Video by Helen Petts

Guillaume Viltard

An intensely physical double-bassist Viltard was one of OTO’s first associate artists – he has played and performed here with musicians as diverse as Otomo Yoshihide and Kan Mikami, Louis Moholo-Moholo, and Evan Parker. Particularly memorable was a sensational solo set in support of Marc Ribot. Most often his work has been in the ‘classic’ jazz format of saxophone/bass/drums: from trios with the late Tony Marsh and Shabaka Hutchings, to most recently Eddie Prévost and Ken Vandermark.

His uncompromising, physical and rhythmic approach to the double-bass – always acoustic, adamant – connects to jazz learning from sources as diverse as Jean-Jacques Avenel, Barre Phillips, Johnny Mbizo Dyani and Ronnie Boykins. 

His close association with OTO endures, and since late summer 2013 he has been part of a group of musicians playing, pushing and learning day and night in the OTO project space. Most often private, groupings around this new energy these groups are increasingly public, for example Steve Noble’s (new) Quartet.

Featured releases

The second recording made in a series of concerts at The Network Theatre, Waterloo, London, in which Eddie Prévost invited notable saxophonists to make music with him.  --- John Butcher / tenor and soprano saxophones Guillaume Viltard / double bass Eddie Prévost / drums  --- Recorded at the Network Theatre, Waterloo, London, on the 1st August 2011 by Giovanni Le Rovere. Mixing and editing by John Butcher. Cymbol photography by Tom Mills. Design my Myuh Chun.  --- Review in Point of Departure: The first part of the three-part suite opens up with tuned toms, and moves quickly into popping, lip-smacking sax and burbling pizzicato, making for a good old free jazz romp for starters. Amidst the nicely heated metal and woody thwacks, you can hear Butcher digging into some of his most audibly saxophonic playing (to call it conventional, even though there are lines and intervals, would be overstating things). But there’s also such a sheerly avian quality, at times evolving into a menacing spitfire, that you forget those previous passages altogether as overtones proliferate. There are also some extraordinary moments in the second part, where Butcher seems to reduce the soprano to pure whizzing sound, with no breaks in the sound, only a massive metallic whistle that occasionally boils down into burrs and grumbles. I have to confess that there are moments when (partly owing to his place in the mix) Vitard sounds a bit inconsequential; and in the hot exchanges to begin “part 3” it’s clear that the sympathy between Butcher and Prévost is where the action is. But thankfully the bassist subsequently proves me wrong with a truly sizzling arco solo – bold and confessional at once – midway through the 28-minute closing section.
– Jason Bivins

John Butcher / Guillaume Viltard / Eddie Prévost – Meetings with Remarkable Saxophonists Vol.2 - All But

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