Monday 8 January 2018, 7.30pm
Rare duo set from Japanese musician and artist Ken Ikeda – who has composed and recorded for David Lynch and Moriko Mori amongst others – and English percussionist Eddie Prévost, the seminal figure of free improvised music since the 1960s.
Support comes from Allum, Charbin and Kanngiesser – all London-based musicians that have played together for a number of years - the last time as a trio at Huddersfield Contemporary Music Festival. While they are coming from a classical and jazz background, their music has moved a long way from the historical piano/cello/violin relationship. Instead, it is driven by a shared investigation of elemental sounds that are woven into spacious, complex and joyful music unresting on the edge of definition.
Eddie Prévost plays with immense fire, grace and invention. Founder of the essential AMM, collaborator of the greatest improvisers internationally, since the 60's he has kept a continuous contact with the scene and always manages to invent anew his contribution to "meta-music".
“Prévost's free drumming flows superbly making use of his formidable technique. It’s as though there has never been an Elvin Jones or Max Roach.” - Melody Maker
“Relentlessly innovative yet full of swing and fire.” – Morning Star
Ken Ikeda (b. 1964, Japan) is a composer and performer, born in Tokyo. After studying at Berklee College of Music, he has exhibited sound art and visual installations around the world, and has worked with John Russell, Eddie Prevost, David Toop, Simon Scott, Toshimaru Nakamura, Tetuzi Akiyama and many other improvising musicians; He has collaborated with, amongst others, artist Mariko Mori, Hiroshi Sugimoto, Tadanori Yokoo; and composed and recorded for film maker David Lynch. He released CD albums from Touch, Spekk, Baskaru, White Paddy Mountain and Home Normal. Ken Ikeda currently lives and works in London, UK.
Jennifer Allum is a violinist who improvises and plays experimental music. While she was a post graduate student at Goldsmiths, London in 2005 she began to attend Eddie Prevost's weekly improvisation workshops and to work with composers such as Christian Wolff, Tom Johnson, Michael Pisaro and Michael Parsons. She has three recordings available from Matchless Recordings, the latest of which is a duo cd with the cellist Ute Kanngiesser, which was recorded in Hackney's historic bell tower.
Ute Kanngiesser is a London based in musician from Germany. She has played classical cello since early childhood and turned to improvisation and experimental music while training in physical theatre and dance in Berlin. Since then, she has radically deconstructed her classical roots and focussed on the immediate material of her instrument - its limitless resonance and pulse, its potential for an elemental music that dissolves conventional notions of rhythm and pitch and what it means to be lyrical. Along this journey she has worked with some of the most influential players of free music and experimental composition, as well as artist film makers, writers and architects.
Most recent collaborations have been with John Tilbury, Seymour Wright, Paul Abbott, Billy Steiger, Angharad Davies, Steve Noble, Crystabel Riley, Rie Nakajima, Daniel Blumberg, Jim White, Eddie Prevost, John Butcher, Evie Ward, Tom Wheatley, Jennifer Allum, Marjolaine Charbin, Dimitra Lazaridou Chatzigoga, Keiko Yamamoto, Phil Minton, Pak Yan Lau, Assemble, and Keira Greene.
Her music has been released on Otoroku, Matchless, Earshots, Another Timbre and Mute. www.utekanngiesser.com
Words about Ute Kanngiesser's solo release Geäder (Earshots):
"Automatic writing almost, or a fugue state. Arriving at an end point is an exhaustion, almost like waking from a dream. You look back at what has been created with bafflement. Footprints on a beach you can’t remember. You marvel: what have I done?" – We Need No Swords
"[...] environmental sounds captured in Hackney as a spur for improvisation; nasal bowing sounds, percussive fanfares, unspooling loops of harmonics that crack upon impact – whole sides to the cello normally shut down by conventional technique." - The Guardian
Marjolaine Charbin is a French pianist improviser who works with objects inside the piano and with the keyboard, sometimes also using contact microphones and her voice. Improvisation is her main approach to making music but she also plays her own compositions and compositions of others. She has been active on the experimental music scene in Brussels and now in London for over ten years, performing accross Europe and organising a series combining improvised dance and music in Brussels. Recent collaborators include Eddie Prevost, John Butcher, Jennifer Allum, Ute Kanngiesser, Clive Bell, Grundik Kasyansky. Her website is under construction.