Áine O’Dwyer's role lies somewhere between the roles of vocalist, musician, improviser, composer, performer, listener, sonic stalker and audience member. In recent years, the pipe organ has become an integral site for her experimentation, culminating in her albums 'Locusts' and 'Gegenschein'.
Her recent album 'Gallarais' experiments with acoustic decay, and was developed during a self-made residency at the Brunel tunnel shaft, London. Her work celebrates her interests in found and forgotten spaces, chance choreographies, acoustic phenomena, the act of listening and the search for alternative scoring through a combined performativity of instruments, drawings, space, time, memory and the body.
Past solo releases include 'Anything Bright or Startling? and 'Music for Church Cleaners'.