Sunday 13 September 2015, 8pm
Laura Cannell celebrates the release of new album Beneath Swooping Talons, heading up a great string-laden triple bill alongside violinist – and OTO Associate Artist – Angharad Davies and cellist Oliver Coates. Exploring the space between ancient, improvised, traditional & experimental music, Laura Cannell's music is transcendent and otherworldly – balancing a rigorous understanding of (and fascination with) the past with a bracingly modern approach.
“Laura Cannell has a sonic aesthetic that seems to come from the depths of ancient English time. She improvises pieces using, mostly, recorder and fiddle, and several of these pieces are presented on Beneath Swooping Talons. Deep and powerful work here, all the more so for being recorded in single takes.” – Norman Records, review of Beneath Swooping Talons
Laura Cannell draws on the emotional influences of the landscape and the sometimes dissonant chords of early and medieval music. With deconstructed bow and double recorders, Laura performs semi-composed, semi-improvised pieces which explore the spaces between ancient and experimental music creating music that is rooted in but not tethered to the past.
She has released four critically acclaimed solo albums and is regularly broadcast on the BBC including Radio 3, 4 and 6Music and international radio. Laura regularly performs in the UK and Europe, recent festivals include Unsound Poland, Flow Helsinki, Meteo France, Norway, Holland and Denmark. As well as solo at The Barbican and Royal Festival Hall.
Recent projects include commissions for Huddersfield Contemporary Music Festival, the BBC Philharmonic Orchestra, The Zuckerman Museum of Contemporary Art (US),and touring with the cellist Lori Goldston (Earth, Nirvana), and a series of new music/word performances under the heading Modern Ritual which tours the UK in 2018. Laura also runs her own independent record label - Brawl Records www.brawlrecords.co.uk
“One of the most exciting instrumentalists around” – The Guardian
“Laura Cannell coaxes fresh magic from age-old techniques… She conjures a sonic portal between the past and present… The raw beauty of her melodies glimmer through prickly thickets of stark and dissonant chordal drones” – The Wire
Angharad Davies is a Welsh violinist, based in London, working with free-improvisation, compositions and performance.
Her approach to sound involves attentive listening and exploring beyond the sonic confines of her instrument, her classical training and performance expectation.
Much of her work involves collaboration. She has long standing duos with Tisha Mukarji, Dominic Lash and Lina Lapelyte and plays with Apartment House, Cranc, Common Objects, Richard Dawson's band and Skogen. She has been involved in projects with Tarek Atui, Tony Conrad, Laura Cannell, Jack McNamara, Rie Nakajima, Eliane Radigue, Juliet Stephenson and J.G.Thirlwell.
She has released records on Absinth Records, Another Timbre, Potlatch and Confrontrecords.
Her album Ffansion | Fancies was voted in the top 12 albums for Radio 3's Late Junction.
Oliver Coates is a cellist, composer and producer based in London. He has performed solo shows in China, Russia, Brazil, Egypt and Australia, and made his New York debut at Le Poisson Rouge. He was the winner of the Royal Philharmonic Society Young Artist Award 2011 and is an Artist in Residence at the Southbank Centre. Two major commissions premiered in 2017: HELIOTONES, for girls' choir, flutes, cello and electronics, for Borealis Festival, and Shorelines, for string quartet and electronics, for Cryptic at Operadagen Rotterdam.
In 2016 Coates released a solo record, Upstepping, on PRAH, and a collaborative record, Remain Calm, with Mica Levi on Slip. He works closely with Levi, London Contemporary Orchestra, Elysia Crampton, Jonny Greenwood and the visual artist Lawrence Lek, for whom he has scored the award-winning video pieces Unreal Estate and QE3. He has conceived and programmed the Southbank Centre’s long-running Harmonic Series and its first DEEP∞MINIMALISM festival in 2016, which featured Pauline Oliveros’ last public Tuning Meditation.