Monday 18 March 2019, 7.30pm
“In Davachi’s music, I hear a negotiation between human instigation and letting be. Sometimes I catch little traces of melodic patterns, as she sends synthesisers through little zig-zagging motifs that rise out of the drones and return to them. At other points, she simply allows the instrument to play itself, leaving harmonics and timbral inconsistency to form shapes of their own accord. Prolonged synthesiser tones falter gently, creating undulations in texture like chips and dents on an old antique; drones curdle together to form overtones that flicker and dance above the central hums.” – ATTN:Magazine
Sarah Davachi (b. 1987, Calgary, Canada) holds a bachelor's degree in philosophy from the University of Calgary, and a master's degree in electronic music and recording media from Mills College in Oakland, California. As a composer of electronic and electroacoustic music, Davachi's compositional projects are primarily concerned with disclosing the antiquated instruments and forgotten sonics of a bygone era in analog synthesis, with concurrent treatment of acoustic sources – particularly organ, piano, strings, and woodwinds – often involving de-familiarization through processing. Her work considers the experience of enveloped sonic dwelling, utilizing extended durations, psychoacoustic manipulations, and simple harmonic structures that emphasize variations in overtone complexity and natural phasing patterns.
Áine O’Dwyer is a multi-disciplinary artist, a musician, composer and performer whose work is informed by both the conceptual concerns of sound-art and traditional compositional techniques, embracing the broader aesthetics of sound and its relationship to environment, time, audience and architecture. She has created works internationally for large-scale and intimate settings which often allow for both planned and chance events to co-exist. Recent presentations include Old Songs (2025), a performance installation commissioned by Oscillation festival, Brussels and Sing in the Dark (2024), a voice and Acousmonium performance at Archipel festival, Switzerland.
