Áine O’Dwyer's role lies somewhere between the roles of vocalist, musician, improviser, composer, performer, listener, sonic Stalker and audience member. In recent years, the pipe organ has become an integral site for her experimentation, culminating in her new albums 'Locusts' and 'Gegenschein'. Her forthcoming 'Gallarais' experiments with acoustic decay, and was developed during her self made residency at the Brunel tunnel shaft, London. All three releases celebrate her interests in found and forgotten spaces, chance choreographies, acoustic phenomena, the act of listening and the search for alternative scorings through a combined performativity of instruments, drawings, space, time, memory and the body. Past solo releases include 'Anything Bright or Startling? and 'Music for Church Cleaners'.