Veryan Weston (born 1950) was awarded ‘Young Jazz Musician of 1979’ by the Greater London Arts Association. In the '80s, Veryan worked internationally with Lol Coxhill (with whom he made his first recordings – Ogun 525 and Random Radar), the Eddie Prévost Quartet and Trevor Watts – an innovator who, in his band Moiré Music, used a unique combination of African rhythmic structures with the European musical tradition (Arc 02).
In the '90s, collaborations with Phil Minton included the Ways duos, Songs from a Prison Diary awarded the Cornelius Cardew composition prize, a quartet performing extracts from Joyce’s Finnegans wake (with Phil, John Butcher and Roger Turner), and 4Walls with Luc Ex and Michael Vatcher. And most recently - Ways for an Orchestra commissioned by the Angelica Festival (Bologna, Italy - 2017)
Collaborations with Jon Rose on the ‘Temperament Project’ use improvisation with different acoustic keyboards and violins with selected tunings derived from science, history and the imagination. Most recent project has included Hannah Marshall with the Tuning Out Tour (EMANEM double 4141).
He also collaborated with Caroline Kraabel (EMANEM 4048), John Edwards and Mark Sanders (EMANEM 4028, 4214, and 4205), the Trio of Uncertainty with cellist Hannah Marshall and violinist Satoko Fukuda (EMANEM 4141), Luc Ex in Sol6 (Red Note 15) which included saxophonist Ingrid Laubrock and Hannah Marshall in a trio called Haste. (EMANEM 5025).
‘Tessellations’ is an ongoing composition project based around research on pentatonic scales and has produced: 1. Tessellations for piano (EMANEM 4095), 2 a commissioned piece for Austrian singers - the Vociferous Choir (EMANEM 5015), 3 a string quartet, and 4 'The Make Project' – a Toronto-based project commissioned by Canadian Arts (Released – January 2018).
Peripheral excursions: Carla Bley's Escalator Over the Hill big band project, and Cobra with John Zorn in Berlin, Lindsay Cooper memorial project with Henry Cow (2014).
Veryan has worked with Trevor Watts for more than 40 years; their paths have crossed frequently because of shared musical interests particularly in rhythmic ideas. Now their music has one focus – improvisation, also a thread throughout Veryan’s work which reveals new aspects of an ever-changing musical identity depending on who he is playing with. Website with links - http://veryanweston.weebly.com/