Star Spangled Voltage

Rasmussen / Flaherty / Corsano

1 Salvaged 11:15
2 c. 800 (Hit The Ground Running) 4:56
3 Salt 3:42
4 Reckonings 15:17
5 In the Light of Things 5:01

First meeting of Mette Rasmussen and Paul Flaherty, with Corsano providing connective tissue behind the drums.  

"There's plenty of all-out, high energy playing on Star-Spangled Voltage, but there's also an underlying sensitivity to musicality and collective sound, so the proceedings never turn into a battle of egos. And the group has freely improvised/spontaneously composed architecture, breaking down at times into solos and duos. 'Salt', a duet between Rasmussen's prepared-sax and Corsano's bowed metal, builds an alien inner-ear landscape of difference tones, unisons and near-unisons to end side A. The album closes with a sax duet, 'In the Light of Things,' with Rasmussen and Flaherty already sounding like old friends." - SoundOhm.

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Mette Rasmussen / alto saxophone

Paul Flaherty / alto & tenor saxophone

Chris Corsano / drums

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Recorded June 14, 2014, at Never Ending Books, New Haven, CT, USA by Chris Corsano. Mixed by Chris Corsano. Mastered by Patrick Klem. 

Available as a 320k MP3 or 24bit FLAC download. 

Tracklisiting:

1. Salvaged - 11:15
2. c. 800 BCE (Hit The Ground Running) - 4:56 
3. Salt - 3:42
4. Reckonings - 15:17
5. In The Light Of Things - 5:01

Chris Corsano

Chris Corsano (b. 1975, USA) is a New York-based drummer who has been active at the intersections of collective improvisation, free jazz, avant-rock, and experimental music since the late 1990's. He's been the rim-batterer of choice for some of the greatest contemporary purveyors of "jazz" (Joe McPhee, Paul Flaherty, Mette Rasmussen, Zoh Amba) and "rock" (Sir Richard Bishop, Bill Orcutt, Jim O'Rourke), as well as artists beyond categorization (Björk for her Volta album and world tour, Michael Flower, Okkyung Lee).
Corsano began a long-standing, high-energy musical partnership with saxophonist Paul Flaherty in 1998. Their style, which they occasionally refer to with (semi-)tongue-in-cheek humor as "The Hated Music", combines modern free-jazz's ecstatic collectivism with the urgency and intensity of hardcore punk. A move from western Massachusetts to the UK in 2005 led Corsano to develop his solo music -- a dynamic, spontaneously-composed orchestra-of-one utilizing extended techniques for drum set, non-percussive instruments of his own creation (e.g. bowed violin strings stretched across drum heads), circular breathing on modified reed instruments, and stockpiles of resonant metals. He spent 2007-08 as the drummer on Björk's Volta world tour, all the while weaving in shows and recordings on his days off with the likes of Evan Parker, Michael Flower, and Jandek. He moved back to the U.S. in 2009 and continued touring in an ultrawide array of ever-evolving collaborations. In 2017 he won the Foundation for Contemporary Arts Grants to Artists Award. A renowned solo performer in his own right, Corsano has a new solo record, The Key (Became The Important Thing [and Then Just Faded Away] out on the Drag City label.

His dedication to collective improvisation has led to Corsano to join forces with many kindred spirits and his appearance on over 180 records and thousands of live performances. He's worked with, among others: Paul Dunmall (released by the label: ESP-Disk), Joe McPhee (Roaratorio), Okkyung Lee (Open Mouth), Bill Orcutt (Palilalia), Mette Rasmussen (Hot Cars Warp Records & Clean Feed), John Edwards (OTOroku & Dancing Wayang), Sylvie Courvoisier (Relative Pitch), Nate Wooley (No Business & Astral Spirits), Jim O'Rourke & Akira Sakata (Drag City & Polystar), Merzbow (Family Vineyard), Jessica Rylan (Load Records), Rodrigo Amado (Trost), Nels Cline (Strange Attractors), Heather Leigh (Volcanic Tongue), Ghédalia Tazartès (Ultra Eczema), Ken Vandermark (Audiographic), and Sunburned Hand Of Man (Manhand).

https://chriscorsano.bandcamp.com/music

Mette Rasmussen

Mette Rasmussen is a Danish saxophone player based in Trondheim, Norway. She works in the field of improvised music, drawing from a wide range of influences, spanning free jazz to textural soundwork. Rasmussen works on exploring the natural rawness of her instrument - experimenting on what the saxophone is capable of in sound and expression, with and without preparations. Much in demand, she has performed with the likes of Alan Silva, Chris Corsano, Ståle Liavik Solberg, and with her Trio Riot group with Sam Andreae and David Meier.

"Mette Rasmussen has a remarkably fluid and expressive tone on the alto saxophone. Her playing at times evokes the rich, heavenward clarity of Albert Ayler, at others the throaty roar of Mats Gustafsson. Equally, though, she’s able to sidestep these influences and assert her own individual sound in piercingly high tones and controlled outbursts of free playing." - Viennese Waltz