OTOROKU Downloads

Download only arm of OTOROKU, documenting the venue's programme of experimental and new music.

John Dikeman / tenor and alto saxophonesWilliam Parker / double bassHamid Drake / drums, percussion, voiceThis trio came about when the DOEK festival in Amsterdam invited the American saxophonist (and Dutch resident) to form a new group for the festival. Dikeman went straight for one of the greatest rhythm sections of the last 30 years - asking William Parker and Hamid Drake to join him in a trio. This recording includes both of the sets they performed at Cafe OTO on 7 May 2014 to a sold out house. William Parker and Hamid Drake first came together as part of Peter Brötzmann’s legendary Die Like A Dog Quartet with trumpeter Toshinori Kondo. They’ve gone on to form a sympatico partnership, working as a duo (see Piercing the Veil on AUM Fidelity) and together on many of William Parker’s larger group projects. From rural Wyoming to Amsterdam via Egypt, Dikeman’s playing runs the gamut of improvised music with an open attitude to collaboration that tears down any notion of genre. His own groups include the no-wave noise jazz of Cactus Truck, and Universal Indians - a tightly wound trio (with Jon Rune Strom on bass and Tollef Ostvang on drums) seen regularly with special guest Joe McPhee.Recorded by James Dunn at Cafe OTO on Wednesday 7 May 2014. Mixed by Rupert Clervaux at Grays Inn Road, London. Mastered by Andreas [LUPO] Lubich at Calyx, Berlin. Photograph by Dawid Laskowski.

John Dikeman / Hamid Drake / William Parker – Cleaning The Mirror

Available as 320k MP3 Tracklisting: 1. To Do First 2. Marui Hito (Everyone) 3. My Car is Burning 4. Oide no Umi 5. Ending Theme 6. Donna Donna 7. Oetsu to Kanki no Nanoriuta (Given Song by Sob and Joy) 8. Hareruhi 9. Melt Horn 10. Baibaba Bimba 11. Greensleeves   To celebrate being open for 10 years we thought we'd share the very first show we hosted as a download. John Chantler organised Saya's first show outside of the UK and remembers it like this: Saya was in the UK for a short stint to work on the mix for the Pastels/Tenniscoats LP 'Two Sunsets' - travelling to Glasgow from Japan via London. I'd heard word of a new venue opening up in town with the Japanese name and got in touch to see if they'd be interested in having Saya play. Turned out they'd be (fingers crossed) open just in time, and as big fans of Tenniscoats would love to have play the venue's first show.   The paint was still fresh on the walls. There was no proper mixing desk (I brought my own and got a bit heavy-handed with the echo). The PA was far from the best and the sound meter that they'd had to install wasn't set up right. It tripped not once, but twice during 'Baibaba Bimba' (you'll hear the silence as the power cuts out on the recording) - leaving Saya to switch from keyboard to guitar to finish it off. Despite all that it was a magical early sunday evening. Saya was nervous playing her first solo show outside Japan, but the attentive crowd of 70 odd stuck with her and sat in rapt attention. No one show is going to capture the essence of cafe OTO, but if they say you should start as you mean to go on and that's what happened here. It's nice to finally be able to share this little slice of the venue's history. Enjoy. - John Chantler

Saya (Tenniscoats) – 13.4.08