Tuesday 9 December 2014, 8pm
A programme of sound and vision in three sets; presenting new music by four unique performers, and including a preview of "CITATION CITY" by People Like Us.
Jennifer Walshe is a composer, vocalist and performer. Her work has been performed all over the world by ensembles such as Alter Ego, ensemble recherche, Ensemble Resonanz, Apartment House, Crash Ensemble, Con Tempo Quartet, The Rilke Ensemble, The Irish Chamber Orchestra, Musica Nova Consort, and The Scottish Chamber Orchestra. In addition to her activities as a composer, Jennifer frequently performs as a vocalist, specialising in extended techniques.
'The most original compositional voice to emerge from Ireland in the past 20 years' - The Irish Times
'The wild girl of Darmstadt' - Frankfurter Rundschau
Andie Brown is a musician, artist, maker and researcher who began her music career as a bass player during her teens. In 2007 Andie began performing and recording as a solo artist under the name These Feathers Have Plumes. Over the last decade, Andie has been experimenting with glass and electronics, creating what she has termed an “augmented glass harp”. Andie has performed extensively including at Colour Out of Space and Full of Noises Festivals and at venues such as Cafe OTO, Union Chapel and the De La Warr Pavilion. She has also taken part in ensemble works with Part Wild Horses Mane on Both Sides at Tate Britain and at White Cube Gallery for Christian Marclay conducted by Steve Beresford. Elsewhere, Andie has enjoyed collaborating with a diverse range of artists including Sophie Cooper, Joincey, Kelly Jayne Jones, Dale Cornish and Phil Julian but most often with artist and vocalist Sharon Gal. Since 2016 Andie has also been working with sound installation and film; in 2017, Andie was nominated for the PRSF Oram Awards and began a practiced based PhD at the University of Huddersfield. Andie is also a co-Director at Yorkshire Sound Women Network. https://andiebrownsound.com/
Sharon Gal is an interdisciplinary artist, performer, vocalist, free improviser and composer. Her work explores presence, listening, embodiment, and the relationship between people, sound and space. She performs solo and in collaborations with David Toop, Steve Beresford, Phil Minton, Yoni Silver, Charles Hayward, Lina Lapelyte, Andie Brown and Blanca Regina.
Sharon directs site specific, participatory group compositions: L’esprit D’escalier for Voices in a staircase, Toy Orchestra & Room to Breathe with children/adults, Long Drone for mixed ensembles, Gals with Guitars with female players, Sound Out for M/Any Voices and Feel the Noise for guitars & micro amps.
Sharon is a co-founder of Resonance 104.4 FM arts radio. Her music was released by various labels; The Tapeworm, American Tapes, Ash International, A Silent Place Records, Chocolate Monk, Emanem Records, Ecstatic Yod , Paradigm Records , My Dance the Skull and Wild Silence, with 2 solo releases in 2018, Delicious Fish (Fractal Meat Cuts Label) and The Garden of Earthly Delights (Visible Near Midnight Recordings).
She performed in the UK & internationally including: The V&A, Science Museum, ICA, The Whitechapel Gallery, Arnolfini Gallery, Tate Modern & Tate Britain, MACBA and Colour Out of Space, Borealis and Supernormal festivals. http://www.sharon-gal.com/
Preview of “CITATION CITY”
Citation City is inspired by 'The Arcades Project' by Walter Benjamin, created from 1000s of clippings of text and visual media from 19th Century Paris, collaged using a system of "convolutes", collated around subjects of key motifs, historical figures, social types, cultural objects from the time. By gathering and assembling such groups of similar yet unrelated, he revealed a hidden, magical encyclopaedia of affinities, a massive and labyrinthine architecture of a collective dream city. On reading Benjamin, his forward thinking approach to editing astonished Vicki Bennett, and the similarity of their creative processes of cutting and collating extensive lists of subject matter by context.