Friday 16 June 2017, 7.30pm
Art of Improvisers (15th to 22nd June 2017) presents a festival curated by Blanca Regina and Steve Beresford and affirms the importance of women in free improvisation and arts.
It presents, in a variety of ways, both the back history and the current state of women in free improvisation. It also looks at free improvisation’s strong, but rarely noted, connection to visual work.
Art of Improvisers is supported by Arts Council England,Cafe Oto,The British Music Collection,Sound and Music,Art+Feminism and is in association with the Wire 400.
More information at www.unpredictable.info
In association with The Wire 400
Steve has been a central figure in the British improvising scene for over thirty years, working with the likes of Derek Bailey, Evan Parker, Han Bennink, Christian Marclay and, of course, Alterations.
His work with Marclay has included mixed media pieces like ‘Screen Play’, ‘Ephemera’, ‘Graffiti Composition’, ‘Shuffle’, ‘Pianorama’ and ‘Everyday’. He has also written songs, scored feature films, TV shows and commercials.
Steve has worked with hundreds of people, including The Slits, Stewart Lee, Ivor Cutler, Prince Far-I, Alan Hacker, Ray Davies, Ilan Volkov, The Flying Lizards, Otomo Yoshihide, The Portsmouth Sinfonia and John Zorn.
He has an extensive discography as performer, arranger, composer and producer, and was was awarded a Paul Hamlyn award for composers in 2012.
Blanca Regina is an artist, teacher and curator based in London who is currently involved in creating audiovisual performances, sound works, instalations and film.
Her research and practice encompass sound art, free-improvisation, moving image, live events, electronic music and performance.
In 2014 she joined Event and Experience Design department at University of Kent.
From 2011-2014 she was visiting research fellow at Chelsea College of Arts & Design at University of the Arts London.
In 2010, she received a doctorate in Humanities from University Rey Juan Carlos, Madrid, with the thesis: The VJ and audiovisual performance: towards a radical aesthetic of postmodernism.
In London, she co-funded with Steve Beresford and later Jack Goldstein 'Strange Umbrellas', a platform for free improvised music and visual art. During 2012-2014 she curated performances at Music Hackspace. She is initial co-founder of the Live Cinema Foundation.
In 2011 with Matthias Kispert at Soundfjord she founded the Material Studies Group. Focusing at developing a series of workshops and performances open to everyone looking at the production of sound with everyday objects.
She has performed with various artists, including Terry Day, Leafcutter John, Beresford and Matthias Kispert and curated a number of events and installations in London and internationally. Her last exhibition: ‘Expanded and Ephemera Audiovisual’ was presented at MUPO, Oaxaca, México in November 2015
Current works in development include the direction of Unpredictable a film about Terry Day and 'Unpredictable series' a series of exhibitions, talks and performances.
David is a musician, author, professor and Chair of Audio Culture and Improvisation at London College of Communication.
He has published five books including Ocean of Sound, Rap Attack and Sinister Resonance. His first album, ‘New and Rediscovered Musical Instruments’, was released on Brian Eno’s Obscure label in 1975 and he has collaborated with artists ranging from John Latham, Bob Cobbing, Carlyle Reedy and Ivor Cutler to Rie Nakajima, Evan Parker, Max Eastley and Akio Suzuki.
He has recently completed part one of Into the Maelstrom: Music, Improvisation and the Dream of Freedom, a two-volume work on free improvisation. Exhibitions and events he has curated include Music/Context Festival of Environmental Music for the LMC (1978), Sonic Boom for the Hayward Gallery (2000), sound curation for Radical Fashion at the V&A (2000-2001), Playing John Cage at the Arnolfini (2005) and Blow Up at Flat Time House (2010).
Terry is an improviser, multi-instrumentalist, lyricist, song writer, visual artist and poet. He is a ‘first generation’ pioneer improviser from the 1960s.
A self-taught musician in a family of musicians, he began improvising on the drums with his brother in 1955. In the early 1960s he formed the Hardy Holman Day trio focusing on free improvisation. Later he became part of Kilburn & the Highroads, a band led by Ian Dury.
Sharing their interest in visual art and painting, Terry and Ian both studied at Walthamstow School of Art and later at the Royal College of Art, London. As an art student in the 1960s he was a pioneer of improvisation, free jazz & experimental music.
Day also formed a duo with Derek Bailey in the late 1960s and was a regular member of The Continuous Music Ensemble, later known as The People Band. Since then he has collaborated with many musical luminaries, groups, dancers, painters, poets and performed in theatre, events, and rock & roll.
Rie Nakajima is a Japanese artist based in the UK. She has exhibited and performed all over the world charming audiences with her inventive works of mechanical bricolage. In 2014 she received the Arts Foundation prize for Experimental Music. She co-curates the event series 'Sculpture' with David Toop and has collaborated with Miki Yui, David Cunningham, Phill Niblock, Pierre Berthet and many others.
Maggie Nicols joined London's legendary Spontaneous Music Ensemble in 1968 as a free improvisation vocalist. She then became active running voice workshops with an involvement in local experimental theatre. She later joined the group Centipede, led by Keith and Julie Tippets and in 1977, with musician/composer Lindsay Cooper, formed the remarkable Feminist Improvising Group. She continues performing and recording challenging and beautiful work, in music and theatre, either in collaborations with a range of artists (Irene Schweitzer, Joelle Leandre, Ken Hyder, Caroline Kraabel) as well as solo.
Gina Southgate is an artist who, through a growing interest in music and the aesthetic of musical instruments, began to paint at gigs. She is well known on the London free music and jazz scene where she has painted and performed live at gigs for 25 years.