Sunday 14 February 2016, 8pm
Joe McPhee and Chris Corsano have provided some of the absolute stand-out moments at OTO, and it's fantastic to welcome them back for two nights. Opening each night with a duo set, followed by a trio with John Edwards the first evening, and Eddie Prévost / Orphy Robinson for a very special triple-percussion quartet on the second night, prepare for the kind of radically intuitive and joyously intense interplay that comes along very rarely indeed.
“...starting quietly with discreet noises, taps and rattles, breathy ghost notes, they soon started to stretch out across the territory available. Which given the majestic pedigree of Joe McPhee and the younger Corsano's awesome technique is a wide, wide open space. McPhee is a master of multisonics on his instruments and Corsano uses an expanded kit and often electronics to buttress his rhythmic muse.” – Sounds and Texts
Joe McPhee grew up in New York, is a multi-instrumentalist and plays since the late 60ties within the creative and free jazz music world. His play is energetic, demanding and breathtaking sensitive - still with over 80 years! He learnt to play trumpet as a kid and - inspired by John Coltrane, Albert Ayler and Ornette Colemann - he thought himself saxophone in his thirties. McPhee's first recording was with Clifford Thornton in 1967 on the album "Freedom and Unity". He became involved and known in Europe in the midd 70ties and since the 90ties he also plays with a younger generation from Chicago and New York. He played/plays regular for example with Ken Vandermark, Peter Brötzmann, Evan Parker, Mats Gustafsson, Dominic Duval, Jay Rosen, Jeb Bishop, The Thing, Clifton Hyde, Jérôme Bourdellon, Raymond Boni, Joe Giardullo.
https://en.wikipedia.org/wiki/Joe_McPhee
Chris Corsano (b. 1975, USA) is a New York-based drummer who has been active at the intersections of collective improvisation, free jazz, avant-rock, and experimental music since the late 1990's. He's been the rim-batterer of choice for some of the greatest contemporary purveyors of "jazz" (Joe McPhee, Paul Flaherty, Mette Rasmussen, Zoh Amba) and "rock" (Sir Richard Bishop, Bill Orcutt, Jim O'Rourke), as well as artists beyond categorization (Björk for her Volta album and world tour, Michael Flower, Okkyung Lee).
Corsano began a long-standing, high-energy musical partnership with saxophonist Paul Flaherty in 1998. Their style, which they occasionally refer to with (semi-)tongue-in-cheek humor as "The Hated Music", combines modern free-jazz's ecstatic collectivism with the urgency and intensity of hardcore punk. A move from western Massachusetts to the UK in 2005 led Corsano to develop his solo music -- a dynamic, spontaneously-composed orchestra-of-one utilizing extended techniques for drum set, non-percussive instruments of his own creation (e.g. bowed violin strings stretched across drum heads), circular breathing on modified reed instruments, and stockpiles of resonant metals. He spent 2007-08 as the drummer on Björk's Volta world tour, all the while weaving in shows and recordings on his days off with the likes of Evan Parker, Michael Flower, and Jandek. He moved back to the U.S. in 2009 and continued touring in an ultrawide array of ever-evolving collaborations. In 2017 he won the Foundation for Contemporary Arts Grants to Artists Award. A renowned solo performer in his own right, Corsano has a new solo record, The Key (Became The Important Thing [and Then Just Faded Away] out on the Drag City label.
His dedication to collective improvisation has led to Corsano to join forces with many kindred spirits and his appearance on over 180 records and thousands of live performances. He's worked with, among others: Paul Dunmall (released by the label: ESP-Disk), Joe McPhee (Roaratorio), Okkyung Lee (Open Mouth), Bill Orcutt (Palilalia), Mette Rasmussen (Hot Cars Warp Records & Clean Feed), John Edwards (OTOroku & Dancing Wayang), Sylvie Courvoisier (Relative Pitch), Nate Wooley (No Business & Astral Spirits), Jim O'Rourke & Akira Sakata (Drag City & Polystar), Merzbow (Family Vineyard), Jessica Rylan (Load Records), Rodrigo Amado (Trost), Nels Cline (Strange Attractors), Heather Leigh (Volcanic Tongue), Ghédalia Tazartès (Ultra Eczema), Ken Vandermark (Audiographic), and Sunburned Hand Of Man (Manhand).
https://chriscorsano.bandcamp.com/music
John Edwards grew up in London and started experimenting with the bass guitar before he switched in his twenties to play double bass. He is deeply rooted in the creative free jazz and improvisation genre. Since the 80ties he is as soloist and in many groups and ensembles in Europe active and became one of the most renowned bass players. He played/plays regular for example with Peter Brötzmann, Joe Mc Phee, Phil Minton, Maggie Nichols, Evan Parker, Roscoe Michtell, Louis Moholo-Moholo, Mark Sanders, Caroline Kraabel, John Butcher, Pat Thomas, Irène Schweizer, Hans Koch, Florian Stoffner, Gabriele Mitelli, John Dikeman.
"I think John Edwards is absolutely remarkable: there’s never been anything like him before, anywhere in jazz." - Richard Williams, The Blue Moment
