Saturday 14 October 2017, 7.30pm
The Experimental Library: Ornette Coleman
The Experimental Library is a series of Rooms.
Each Room in The Experimental Library houses ‘events’ in response to the work of a specific radical creator.
The series will create a space for reading, objects, dance, music making, and dialogue, and will coincide with a publication of further responses to the artist.
The first room is Ornette Coleman.
The concert is a series of responses to Ornette Coleman:
Still House Plants
XT (Paul Abbott and Seymour Wright)
Followed by dancing to Ornette Coleman records.
The publication will include contributions by:
Matthew Welton and Paul Tornbohm
Combining visual strategies, free improvisation, UK garage and punk, Still House Plants build melodic hierarchies scaffolded around ambiguities and intimacy. Fresh from being selected for the OTO Projects UK Artists Residency, and following two sold out tapes on Glasgow label GLARC, the trio’s debut LP 'Long Play' collects the group's raw guitar-drum-vocal palette and stretches it to include violin, piano and intimate home recording. Ranging from seconds-long to seven:minute:somethings, the album coagulates to form a heady meld of rudimentary phrases, kinetic repetition and malleable samples. Experimental songwriting is rarely so forthcoming, emotive, or approachable.
The group have performed internationally, touring with Mette Rasmussen to perform at Ultra Eczema's 20th Anniversary, (Antwerp), Fasching Jazz Club, (Stockholm) with Rasmussen and Richard Dawson, as well as at KRAAK festival, (Brussels).
Nisha Ramayya’s poetry pamphlets Notes on Sanskrit (2015) and Correspondences (2016) are published by Oystercatcher Press. Her writing can be found in Ambit, Datableed, Litmus, Poetry London, The White Review, and Zarf. She is a member of the ‘Race & Poetry & Poetics in the UK’ research group and she teaches Poetic Practice and Creative Writing at Royal Holloway, University of London.
Opening possibilities of language and learning from below, XT bounce questions of the specific material conditions, histories and logics of the saxophone and drum kit in a flexible, manifold process of collaboration, augmentation, bifurcation, antagonism and technological and somatic feedback. Increasingly they plug in, using synthetic and amplified saxophone and drums to extend magnify and delay what they do.
The project explicitly folds together their overlapping interests in language, learning, politics and an investigative ethics of emancipation.
Paul Abbott is an artist and musician based in London, working through questions and feelings connecting music and language: using real and imaginary drums, synthetic sounds, performance and writing.
His current collaborations include XT & lll人 with Seymour Wright and Daichi Yoshikawa, Falls with Keira Greene, ULAPAARC with Cara Tolmie and an ongoing project with Will Holder. A series of solo performances in Cafe OTO’s project space are documented here. Recent releases include solo's Sphuzo, qno, & Vagus and Pah' (XT), and vjerhanxsk (lll人). He is one of the co-editor’s of Cesura//Acceso and was one of the Sound and Music “Embedded” resident artists at Cafe Oto 2015-2016.
In addition Abbott has collaborated and performed with numerous other artists and musicians, including: Benedict Drew, Pat Thomas, Ute Kanngiesser, Billy Steiger, Bill Orcutt, Danny Haywood, Joel Grip, Brandon La Belle, Eddie Prevost, Steve Noble, Sebastian Lexer, Evan Parker and Otomo Yoshihide.
Seymour Wright’s work is about the creative, situated friction of learning, ideas, people and the saxophone – music, history and technique – actual and potential.
His solo work is documented on three widely-acclaimed collections - Seymour Wright of Derby (2008), Seymour Writes Back (2015) and Is This Right? (2017).
Current projects include: abaria with Ute Kanngiesser; [Ahmed] with Antonin Gerbal, Joel Grip and Pat Thomas; @xcrswx with Crystabel Riley; GUO with Daniel Blumberg; The Experimental Library with Evie Ward; XT with Paul Abbott; a trans-atlantic duet with Anne Guthrie, and, with Jean-luc Guionnet a project addressing an imaginary lacunae in Aby Warburg's Atlas Mnemosyne.
His writing has been published in C//A, Sound American and The Wire.
Evie Ward is a poet (b. London, 1993). Her writing addresses synaesthetic response to materials, sound & listening, to technologies of communication the written visual/the written listen, and the statics, tactiles, limits of the written form. She has read-performed internationally and is co-founder of The Experimental Library with Seymour Wright. Among other publications, her poem about the late Cecil Taylor's 'Unit Structures' can be found in Cesura//Acceso journal. Ward is currently studying at The Courtauld Institute of Art, London where she is writing her postgraduate thesis about Moki Cherry’s tapestries.