Wednesday 14 January 2015, 8pm
Bass, drums and saxophone are the core elements of (what might still be called) ‘free-jazz’. Bassist Guillaume Viltard and saxophonist Seymour Wright are two of the most exciting current developers of this tradition – working way-beyond emulation, using knowledge of the past, extremely physical and new approaches to their instruments they lean against the jazz-past, on, into the future - always doing something different. Since late summer 2013 they have been part of a group of musicians playing, pushing and learning day and night in the OTO project space.
From the new-year into the spring of 2015 café OTO is excited to present a series of concerts each involving them in collaboration with a different drummer (and others). The two have been significant partners since Viltard moved to London in 2007; together they have performed in bass/saxophone/drums trios with Paul Abbott, Tony Marsh, Steve Noble and Eddie Prévost, sometimes with the addition of a second bassist. Each permutation has developed, and challenged those involved, in unique and very different ways. The continuity across these different meetings is fascinating, and the opportunity for this to be made public over a several-month residency a rare and exciting one.
Viltard explains that ‘quoting Samuel Beckett’s Molloy seems (to him) the best introduction to this musical approach:
“And having heard, or more probably read somewhere, in the days when I thought I would be well advised to educate myself, or amuse myself, or stupefy myself, or kill time, that when a man in a forest thinks he is going forward in straight line, in reality he is going in a circle, I did my best to go in a circle, hoping in this way to go in a straight line (…) And if I did not go in a rigorously straight line, with my system of going in a circle, at least I did not go in a circle, and that was something.”
This quartet of two double basses, drums and saxophone will play together for the first time.
Roger Turner is a major British drummer. He has made music with jazz greats such as Cecil Tayor and Charles Gayle, Japanese radicals like Otomo Yoshihide, as well as in peculiar(ly) British improvising settings over many decades - for example a 1980s trio with Phil Minton and Keith Rowe.
Tomaz Grom is a Slovenian double-bassist and key figure in Ljubljana’s remarkable current scene. He has also worked with free jazz music’s senior figures, such as Sonny Simmon’s, and more myteriously fascinating figures such as M-base drummer Doug Hammond. A recent frequent collaboration has been a duo with ex-Fushitsusha drummer Seijiro Murayama.
Other concerts in the series:
February 11 with Christine Wodrascka (piano) and Mark Sanders (drums) // March 11 with Steve Noble (drums) // April 8 with Tom Wheatley (bass) and Eddie Prévost (drums)
An intensely physical double-bassist Viltard was one of OTO’s first associate artists – he has played and performed here with musicians as diverse as Otomo Yoshihide and Kan Mikami, Louis Moholo-Moholo, and Evan Parker. Particularly memorable was a sensational solo set in support of Marc Ribot. Most often his work has been in the ‘classic’ jazz format of saxophone/bass/drums: from trios with the late Tony Marsh and Shabaka Hutchings, to most recently Eddie Prévost and Ken Vandermark.
His uncompromising, physical and rhythmic approach to the double-bass – always acoustic, adamant – connects to jazz learning from sources as diverse as Jean-Jacques Avenel, Barre Phillips, Johnny Mbizo Dyani and Ronnie Boykins.
His close association with OTO endures, and since late summer 2013 he has been part of a group of musicians playing, pushing and learning day and night in the OTO project space. Most often private, groupings around this new energy these groups are increasingly public, for example Steve Noble’s (new) Quartet.
Video by Helen Petts
Seymour Wright is a saxophonist. His work is about the creative, situated friction of learning, ideas, people and the saxophone – music, history and technique – actual and potential.
Seymour's solo music is documented on three widely-acclaimed collections - Seymour Wright of Derby (2008), Seymour Writes Back (2015) and Is This Right? (2017).
Current projects include: @xcrswx with Crystabel Riley; abaria with Ute Kanngiesser; [Ahmed] with Antonin Gerbal, Joel Grip and Pat Thomas; GUO with Daniel Blumberg; XT with Paul Abbott; The Creaking Breeze Ensemble; a trans-atlantic duet with Andy Guthrie, and, with Jean-luc Guionnet a project addressing an imaginary lacunae in Aby Warburg's Atlas Mnemosyne.
@xcrswx
Over decades Roger Turner has brought the renowned volcanic power and finely-honed precision of his drum work to ensembles that have forged substantial connections with musicians both sides of the Atlantic and more recently from Japan. In addition to pioneering an acoustic percussive language that can run in tandem with approaches to contemporary electronic instruments, he has worked extensively in the microscopic laboratory of the acoustic duo situation where he acquired a highly developed sense of detail and of dynamic control. One of that select group of world-class players who have collectively redefined the language of contemporary percussion, in Turner's hands minute inflections of tension can shape the group's musical direction and galvanise a new level of audience experience.
Tomaz Grom is a Slovenian double-bassist and key figure in Ljubljana’s remarkable current scene. He has also worked with free jazz music’s senior figures, such as Sonny Simmon’s, and more myteriously fascinating figures such as M-base drummer Doug Hammond. A recent frequent collaboration has been a duo with ex-Fushitsusha drummer Seijiro Murayama.
