Wednesday 26 October 2016, 8pm
Very excited to welcome composer, saxophonoist and all-round musical polymath, Matana Roberts to OTO. Over the course of her ongoing Coin Coin project, Roberts has carved out an utterly compelling and evocative soundworld all her own – “creating a unique and very personal experiential body of sound work that speaks to, and reminds people of all walks of life to reach, stand up, give voice, regardless of difference, created from mere labels of intellectual classification.”
“Memory is a powerful thing, but it’s so private, fluid, and unreliable that it can seem almost impossible to capture in a work of art—and history is often no more stable, once you look closely enough. Roberts has succeeded at evoking both, though, and gives her audience a long look at something ghostly, tragic, and beautiful. She is carving out her own aesthetic space, startling in its originality and gripping in its historic and social power.” – Peter Margasak
“A major talent” – The WIRE
“The spokeswoman for a new, politically conscious and refractory jazz scene” – Jazzthetik
Matana (mah-tah-Nah) Roberts (they/them) is an internationally documented multidisciplinary artist,composer, saxophonist,and sound experimentalist.
Roberts works in many contexts and mediums, including improvisation, sound art, dance, poetry, and theater. they made two classic records as a core member of the Sticks And Stones quartet in the early 2000s and has gone on to release a diverse body of solo and ensemble work under their own name on a variety of international record labels. They are perhaps best known for their acclaimed Coin Coin project, a multi-chapter sound work of “panoramic sound quilting” that aims to expose the mystical roots of American creative expression while maintaining a deep and substantive engagement with global narrativity, history, community and political expression within improvisatory structures. Constellation began documenting the Coin Coin project in 2011 and has released the first 5 of a projected twelve album-length “chapters” to date.
They have been invited to teach, lecture, run workshops and/or take up artistic residencies in countless places under a variety of conditions and with diverse communities over the past two plus decades.
Bradford-born, Wakefield-raised, Leafcutter John has performed and collaborated widely, including as part of mercury-nominated band Polar Bear, and solo at places like Jarvis Cocker’s meltdown and Planet Mu raves. John first found recognition twenty three years ago through Mike Paradinas’s Planet Mu record label – a gold standard for the experimental fringes of electronic music. His discography ranges from the experimentalism of The Housebound Spirit, to the folk-infused Forest and the Sea – the latter containing “Seba '' which James Acaster named in his top nine essential tracks.
John moved up to Sheffield a few years ago and quickly fell in love with climbing. In this rare London performance John will explore using actual gritstone in his performance.
