Wednesday 25 April 2018, 7.30pm, OTO Project Space

OTO PROJECT SPACE: SOLO:DUO:TRIO #11 - HANNAH MARSHALL / KEN IKEDA / ALISON BLUNT (TRIO) + JAMES L MALONE / OTTO WILLBERG (DUO) + ALEXANDRA SPENCE (SOLO)

No Longer Available

SOLO:DUO:TRIO is a monthly night of improvised performances bringing together a wide variety of musicians and artists. Each show features a solo, a duo, and a trio performance where performers are invited to present something new or play with a person they haven’t played with before in an intimate and open environment.

https://soloduotrio.tumblr.com/

SOLO: Alexandra Spence
DUO: James L Malone & Otto Willberg
TRIO: Hannah Marshall, Ken Ikeda & Alison Blunt

£7 on the door (£5 members)

Hannah Marshall

Hannah Marshall is a cellist who is continuing to extract, invent, and exorcize as many sounds and emotional qualities from her instrument as she can. She has been a regular member of Alexander Hawkins’ Ensembles and has toured in Europe and South America with Luc Ex and Veryan Weston’s ensembles – SOL 6 & 12. She plays with ‘String Terrorists’ - Barrel (a trio with Violinist Alison Blunt & Violist/poet Ivor kallin). And has been invited by Fred Frith and Suichi Chino in their residencies at café Oto. She also plays with Terry Day, Tim Hodgkinson, Roger Turner, Paul May, Kay Grant, and the London Improvisers Orchestra. 

Alison Blunt

Alison Blunt has performed new work using improvisation throughout Europe, Scandinavia, US, Brazil, Australia and New Zealand with a wide array of artists including Avreeayl Ra Amen, Renee Baker, John Edwards, Vinny Golia, Elisabeth Harnik, Tristan Honsinger, Audrey Lauro, Hannah Marshall, Gianni Mimmo, Evan Parker, Ute Wassermann and Trevor Watts. She is a founder member of several ensemble projects including Barrel, Barcode Quartet and Hanam Quintet and occasionally performs as soloist. Amongst broader performance and research activities Alison has collaborated with writers, visual artists, dancers and film makers and leads creative music workshops with children, families, conservatoire students and professional musicians.

"Blunt herself has the same spontaneous attitude for superb control of timbre and sound, while remaining utterly free in her inventiveness". Steff Gijssels, FREE JAZZ BLOG

www.alisonblunt.com

Ken Ikeda

Ken Ikeda (b. 1964, Japan) is a composer and performer, born in Tokyo. After studying at Berklee College of Music, he has exhibited sound art and visual installations around the world, and has worked with John Russell, Eddie Prevost, David Toop, Simon Scott, Toshimaru Nakamura, Tetuzi Akiyama and many other improvising musicians; He has collaborated with, amongst others, artist Mariko Mori, Hiroshi Sugimoto, Tadanori Yokoo; and composed and recorded for film maker David Lynch. He released CD albums from Touch, Spekk, Baskaru, White Paddy Mountain and Home Normal. Ken Ikeda currently lives and works in London, UK.

Otto Willberg

Otto Willberg is a London based musician performing on the Double Bass. He currently performs with the funk/junk/punk band Historically Fucked, Alex Ward’s large groups, Andreae/Birchall///Willberg and leads the naive groove group Early Nite.

James L Malone

experimental, improvised sound

interference, feedback, extremes

London

- Solo

- Onin (with Joe Wright)

- duo with Phil Maguire

- Frost&Malone (with Reuben Kyriakides)

has also performed with artists such as; Eddie Prévost, John Butcher, Steve Beresford, Phil Durrant, Adam Bohman

https://www.jameslmalone.com/

Alexandra Spence

Alexandra Spence is an artist and musician from Sydney, Australia. She makes and performs audiovisual installations, electroacoustic compositions, improvised music and experimental performance.

Alex’s practice explores the idea of listening as an active practice, examining the ways in which our individual notions of place and identity are shaped and mediated through sound. Her work navigates the idea of sonic materialism through an examination of resonance and vibration in everyday life. Through her practice Alex attempts to reimagine the intricate relationships between the listener, the object, and the surrounding environment as a kind of communion or conversation. Her aesthetic favours small sounds, hidden sonic processes, subtlety, quietude and unusual sound sources (she holds the pseudo-scientific belief that electricity might actually be magic).

http://alexandraspence.net/