Focusing on several major collaborative performance-videos by a figure of the British Black Art movement, this illustrated monograph includes a series of essays which interpret Boyce's interdisciplinary practice in the light of art history, and analyse her interest in black feminism, cultural studies, film studies, art history and critical theory.
Edited by Sophie Orlando.
Texts by Adelaide Bannerman, Cecile Bargues, Sonia Boyce, Jean Fisher, Sophie Orlando, Allison Thompson.
