Tuesday 5 July 2022, 8pm
The latest iterations in Alex Ward's Item Series take as their basis the line-up of his Item 4 quartet (Ward/Charlotte Keeffe/Otto Willberg/Andrew Lisle) and expand its instrumentation in particular ways - Item 6 add the strings of Benedict Taylor and Hannah Marshall for a deftly-balanced chamber ensemble, while Item 7 brings on board Sarah Gail Brand, Rachel Musson and Cath Roberts for a powerhouse 4-horn-led formation. The program will feature an entirely new set of compositions written by Alex specifically for these groupings.
"Ward is an avant-garde sound designer via odd metrics, and geometrical configurations that pounce on you and deflect off walls at warp speed." – Glenn Astarita, All About Jazz
1st set - Item 6:
Charlotte Keeffe / trumpet and flugelhorn
Andrew Lisle / drums
Hannah Marshall / cello
Benedict Taylor / viola
Alex Ward / clarinet
Otto Willberg / double bass
2nd set - Item 7:
Sarah Gail Brand / trombone
Charlotte Keeffe / trumpet and flugelhorn
Andrew Lisle / drums
Rachel Musson / tenor sax
Cath Roberts / baritone sax
Alex Ward / electric guitar
Otto Willberg / double bass
Alex Ward's diverse musical activities since the early '90s have straddled the worlds of free improvisation, contemporary composition and avant rock, and have seen him work with such significant musical figures as Derek Bailey, Duck Baker, Lol Coxhill, Eugene Chadbourne, Simon H. Fell, Thurston Moore, Joe Morris, Steve Noble, Evan Parker, Jamaaladeen Tacuma, Pat Thomas and Weasel Walter, amongst a host of others. His work as a composer/bandleader has encompassed his own ensembles such as Predicate, Forebrace, the Alex Ward Quintet and Items 4, 6, 7 & 10, alongside collaborative projects such as his duos with Dominic Lash, Jem Doulton (as Dead Days Beyond Help) and Sean Noonan (as Noonward); while his solo releases have ranged from unaccompanied performances on clarinet and guitar to the layered studio creations found on 2021's Gated. He currently plays guitar and sings in math/noise trio Heckle Chamber (with Roberto Sassi and Jem Doulton), and is working on the completion of the final album by legendary band Pere Ubu (which he joined in 2021) alongside the other surviving members.
"...guitarist Alex Ward [is] a compulsively creative polymath... a reliably unpredictable axe-hero for collaborators of all backgrounds." – Stewart Lee, The Sunday Times Review
Keeffe’s debut album ‘Right Here, Right Now’ is where you’ll find her exhibiting a passion for vibrant soundscapes rendered in live spaces. Released in 2021, also on Discus Music, she earned critical acclaim carving out a niche on the imprint. She also composes and performs for a number of the roster’s artists, including; Hi Res Heart, Carla Diratz and Julie Tippetts. She also co-leads Anthropology Band with the head of Discus Music, Martin Archer.
To date, her music has been featured significantly on BBC Radio 3, Jazz FM and BBC Radio 6, where she's been described as a 'prolific', 'dynamic' and 'excellent improviser!', by the likes of Corey Mwamba, Stuart Maconie and Jez Nelson. Keeffe is a Serious Artist and part of Serious’ Take Five 2022 cohort. She performed a duet with the mighty City of London as part of world-renowned trumpeter Dave Douglas' Festival of New Trumpet Music 2022.
Harnessing the power of art for social change is a crucial part of Keeffe’s musical identity: she has served as Assistant Musical Director of the London Gay Big Band, champions gender and diversity equality, as part of the Parliamentary award-winning Women in Jazz Media team, and played in Marin Alsop's Taki Concordia Orchestra at the World Economic Forum 2019, in front of world leaders and celebrities including Sir David Attenborough.
From stepping on Glastonbury and Wilderness stages alongside Charlotte Church, Laura Mvula and Kate Nash, to broadcasting to an international audience live from her bathroom during the pandemic, Keeffe understands that embracing individuality and letting go of inhibitions is the surest way to grasp the transformative power of music.
“Keeffe shows notable strength of character as she runs the sonic and emotional gamut..." - Kevin Le Gendre, JAZZWISE
Otto Willberg plays various bass instruments and lives in London. Live, Otto performs unashamedly melodic improvisational workouts created almost entirely with heavily filtered bass harmonica and electric bass. Strangely abstracted funk and fusion, a blend of the abstruse and immediate. silky smooth, luxurious, odd and compelling, "like listening to Eberhard Weber through a drainpipe”.
Otto is often heard on acoustic and electric bass with Laurie Tompkins (Yes Indeed) and Charles Hayward (Abstract Concrete//This Heat), as well as the fractured No Wave unit Historically Fucked. His previous solo releases have ranged from extended technique double bass to explorations of the acoustics of a 19th century artillery fort.
He has a solo record called ’The Leisure Principle’ out on Oren Ambarchi's the Black Truffle label. 6 unashamedly melodic & profoundly strange workouts for heavily filtered bass harmonica & electric bass!
