From subterranea, sweat, haze and dedication emerging out of intimate and intense weekly meetings begun in 2009 – their first, 2012 public performance, squeezed into a London basement was a sheer, vexed and exhilarating smack of organic, heterodyning ideas, and taut, lowbeating lumps.
With the economy of familiar/traditional raw tools feedback, drumkit, altosaxophone, time, space and emotion lll人 move from molten musical pasts to grow future pleasures in sound.
The ingredients are familiar, but the listening is not.
At its heart is a still, undecorated concentration fuelling an extreme testing of limbs, language and order. This has no concern with collapsing difference into a vogueish flattened mass froth, but searches – forensically, ceaselessly – for something to chew, in the challenge of discretion and integrity or asylum in the body of its instruments.
Akilsakilan learning, Doughnut.
Finding, twisting and hammering out an expanding musical universe balanced only by its own logics – lll人 have few obvious comparisons. Their performances are consistent radical negotiations of the emotional, physical and social energies of the environments they sound out.
[The second side was recorded at a summer fundraiser concert for Project Fukushima (This followed a solo performance by Evan Parker who later joined the group for a quartet) and the first as part of the inaugural INTERSECT festival four months later.]
Recorded at Cafe OTO on 28 August 2013 (Fukshima) by Stuart Bannister and 7 December 2013 (Intersect) by Kate Arnold. Mixed by Paul Abbott. Mastered by Andreas [LUPO] Lubich at Calyx, Berlin.
Design by Paul Abbott. Inner sleeve by Paul Abbott, Cara Tolmie and Conal Mcstravick
lll人 (pronounced /el/) is Daichi Yoshikawa, Paul Abbott and Seymour Wright.
This recording includes two bare twentyminute excerpts from separate performances at Cafe OTO.
1. lll人 = Daichi Yoshikawa + Paul Abbott + Seymour Wright
2. Still finding, twisting and hammering out an expanding musical universe balanced only by its own logics – lll人 have few obvious comparisons. Their performances are consistent radical negotiations of the emotional, physical and social energies of the environments they sound out.
3. Fold out/roll up drumfeedbackreed sausage/pleat, holed and sliced.
4. [cropse after gannen begat gjerhan (ovo) ROKU11]
5. The tools are familiar, the listening is not;
6. The tools are familiar, the spaces are not.
7. Here are recordings of public longform negotiations of:
a. the vast of V&A cast rooms (walkthru);
b. the theatron of Spanish Fighters (sitdown).
8. June 28, 2013 VandA cast-coated Huge room full cast of plaster. BORC Ljubljan Friday Spanski - spanski 2013 the 11th year 15 months dark room Escapade Winton, we're playing in front of the emergency;
9. More lll人: absorbing protoplasm dances of doppelnut learnings.
Seymour Wright – saxophonist, investigator, artist – lives in London. His practice is about the saxophone – music, history and technique – actual and potential; an on-going, rigorous and exhaustive exploration of the instrument. The energy of this learning is applied to various collaborations and contexts to access/share what he has called the ‘awkward wealth of investigation’. His work is documented on two widely acclaimed self-released collections Seymour Wright of Derby (2008) and Seymour Writes Back (2015). As well as STEPS, his current collaborations include lll人 (with Daichi Yoshikawa and Paul Abbott), GUO (with Daniel Blumberg) and XT (with Paul Abbott).
the sound come from a speaker working with feedback of the contact microphones.
the constant vibration resonate with objects make the wonder of work, and share of listening.
He is waiting for the release of his solo work at the moment.
from Japan, based in London and Berlin.
curating series of experimental music events at Dzialdov(http://dzialdov.de/)
his recent work consists number of places in deferent countries with lll人, a group based in London uk, Seymour Wright(saxophone) and Paul Abbott(Paul Abbott)
Paul Abbott is an artist and musician based in London, working through questions and feelings connecting music, language and politics: using drums, performance, writing, and publishing. He is currently one of the Sound and Music “Embedded” resident artists at Cafe Oto and a co-editor of Cesura//Acceso journal.
His current collaborations include XT (with Seymour Wright), lll人 (with Daichi Yoshikawa and Seymour Wright) and ULAPAARC (with Cara Tolmie). A series of solo performances in Cafe OTO’s project space are documented here. Recent releases include qno, Vagus, Pah', and vjerhanxsk.