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Friday 18 November 2016, 8pm

Paul Abbott / Cara Tolmie / Will Holder / Seymour Wright

No Longer Available

Paul Abbott, Cara Tolmie, Will Holder and Seymour Wright will perform as part of Paul’s Sound and Music / Cafe OTO ‘Embedded’ Residency.

Seymour Wright

Seymour Wright’s work is about the creative, situated friction of learning, ideas, people and the saxophone – music, history and technique ­– actual and potential.

His solo work is documented on three widely-acclaimed collections - Seymour Wright of Derby (2008), Seymour Writes Back (2015) and Is This Right? (2017).

Current projects include: abaria with Ute Kanngiesser; [Ahmed] with Antonin Gerbal, Joel Grip and Pat Thomas; @xcrswx with Crystabel Riley; GUO with Daniel Blumberg; The Experimental Library with Evie Ward; XT with Paul Abbott; a trans-atlantic duet with Anne Guthrie, and, with Jean-luc Guionnet a project addressing an imaginary lacunae in Aby Warburg's Atlas Mnemosyne.

His writing has been published in C//A, Sound American and The Wire.

www.seymourwright.com

@xcrswx

Photo by Steve Gullick

Will Holder

Typographer Will Holder is the editor and publisher of F.R.DAVID, a journal concerned with reading and writing. He mediates and reproduces polyphonies of voices as design: bringing meaning and public access to things. His work has taken the form of oral and printed publications; and is informed by an ongoing study of song and music-making as a co-authored process, and conversation as production model for other disciplines. Holder emphasises the role that memory plays between the printed page and the body as live, oral publication. As a self-driven study of graphic notation and collective reading processes, he has initiated a series of publications, with musician Alex Waterman, since 2012: Agapé (Miguel Abreu Gallery), Between Thought and Sound (The Kitchen, NY), The Tiger’s Mind (Sternberg), Yes, But Is It Edible?, The music of Robert Ashley for two or more voices (New Documents) and In Memoriam Mary Cecil… (Ociciwan and uh books).

Paul Abbott

Paul Abbott

Paul Abbott is an artist and musician based in London, working through questions and feelings connecting music and language: using real and imaginary drums, synthetic sounds, performance and writing.

His current collaborations include XT & lll人 with Seymour Wright and Daichi Yoshikawa, Falls with Keira Greene, ULAPAARC with Cara Tolmie and an ongoing project with Will Holder.  A series of solo performances in Cafe OTO’s project space are documented here. Recent releases include solo's Sphuzo, qno, & Vagus and Pah' (XT), and vjerhanxsk (lll人). He is one of the co-editor’s of Cesura//Acceso and was one of the Sound and Music “Embedded” resident artists at Cafe Oto 2015-2016.

In addition Abbott has collaborated and performed with numerous other artists and musicians, including: Benedict Drew, Pat Thomas, Ute Kanngiesser, Billy Steiger, Bill Orcutt, Danny Haywood, Joel Grip, Brandon La Belle, Eddie Prevost, Steve Noble, Sebastian Lexer, Evan Parker and Otomo Yoshihide.

www.paulabbott.net

Cara Tolmie

Cara works from within the intersections of performance, music, artistic research and moving image. Her solo works explore different ways of disrupting the affective economies revolving around ‘The Singer’ through various uses of the defamiliarised, uncanny and sampled singing voice.

Collaboration is a contingent aspect of her ongoing practice both in the making of works as well as more expanded research projects. She has recently worked with Stine Janvin, Zoë Poluch, Kim Coleman, Will Holder, Seymour Wright, Paul Abbott in group ULAAPARC, on artistic research projects Gender of Sound with Susanna Jablonski and The Glossary of the Event with Frida Sandström and Aleksei Borisionok.

She is currently a doctoral candidate in Critical Sonic Practice at Konstfack, University of Arts, Crafts and Design, Stockholm conducting artistic research project Listening to the Displaced Vocal Body. This project looks to performance practices that disrupt the continuity between the voice and body as a fixed singular entity and explore what experimental listening relations might emerge as a result of this figure.