Space 11

Steve Noble / Farida Amadou with Alex Ward

1 Set 1 21:28
2 Set 2 23:42
3 Set 3 13:06

Back in May 2018, percussionist Steve Noble met bassist Farida Amadou, and have since developed their own high-energy and exploratory music together as a duo. Steve's rolling, detailed and pointillistic playing melds in symbiosis with Farida's smudged, deep, funked-up lyricism, creating a physical sound that tosses and tumbles across lightning-speed interplay.

As a unit they've welcomed into the fray ex-Sonic Youth guitarist Thurston Moore and recently free jazz pioneer Peter Brötzmann, but for this set of trio releases they invite saxophonist Chris Pitsiokos, clarinetist Alex Ward and bass clarnitest Yoni Silver for a series cooked up in our OTO Project Space. 

Alex has played closely with Steve over the years, but nestles himself perfectly in Steve and Farida's world here, zig-zagging, dipping and diving with a set of complex melodic, harmonic and tonal gestures.

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Steve Noble - percussion

Farida Amadou - electric bass

Alex Ward - clarinet

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Cover artwork & mastering by Oliver Barrett
Cover photo by Laurent Orseau

Tracklisting:
1 - Set 1 [21:28]
2 - Set 2 [23: 42]
3 - Set 3 [13:06]

Steve Noble

Steve Noble is London's leading drummer, a fearless and constantly inventive improviser whose super-precise, ultra-propulsive and hyper-detailed playing has galvanized encounters with Derek Bailey, Matthew Shipp, Ishmael Wadada Leo Smith, Stephen O'Malley, Joe McPhee, Alex Ward, Rhodri Davies and many, many more. 

In the early eighties, Noble played with the Nigerian master drummer Elkan Ogunde, Rip Rig and Panic, Brion Gysin and the Bow Gamelan Ensemble, before going on to work with the pianist Alex Maguire and with Derek Bailey (including Company Weeks 1987, 89 and 90). He was featured in the Bailey's excellent TV series on Improvisation for Channel 4 based on his book ‘Improvisation; its nature and practise’. He has toured and performed throughout Europe, Africa and America and currently leads the groups N.E.W (with John Edwards and Alex Ward) and DECOY (with John Edwards and Alexander Hawkins). 

Farida Amadou

FARIDA AMADOU is a self-taught bass player based in Brussels, Belgium. The electric bass has been her main instrument since 2011. In 2013, she has started to play a lot of different musical genres, including blues, jazz and hip-hop; soon she started to dive into improvised music, and was rapidly identified by local collectives and musicians. After a year (2017) as bass player in Belgian punk band Cocaine Piss, Farida decided to focus on her solo improvisation practice and collaborations with musicians such as Steve Noble, Thurston Moore, Peter Brötzmann, Terrie Ex, Lukas Koening, Pat Thomas and Julien Desprez, among others, occasionally also featuring with groups such as Jerusalem in My Heart and Moor Mother.

Alex Ward

Alex Ward's diverse musical activities since the early '90s have straddled the worlds of free improvisation, contemporary composition and avant rock, and have seen him work with such significant musical figures as Derek Bailey, Duck Baker, Lol Coxhill, Eugene Chadbourne, Simon H. Fell, Thurston Moore, Joe Morris, Steve Noble, Evan Parker, Jamaaladeen Tacuma, Pat Thomas and Weasel Walter, amongst a host of others. His work as a composer/bandleader has encompassed his own ensembles such as Predicate, Forebrace, the Alex Ward Quintet and Items 4, 6, 7 & 10, alongside collaborative projects such as his duos with Dominic Lash, Jem Doulton (as Dead Days Beyond Help) and Sean Noonan (as Noonward); while his solo releases have ranged from unaccompanied performances on clarinet and guitar to the layered studio creations found on 2021's Gated. He currently plays guitar and sings in math/noise trio Heckle Chamber (with Roberto Sassi and Jem Doulton), and is working on the completion of the final album by legendary band Pere Ubu (which he joined in 2021) alongside the other surviving members.

"...guitarist Alex Ward [is] a compulsively creative polymath... a reliably unpredictable axe-hero for collaborators of all backgrounds." – Stewart Lee, The Sunday Times Review