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OTOROKU Downloads

Download only arm of OTOROKU, documenting the venue's programme of experimental and new music.

Verbatum notes for the concert as written by John Tilbury: John Tilbury - solo piano. ( Pavana. The Earle of Salisbury - William Byrde (1543-1623) . Fantazia of foure parts - Orlando Gibbons (1583-1625) followed by Coptic play-along Improvisation based on/accompanied by Morton Feldman's Coptic Light (1985) A Wordless Encounter  "Last Friday my wife and I were on our way home by train from a wedding in Norwich. It was around 8pm. I had left my seat and had made my way to the exit doors. A young man was standing by the door. He must have been in his thirties. He was shortish, bulky, with a shaven head, and was wearing shorts and flip-flops. He was of fair complexion. My wife remarked later that he looked foreign, Nordic. He might have been a Baltic weight-lifter. I was facing the doors, he was standing between the two sets of doors. All of a sudden, I felt a presence at my right shoulder. It was a head whose teeth were biting through my suit and tee-shirt. I could feel the teeth though my assailant had not managed to penetrate the bare skin. Within around, I suppose, ten seconds I was able to shake him off. We stood facing each other; he bared his teeth, rather like an animal. I raised my hands in a calming movement and mouthed the words: it's ok, calm down, or words to that effect. At that moment a few people, including my wife, had left their seats, preparing to alight. I do not know if they had witnessed any part of what happened. My wife, seeing my arms raised in apology, thought I may have stumbled against him. The biter then bared his teeth to her and she, thinking he was smiling at her, smiled back. He repeated this. Then, facing the door opposite the exit doors he began to gyrate, or dance. My wife urged me to 'go through' and we moved purposefully, though unhurriedly, into the next carriage. We alighted at Folkestone West station and made our way briskly down into the subway and up to the exit leading to the bus replacement service. The biter had disappeared. On the bus I reflected on my response to the 'attack'. Bizarrely, although I had 'acted' to free myself from his teeth, there was no 'response' to the the 'attack', except a feeling of sheer disbelief. As if what happened must have been a 'fiction'. Would there be a 'reaction'? A nightmare? No. Nothing. I have recounted the incident to a few friends. My wife suggested I should describe what happened in writing. N.B This incident is entirely unconnected with this evening's concert." --- Recorded live at Cafe OTO by Shaun Crook on 31st August, 2016. Mixed and mastered by James Dunn. Photo by Dawid Laskowski. With thanks to Seymour Wright. 

John Tilbury – 31.8.16

Kuljit Bhamra, Evelyn Glennie and Charles Hayward improvise together for the first time as part of Trestle Records ongoing One Day Band series and to mark the release of One Day Band compilation volume 1 on vinyl and download. A masterclass in percussive improvisation from three exceptional musicians from three very different fields of practice.  The One Day Band sessions are an ongoing programme of recorded improvisations hosted by Trestle Records. This will be the first time that the session has left the studio to be recorded live in front of an audience. The idea is to facilitate an environment for musicians to meet and collaborate with one another on a record made in a day. Often the musicians are meeting for the first time in the studio itself whilst other times we ask an artist to curate the participants. This often results with people inviting musicians or friends they have wanted to work with but haven't yet had the opportunity / reason.These recordings are owned equally by the artists who make them. We provide the studio, engineer, mix and master the session for it then to exist on www.trestlerec.com to be heard for free. This is purely an environment for experimentation and improvisation with the results available to whoever may be interested. -- Kuljit Bhamra - tabla Evelyn Glennie - percussion Charles Hayward - percussion -- Recorded live at Cafe OTO on the 24th of August 2019 by Shaun Crook

Kuljit Bhamra / Evelyn Glennie / Charles Hayward – 24.8.19

"At each concert that I have ever given ( quite a few) at Cafe Oto I have tried to do something different or at least with a different line up.This concert in 2017 I was lucky enough to be able to call on two long time collaborators in Pat Thomas and Tim Hill, one that I have never played with before, Orphy Robinson and Michael Thieke with whom I have collaborated with both in Rome and Berlin on a few occasions in recent years. This concert was another version of my Spirit Songs collection of text made by cutting up Thomas Pynchon’s two novels, Gravity’s Rainbow and V, and singing them over a freely improvised score. There are a few versions, obviously all different and it was a great pleasure for me to have this group to help me help indulge in yet another version. Thank you and thanks to Cafe Oto for being. The text/poem ‘Rum’ is by the great poet trumpet player Shake Keane and is from an edition of his collected poetry work titled The Angel Horn published by The House Of Nehesi, that I picked up in St.Lucia. I particularly liked this poem because it reminded me of The Caribbean Club in Reading where I learned to love many things including the sound of dominos being played on sunday in the back bar by the elders. William Burroughs said something like ‘Cut into the present and the future will appear.’ The future will be improvised and the subtext will be cut up, re-arranged and tweeted I am sure." -Mike Cooper -- Mike Cooper - Lap Steel Guitar / Electronics / Vocals and All Song Text Apart from Lord Franklin (traditional)Pat Thomas - Keyboards / ElectronicsOrphy Robinson - Midi Vibraphone / ElectronicsTim Hill - Baritone and Alto Saxophones / ElectronicsMichael Thieke - Clarinet. -- Recorded by Tom Mudd at Cafe OTO on 29.9.17 Mixed and mastered by Oliver Barrett

Mike Cooper / Pat Thomas / Orphy Robinson / Michael Thieke / Tim Hill – 29.9.17

A rare solo set from composer, percussionist and sound artist Susie Ibarra. Using the full breadth of a unique set up, Ibarra takes a meditative journey across her kit, taking time to find familiar rhythms and knots and allowing them to offer up new space and sound. Delicate, dynamic and extremely focused, Ibarra finds expressive harmonics in gongs and brushes alike, with refreshingly melodic, even pastoral, results.  "Rhythm Cycles is a drum solo that I consider as a performance meditation. I love to perform this piece as it is possible to always arrive at new places while returning to familiar cycles that make so much sense to me. This piece is constructed to weave through certain tempos and hit points during a solo performance that arrive at melodies and textures and phrases grounded in specific rhythms and polyrhythms. The piece cycles through each of these sections and allows me to improvise through a flexible structure, sometimes returning to a section at moments and other times moving forward to create a new rhythmic environment.” - Susie Ibarra. --- Recorded live at Cafe OTO on Thursday 7th November 2019 by Shaun Crook. Mixed and mastered by James Dunn. “Rhythm Cycles” by Susie Ibarra is a commissioned solo performance by the Bagri Foundation for their series " At the Cutting Edge" performed at Cafe OTO. Many thanks to the Bagri Foundation for the support of this release.  About Bagri Foundation The Bagri Foundation is a UK registered charity, inspired by unique and unexpected ideas that weave the traditional and the contemporary of Asian culture. The Foundation, with its roots in education, is driven by curiosity and a desire to learn, and aims for each project to challenge, engage and inspire. Through a diverse programme of film, visual arts, music, dance, literature and talks, the Bagri Foundation gives artists and experts from across Asia and the diaspora, wider visibility on the global stage. Recent projects include At Home in the World, a series of digital commissions; Tantra: enlightenment to revolution at the British Museum; Object, Story, Wonder: Museum Collections Revealed; and From Here to Eternity: Sunil Gupta, A Retrospective at The Photographer’s Gallery, London. www.bagrifoundation.org   

Susie Ibarra – 7.11.19