Wednesday 21 June 2017, 7.30pm
Danish saxophonist, Julie Kjær joins forces with the English powerhouse rhythm section of Steve Noble and John Edwards. The trio explores the improvised world in all its aspects with drive and invention, moving from wild and intense passages, odd and peculiar moods to sections of subtlety and beauty. Experimenting with rhythms and sounds the trio pushes their instruments to the limits, blending the classic elements of jazz with new sounds. The trios debut cd ‘Dobbeltgænger’ was released on Clean Feed Records March ’16. Autumn ’16 they released their second recording as digital download on Cafe Oto’s label Otoroku. This spring/summer they will tour Europe and Japan.
“This is a satisfyingly physical date, infused with the kind of erudite playfulness that made Art Ensemble og Chicago’s best moments a treat for head and heart alike” – Daniel Spicer, Jazzwise July ’16.
About Julie Kjær:
“…one of the most impressive new voices on the London jazz and improv scene” – Stewart Smith, The Wire July ’16.
Julie Kjær's edgy and thoughtful playing and ‘dark, otherworldly imagery’ (Jazzwise) has become increasingly evident around Europe, inhabiting ground between composition and free improv. Experimenting with extended techniques, sound and rhythm she pushes her instruments to their limits. She tours internationally with Norwegian drummer Paal Nilssen-Love and his Large Unit and she has toured internationally and recorded with Django Bates and StoRMChaser. Currently her main focus is on her trio, Julie Kjær 3, with bass player John Edwards and drummer Steve Noble. They’ve just released their debut album on 14th March '16 on Clean Feed. Julie also plays with London Improvisers Orchestra and is a leader and side woman of several other English and Danish ensembles. In 2014 she was chosen to be a Sound and Music “New Voice” Artist and was chosen as a featured composer by the British Music Collection.
John Edwards is a true virtuoso whose staggering range of techniques and boundless musical imagination have redefined the possibility of the double bass and dramatically expanded its role, whether playing solo or with others. Perpetually in demand, he has played with Evan Parker, Sunny Murray, Derek Bailey, Joe McPhee, Lol Coxhill, Peter Brötzmann, Mulatu Astatke and many others.
"I think John Edwards is absolutely remarkable: there’s never been anything like him before, anywhere in jazz." - Richard Williams, The Blue Moment
Steve Noble is London's leading drummer, a fearless and constantly inventive improviser whose super-precise, ultra-propulsive and hyper-detailed playing has galvanized encounters with Derek Bailey, Matthew Shipp, Ishmael Wadada Leo Smith, Stephen O'Malley, Joe McPhee, Alex Ward, Rhodri Davies and many, many more.
In the early eighties, Noble played with the Nigerian master drummer Elkan Ogunde, Rip Rig and Panic, Brion Gysin and the Bow Gamelan Ensemble, before going on to work with the pianist Alex Maguire and with Derek Bailey (including Company Weeks 1987, 89 and 90). He was featured in the Bailey's excellent TV series on Improvisation for Channel 4 based on his book ‘Improvisation; its nature and practise’. He has toured and performed throughout Europe, Africa and America and currently leads the groups N.E.W (with John Edwards and Alex Ward) and DECOY (with John Edwards and Alexander Hawkins).
Veryan Weston (born 1950) was awarded ‘Young Jazz Musician of 1979’ by the Greater London Arts Association. In the '80s, Veryan worked internationally with Lol Coxhill (with whom he made his first recordings – Ogun 525 and Random Radar), the Eddie Prévost Quartet and Trevor Watts – an innovator who, in his band Moiré Music, used a unique combination of African rhythmic structures with the European musical tradition (Arc 02).
In the '90s, collaborations with Phil Minton included the Ways duos, Songs from a Prison Diary awarded the Cornelius Cardew composition prize, a quartet performing extracts from Joyce’s Finnegans wake (with Phil, John Butcher and Roger Turner), and 4Walls with Luc Ex and Michael Vatcher. And most recently - Ways for an Orchestra commissioned by the Angelica Festival (Bologna, Italy - 2017)
Collaborations with Jon Rose on the ‘Temperament Project’ use improvisation with different acoustic keyboards and violins with selected tunings derived from science, history and the imagination. Most recent project has included Hannah Marshall with the Tuning Out Tour (EMANEM double 4141).
He also collaborated with Caroline Kraabel (EMANEM 4048), John Edwards and Mark Sanders (EMANEM 4028, 4214, and 4205), the Trio of Uncertainty with cellist Hannah Marshall and violinist Satoko Fukuda (EMANEM 4141), Luc Ex in Sol6 (Red Note 15) which included saxophonist Ingrid Laubrock and Hannah Marshall in a trio called Haste. (EMANEM 5025).
‘Tessellations’ is an ongoing composition project based around research on pentatonic scales and has produced: 1. Tessellations for piano (EMANEM 4095), 2 a commissioned piece for Austrian singers - the Vociferous Choir (EMANEM 5015), 3 a string quartet, and 4 'The Make Project' – a Toronto-based project commissioned by Canadian Arts (Released – January 2018).
Peripheral excursions: Carla Bley's Escalator Over the Hill big band project, and Cobra with John Zorn in Berlin, Lindsay Cooper memorial project with Henry Cow (2014).
Veryan has worked with Trevor Watts for more than 40 years; their paths have crossed frequently because of shared musical interests particularly in rhythmic ideas. Now their music has one focus – improvisation, also a thread throughout Veryan’s work which reveals new aspects of an ever-changing musical identity depending on who he is playing with. Website with links - http://veryanweston.weebly.com/