Andrew Lisle, born and raised in Northumberland (UK) but now based in London, is a multi-directional drummer, and composer. His quick and highly textural playing filled with rhythmic complexity makes him a highly in-demand member of the fertile jazz & improvised music community. In turns both propulsive and abstract, Lisle has worked with many of the leading voices on the UK and European improvised music scene, including: Kit Downes, John Edwards, Alex Ward, Camila Nebbia, Charlotte Keeffe, Tom Challenger, Ab Baars, Rodrigo Amado, John Dikeman, Colin Webster, and many more. He performs at notable venues including: Cafe oto, and Vortex (London); KM28 (Berlin), Bimhuis (Amsterdam), De Singer (Belgium), Galeria Zé Dos Bois (Lisbon); and festivals such as London Jazz Festival, Jazzfest Berlin, Freejazzfestival Saarbrucken, Jazz Jantar (Poland), to name a few. His most active projects currently are: Exhaust (feat. Camila Nebbia, Kit Downes), Multi-directional (feat. John Edwards, Kit Downes), Kit Downes SNAP, KODIAN Trio (feat. Colin Webster, Dirk Serries), Ab Baars/Aaron Lumley/Andrew Lisle, and Tom Challenger/Caius Williams/Andrew Lisle.
Benedict Taylor is a solo viola player, violinist and composer active within string performance and improvised music in the British and European new music world. Described as a “virtuoso contemporary violist”, the central focus of his work is on the viola & improvisation, alongside composing for live performance, film, theatre, contemporary dance, art installation and creating multiple concept album projects.
https://benedicttaylormusic.com
Hannah Marshall is a cellist who is continuing to extract, invent, and exorcize as many sounds and emotional qualities from her instrument as she can. She has been a regular member of Alexander Hawkins’ Ensembles and has toured in Europe and South America with Luc Ex and Veryan Weston’s ensembles – SOL 6 & 12. She plays with ‘String Terrorists’ - Barrel (a trio with Violinist Alison Blunt & Violist/poet Ivor kallin). And has been invited by Fred Frith and Suichi Chino in their residencies at café Oto. She also plays with Terry Day, Tim Hodgkinson, Roger Turner, Paul May, Kay Grant, and the London Improvisers Orchestra.
Described by The Wire magazine as “the most exciting trombone player for years” Sarah Gail Brand has recorded and performed on the international Improvised Music and Jazz scene since the early 1990s with Mark Sanders, John Edwards, Elton Dean, Evan Parker, Phil Minton, Veryan Weston, Lol Coxhill, Maggie Nicols, Wadada Leo Smith, Steve Beresford, Georg Graewe, writer and comedian Stewart Lee and countless others. Sarah fronts her own tunes quartet (Sarah Gail Brand Sextet), has a long standing duo with drummer Mark Sanders, and a trio with John Edwards and Steve Beresford and continues to work as a soloist and in ad hoc ensembles. As well as being a composer, Sarah’s trombone work ranges from playing Improvised Music and Jazz, studio session work to arranging & playing in pop and rock music. Sarah is a music therapist and a professor of Improvisation at the Guildhall School of Music & Drama, London and leads workshops on improvisation around the world. Recordings of Sarah Gail’s work can be found on the Emanem and regardless record labels.
RACHEL MUSSON is a saxophonist, improviser and composer based in the UK. She has spent the last decade immersed in improvised music, and has also gradually been introducing composed elements into her work, drawing on text, field recordings and processing sounds. She is involved with a variety of improvisation projects, and works regularly with Mark Sanders, Pat Thomas, Hannah Marshall, Julie Kjaer, Corey Mwamba, Olie Brice, Alex Ward and Alex Hawkins, amongst others. She features on several releases, including a nonet featuring her composition 'I Went This Way' (577 Records), two with Shifa, feat. Pat Thomas and Mark Sanders, (577 Records), one with Mark Sanders and John Edwards (Two Rivers Records), trio with Liam Noble and Mark Sanders (Babel), and Corey Mwamba (Takuroku).
Cath Roberts (they/them) is an improviser, composer and artist based in Hastings, UK, whose work combines acoustic and electronic improvised music, experimental composition, and DIY publishing practices.
On saxophones Cath has collaborated with a wide range of artists and ensembles internationally for over a decade. Their band Sloth Racket has released five studio albums, touring widely and ‘lurching between riff and abstraction’ (The Wire) since forming in 2015. Other recent exploits include playing with Chris Corsano as part of his 2022 Cafe Oto residency, and being one of two UK artists (with Mandhira De Saram) commissioned by Australian Art Orchestra to co-create and perform Fresh Water – Salt Water in Melbourne and Huddersfield (a hcmf// and AAO co-commission, also in 2022).
Cath works with live electronics (SOMA Lyra-8 synthesiser, samplers, and small tabletop machines) in ongoing collaborations with Kate Carr (as Quartz Sand), Graham Dunning (as Grid & Robots) and Tullis Rennie (as Composite Mashworks). Be unafraid to open things up, a solo improvisation on tabletop electronics, was released on Fractal Meat Cuts in 2022. Cath’s sampler-based solo collage set appeared at hcmf// 2024, Sonics Hastings 2025 and Sacrum Profanum (Kraków) 2025.
In 2021 Cath was commissioned by hcmf// to create And then the next thing you know, a cross-artform installation/performance piece involving a giant, hanging, fragmented graphic score, elements of which are being integrated into a new audio-visual collaboration with Tullis Rennie. In 2024 Cath established the DIY small press Ink-Paper-Sound, and they co-run the Luminous label and the BRÅK concert series.
