Chris Corsano – The Young Cricketer

"The Young Cricketer plays out like a showreel for Corsano’s miraculous dexterity and virtuosity as a drummer. It’s a set of recordings made during Corsano’s time living in Manchester back in 2006 utilising all manner of objects and apparatus to offset and treat his drumkit, often morphing its sound into something unrecognisable. The Young Cricketer is a beautifully recorded album, with Corsano’s expanded kit occupying a vast stereo field, and every percussive gesture allotted its own distinct place in the mix. Consequently, this is probably the most thorough representation of Corsano’s near peerless drumming yet committed to record and stands as a pretty indispensable document for all lovers of free music and percussive invention. Stunning.” - Julien Héraud 


Chris Corsano / percussion


Recorded in Manchester England Feb 1-3, '06 (Except for side a track 2, recorded Jan. 6). Using drums, cymbals, baritone & alto saxophone mouthpieces with plastic tube and/or funnel, and/or shower attachment apparatus, pot lids, lamp base, scotch tape, violin-string-snare-drum contraption, bows, sticks, butter knives, and a superball on a stick, some distortion used on side B when mixing tracks 7 and especially 8, but other than that, no electronics either.

Available as a 320k MP3 or 24bit FLAC download. 


1. What Do We Mean By Coaching? - 0:36
2. Why Are Some Cricket Coaches Better Than Others? - 4:28
3. How Will You Learn More Successfully From Your Coach Than By Just Looking And Listening? - 2:46
4. What Do People Mean When They Say, "He Played Cricket"? - 1:34
5. What Do We Get From Cricket That We Don't Get From Other Games? - 4:01
6. If You Want To Succeed At Cricket, What Attitude Should You Adopt Towards The Game? - 1:57
7. How May Your Parents And Your Employer Help You In Your Cricket Career? - 7:58
8. What's The Correct Way To Stop A Ball? - 0:36
9. How Do You Know That You Have Taken Your Eyes Off The Ball When You Attempt To Catch It? - 1:41
10. What Movement Helps You When You Are Trying To Run Out A Batsmen? 1:53
11. Why Should You Watch The Striker's Bat? - 2:35
12. How SHould You Pick Up The Ball And Throw It? - 1:56
13. How Do You Know Where To Throw The Ball? - 1:55
14. When Should You Throw The Ball At Top Speed? - 2:07
15. How Should You Throw It On Other Occasions? - 1:47
16. Are You Going To Keep Alive The Spirit Of Cricket? (Bonus Track) - 2:39


Chris Corsano

"...seriously one of the most exciting drummers on the planet." -Adam Richards,

Chris Corsano (b. 1975, USA) is an upstate NY-based drummer who has been active at the intersections of collective improvisation, free jazz, avant-rock, and noise music since the late 1990's. He began a long-standing, high-energy musical partnership with saxophonist Paul Flaherty in 1998. Their style, which they occasionally refer to with (semi-)tongue-in-cheek humor as "The Hated Music", combines modern free-jazz's ecstatic collectivist spirit and the urgency and intensity of hardcore punk.

A move from western Massachusetts to the UK in 2005 led Corsano to develop his solo music--a dynamic, spontaneously-composed amalgam of extended techniques for drum set and non-percussive instruments of his own making: e.g. bowed violin strings stretched across drum heads, modified reed instruments, and stockpiles of resonant metal. In February 2006, Corsano released his first solo recording, The Young Cricketer, and toured extensively throughout Europe, USA, Australia, and Japan. He spent 2007 and '08 as the drummer on Björk's Volta world tour, all the while weaving in shows and recordings on his days off with the likes of Evan Parker, Virginia Genta, C. Spencer Yeh, and Jandek.

Moving back to the U.S. in 2009, Corsano returned focus to his own projects, including a duo with Michael Flower, Vampire Belt (with Bill Nace), Rangda (with Richard Bishop and Ben Chasny) and his solo work, further expanded in its use of contact microphones and synthesizers. In 2017, he received the Foundation for Contemporary Arts Grants to Artist Award.

Corsano's dedication to collective improvisation has led to collaborations with many kindred spirits and his appearance on over 150 records and 1000 live performances. He's worked with, among others: Paul Dunmall (released by the label: ESP-Disk), Joe McPhee (Roaratorio), Okkyung Lee (Open Mouth), Mette Rasmussen (Hot Cars Warp Records & Clean Feed), John Edwards (OTOroku & Dancing Wayang), Sylvie Courvoisier (Relative Pitch), Nate Wooley (No Business & Astral Spirits), Jim O'Rourke & Akira Sakata (Drag City & Polystar), Merzbow (Family Vineyard), Jessica Rylan (Load Records), Nels Cline (Strange Attractors), Heather Leigh (Volcanic Tongue), Ghédalia Tazartès (Ultra Eczema), Ken Vandermark (Audiographic), and Sunburned Hand Of Man (Manhand).