comes in a limited edition of 500 LPs and 500 CDs with matt sleeves and japanese removable obi-strip. --- Keiji Haino / vocal, guitar, flutes   John Butcher / saxophones and feedback --- Recorded live at Cafe OTO on the 9th July 2016 by Luca Consonni. Mixed by John Butcher. Mastered by Giuseppe Ielasi. Photography and design by ORGAN. 

HAINO KEIJI / JOHN BUTCHER – LIGHT NEVER BRIGHT ENOUGH

Super happy to have dug this out of the archives - the final night of the great French double bass player, improviser and composer, Joëlle Léandre's 2015 residency. Léandre was joined by Scottish improvising vocalist and dancer, Maggie Nicols, and drummer Roger Turner for both nights, and the second of the two saw sparks fly. Solo, Léandre is formidible - melodious, angry, rousing. Her voice breaks through the bass like McPhee's through a trumpet - there's joy, there's humour, and it's 100% intense. Léandre and Nicols have a long history together - 1982's Live at The Bastille with Lyndsey Cooper still stands strong - and their trio with Irène Schweizer as 'Les Diaboliques' is totally unique. Here, both performers are totally at home with with each other and with their sounds - there's depth, unpredictability, intensity and delirious humour. A treasure to share all five pieces, and we hope for another Léandre residency some day soon!  “A true, real artist. Stubborn. Visionary. Uncompromising. Intense. Tender and poetic at moments, raw and angry with the world at other times. She is unconcerned by style, and definitely stays far away from stylistic and formal mannerisms that are needed to placcate the reviewers and the hip audiences. She integrates music as music, and delivers it as music, using elements from tribal rituals over classical finesse to jazz expressionism and avant-garde search for new approaches, yet turning it all into something else, something more authentic, more innovative and - interestingly enough - also more universal.” – The Free Jazz Collective --- Joëlle Léandre / double bass, vocals  Maggie Nichols / vocals Roger Turner / percussion --- Recorded live at Cafe OTO on Wednesday 18th March, 2015 by Mark Jasper. Mixed and mastered by James Dunn. Photo by the wonderful Dawid Laskowski. 

Leandre / Nicols / Turner – 18.3.15

After touring together in 2016, Paul Dunmall's joyous Quintet returned to OTO last winter. Known for his past collaborations with saxophonist Elton Dean and drummer Tony Bianco, and his work with improvising quartet Mujician (with pianist Keith Tippett, bassist Paul Rogers, and percussionist Tony Levin), Paul's work as a writer really shines brightest with this Quintet. The first set showcases totally new material - The Soultime Suite - and the second an emphatic rendition of 2016's Dreamtime Suite. Pure melody switches through pennywhistle, trumpet, tenor and alto with an elated rhythm section keeping things high energy. "When I listen to Paul, which is a great pleasure, and when I play with him, I hear the whole history of everything. You hear the history of the saxophone. You hear what Yusef Lateef called 'The Great Tradition'. That's the type of artist I want to be, one that reflects, as Paul does, the great tradition." Hamid Drake in conversation with Soweto, BBC. “Ever since I heard UK sax colossus Paul Dunmall with Keith Tippett’s Mujician quartet, I knew that there was something special, spiritual about his (tenor) sax playing. Nobody has a sound like him, he is in a class of his own!” – Bruce Lee Gallanter, Free Jazz Collective --- Paul Dunmall / tenor & alto saxophone, pennywhistle Hamid Drake / drums & framedrum Percy Pursglove / trumpet Steve Tromans / piano Dave Kane / bass --- Recorded live at Cafe OTO on Thursday 8th November 2018 by Shaun Crook. Mixed and mastered by James Dunn. Artwork by Paul Dunmall. 

Paul Dunmall Quintet ft Hamid Drake – 8.11.18

Members of psychedelic Russian / Israeli collective Staraya Derevnya rarely get to perform live together, so it's with huge pleasure that we are uploading this one. After spending a week holed out in our Project Space, the group emerged to present 45 minutes of curious, home-brewed folk psych wonk made with objects, percussion, vocals and homemade instruments.  Live animated projection makes a large impact on each of their improvisations so be sure to check out the video of the night too."They play a kind of psychedelic folk with wind-up toys, shouting, buzzy sounds and with live animated drawings – out of some foggy scribble emerges a head, then a bug thing grows tentacles and sucks ectoplasm out of the head, then stuff starts spinning around and then a phoenix rises." - Lee Fisher, NARC magazine "Staraya Derevnya make bewitching music that seems impossible to place in terms of direction and intention, like climbing into a cab only to realise its not a cab at all." - TUSK --- Amos Ungar / dulcimer, sampler Danil Gertman / digital drawing Gosha Hniu / percussion, toys, cries and whispers Grundik Kasyansky / feedback synthesizer, objects Maya Pik / synthesizer, rocking chair, melodica Ran Nahmias / silent cello, theremin --- Lyrics by Arthur Molev. Mixed and mastered by Gosha Hniu from the original recording made by Shaun Crook. Filmed by Heliana Trovato, Sam Way,  Filippo Mira and Patrick Farrell. Video edited by Heliana Trovato. Huge thanks to Tsip Nahmias and to the wonderful people at Cafe OTO and Tusk Festival - this wouldn't have happened without you! http://www.starayaderevnya.co.uk

Staraya Derevnya – 13.10.17