Wednesday 30 January 2019, 7.30pm

Image by Jaap Blonk (cropped)

Unpredictable presents: Jaap Blonk w/ Beibei Wang / John Edwards / Jack Goldstein / Steve Beresford + ‘herethere’ film by Blanca Regina & Pierre Bouvier Patron

No Longer Available

The programme will include two sets

Set 1.
- Jaap Blonk - solo ‘Vibrant Islands’ 25m
- Beibei Wang- solo 15m
- Jack Goldstein with ‘Herethere’ film by Blanca Regina & Pierre Bouvier patron - 7m

Set 2.
- John Edwards- solo 15m
- Jaap Blonk & Steve Beresford - duo 15m
- Jaap, John and Beibei - trio 25m

“Vibrant Islands”, an acoustic voice performance by Jaap Blonk -
Vibrant Islands" is a cycle of 9 pieces for acoustic vocal performance, made in 2015. Each movement consists of a number of "islands" containing phonetic signs, many of which were invented by himself. For many years he has been working on a personal extension of the International Phonetic Alphabet: BLIPAX (BLonks IPA eXtended). In the performance the islands can be visited in any order, and repeatedly as well. In every score of the cycle the coastal lines have a different form, for instance angular, crenelated, straight or rounded, according to the prevalent sound character of the movement.

‘herethere’ film by Blanca Regina and Pierre Bouvier Patron live Soundtrack by Jack Goldstein

And in the second half a different combination of performances by Jaap, Bei Bei, John and Steve.

Diverging Views

Jaap Blonk

Jaap Blonk (born 1953 in Woerden, Netherlands) is a self-taught composer and poet. His unfinished studies in mathematics and musicology mainly created a penchant for activities in a Dada vein, as did several unsuccessful jobs in offices and other well-organized systems.

In the early 1980s he discovered the power and flexibility of his voice, and set out on a long-term research of phonetics and the possibilities of the human voice. At present, he has developed into a specialist in the creation and performance of sound poetry, supported by a powerful stage presence. He performs and gives workshops worldwide on a regular basis. With the use of live electronics the scope and range of his work has acquired a considerable extension. From his sound poetry scores he developed an independent body of visual work, which has been published and exhibited.

Steve Beresford

Steve Beresford has been a central figure in the British and international spontaneous music scenes for over forty years, freely improvising on the piano, electronics and other things with people like Derek Bailey, Evan Parker, Han Bennink, John Zorn and Alterations (with David Toop, Terry Day and Peter Cusack).

He has written songs, written for large and small ensembles, and scored short films, feature films, TV shows and commercials. He was part of the editorial teams of Musics and Collusion magazines, writes about music in various contexts and was a senior lecturer in music at the University of Westminster. With Blanca Regina, he is part of Unpredictable Series, which produces events and sound and video recordings of experimental music and art.

Steve has worked with Christian Marclay on numerous Marclay mixed media pieces. He has also worked with The Slits, Najma Akhtar, Stewart Lee, Ivor Cutler, Prince Far-I, Alan Hacker, Tania Chen, Ray Davies, Mandhira De Saram, The Flying Lizards, Zeena Parkins, Satoko Fukuda, The Portsmouth Sinfonia, Ilan Volkov, Rachel Musson, Vic Reeves, Sarah Gail Brand, Lore Lixenberg and many others.

Beresford has an extensive discography as performer, arranger, free-improviser, composer and producer, and was awarded a Paul Hamlyn award for composers in 2012.

http://www.efi.group.shef.ac.uk/mberes.html

John Edwards

John Edwards is a true virtuoso whose staggering range of techniques and boundless musical imagination have redefined the possibility of the double bass and dramatically expanded its role, whether playing solo or with others. Perpetually in demand, he has played with Evan Parker, Sunny Murray, Derek Bailey, Joe McPhee, Lol Coxhill, Peter Brötzmann, Mulatu Astatke and many others.

"I think John Edwards is absolutely remarkable: there’s never been anything like him before, anywhere in jazz." - Richard Williams, The Blue Moment

Beibei Wang

“The Young Chinese virtuoso Wang Beibei is nothing if not flamboyant.” – The Times

Genre-defying percussionist Beibei Wang is an acclaimed international virtuoso percussionist with both Chinese and British musical education background. Beibei has enjoyed a meteoric rise in the classical music world, receiving international praise for her performances. She received double Master Degrees from the Central Conservatory of Music (China) and the Royal Academy of Music (UK). In 2014, she was listed in the top 50 Chinese musicians in the “Sound of East” project by the Chinese Ministry of Culture. In 2015, she was endorsed by the Arts Council ,England receiving an Exceptional Talent visa from British Government. Following a successful recital at SOAS ,University of London, Beibei now leads a traditional Chinese percussion workshops to promote and preserve traditional Chinese percussion at SOAS. Most recently, she was featured on the front cover of China Music Life magazine and in iD China Magzinge in 2017.

Since 2008, as a soloist, Beibei has embarked upon a number of hugely successful international tours at many international music festivals including the Edinburgh International Festival, the Lucerne Festival, the Bach Academy Musikfest Stuttgart, Colour Scape Music Festival. She has collaborated with numerous leading Orchestras worldwide, including: the BBC Symphony Orchestra (UK),the Mahler Chamber Orchestra (Germany),Orchestra dell’ Academia Nazionale di Santa Cecilia (Italy) the Toronto Symphony Orchestra (Canada), as well as conductors, including: Kent Nagano, Tan Dun, Kristjan Järvi, Muhai Tang, etc.

By exploring new possibilities and challenging assumptions from all fields, she and her collaborators have developed genre-defying projects, pushing boundaries and delighting audiences the world over.

www.beibeiwang.com

Blanca Regina

Blanca Regina is an artist, tutor and curator based in London. She is currently involved in creating audiovisual performances, sound works, multimedia installations, photography and book arts. Blanca has lead audiovisual performance art and projection mapping workshops and has curated events internationally. Expanded and Ephemera Audiovisual was her first solo exhibition, presented in México in 2015. In it, she explores the interplay of image, sound and space, digital and analogue media and connects elements of language, identity and archive.

Blanca has performed with artists David Toop, Leafcutter John, Steve Beresford, Sharon Gal, Mandhira de Saram, Adriana Camacho and Matthias Kispert, also creating a number of films with them. Her work has been supported by Arts Council England, Sound & Music, BMC, Amex CID, Photo-España and Garage Cube.

Her recent projects include research with the Immersive Pipeline Project at Goldsmith University London and an artist’s residency at Solar, Tenerife, Canary Islands, Spain.

http://whiteemotion.com/

Pierre Bouvier Patron

Pierre Bouvier Patron is an artist and filmmaker based in London. His academic background is in film, and includes extensive research in the field of experimental forms in cinema and art in general. In 2018 he completed a Master’s Degree on experimental cinema, focusing on the work of Peter Gidal and the structural materialist film.

His practice embraces a wide range of moving image forms, from super 8 and 16mm films to digital video art. He also uses painted and bleached slides while operating the slide projector to create a visual live show.

Pierre works with a number of collaborators, including Blanca Regina, Syd Kemp, Steve Beresford and Karel Doing.

http://pierrebouvierpatron.tumblr.com/about

Jack Goldstein

Jack Goldstein makes Experimental Lo-fi Power Pop and is also a keen Free-Improviser. He is also a musicologist and academic, having a masters in Contemporary Musicology from Goldsmiths University and having been awarded the Bob Gilmore Prize for Outstanding Work in Musicology for his writing on politics and the brass band movement. He has also written on the links between pop, experimental and improvised music and American capitalism.