Monday 29 February 2016, 8pm

Photo by Andrew Bourne

75 Dollar Bill + Paul Abbott / Ute Kanngiesser ( duo) + C Joynes

No Longer Available

75 Dollar Bill formed in New York City in 2012; the singular music of this instrumental duo draws various sources from around the world and across disciplines, everything from Mauritanian guitar to raw minimalism and blown-out urban blues, yet brings these sounds into something wholly their own.

“Chen has developed a kind of intuitive approach to Saharan guitar, playing a conventional electric guitar and another with frets adapted to play quartertones. The style he creates in doing so is all his own: fierce art-punk meets dirty blues meets African trance. Together the pair create a low-budget instrumental-music hoedown of unalloyed beauty and power, as heard on this year’s album Wooden Bag (Other Music) as well as a handful of great self-released tapes—they actually busked in their early days and have retained that portability and in-the-red fury.” – The Chicago Reader

Che Chen / electric guitar, quartertone electric guitar, alto saxophone
Rick Brown / percussion, alto saxophone

75 Dollar Bill

75 Dollar Bill was formed in 2012 in New York City by percussionist Rick Brown and guitarist Che Chen. Played on a deeply resonant plywood crate, Brown’s earthy, elemental rhythms are both the foundation and foil for Chen’s ecstatic, modal guitar style. The duo’s electric, richly patterned music can shape shift from joyful dance tunes to slowly changing trance minimalism, an uncategorizable hybrid which draws on the modal traditions of West Africa, India and the Middle East, early electric blues, Sun Ra’s space chords and the minimalist and No Wave histories of their hometown. While Brown and Chen are always at the band’s core, the duo frequently draws on an extended family of players, expanding into other configurations live and on record, from compact trios to their “little big band” to 25-piece marching band. 75 Dollar Bill has released a string of cassettes and three LPs. Their most recent record, the double album I Was Real, was released in 2019 (on Thin Wrist in North America, and on tak:til, a sub-imprint of Glitterbeat, in Europe and the UK) and was named #1 record of the year by WIRE magazine.
Percussionist Rick Brown has been in bands in NYC since the late 70s, including Blinding Headache, V-Effect and Run On. Guitarist and multi-instrumentalist Che Chen is also a member of the band True Primes and has been an energetic organizer and improviser in the American underground since the mid-2000s. Andrew Lafkas is based in Berlin where he continues to develop solo music and music for large ensembles thru his Model Infinity Orchestra project. He is also a member of Oceans Roar 1,000 Drums, a trio with Todd Capp and Bryan Eubanks.

75dollarbill.bandcamp.com

C Joynes

Over the last decade, C Joynes has ploughed a singular furrow through solo guitar, with a body of work incorporating English folk-tunes alongside North & West African music, and lifting proto-minimalist and improvised techniques from the European classical tradition. Shifting to solo electric guitar on his most recent releases, the ‘33 Chatsworth Rd’ EP on alt.vinyl (2015) and ‘Split Electric’ LP on Thread Recordings (2016), he’s currently exploiting the instrument’s potential for placing overdriven garage blues throw- downs alongside the brittle ringing tones of electric folk.

“As much Conlon Nancarrow and Ali Farka Toure as Blind Lemon Jefferson, the compositional mind at work here can take apparently disparate threads of modernism and ethnic tradition and treat them as though they were all archaic blues styles learnt from dusty 78s.” – BRUCE RUSSELL, THE WIRE

“An inheritor to Davy Graham; a lone operator prone to unexpected collaborations, with a repertoire that crosses continents and timezones with consummate ease, and dashed off with a phenomenal, yet lightly applied technique.” ROB YOUNG, THE WIRE

http://cjoynes.tumblr.com/
http://cjoynes.bandcamp.com/

Paul Abbott, drum kit

Paul Abbott is a musician and drummer. He plays with real and imaginary drums, synthetic sounds, performance and writing.

Recent and ongoing collaborations include: XT with Seymour Wright; XT+Pat Thomas; XT+Anne GillisX Ray Hex TetF.R.David, very good* & Rosmarie with Will Holder; film sound for Keira GreeneRian Treanor Duo; RP Boo Trio with XT; The Creaking Breeze Ensemble with Nathaniel Mackey; yPLO with Micheal Speers and performances with Cara Tolmie.

Paul has performed at venues and festivals internationally. He was a co-founder and co-editor of Cesura//Acceso journal for music, politics and poetics, and SAM resident artist at Cafe OTO 2015. In 2022 he completed a PhD at the University of Edinburgh under the supervision of Florian Hecker and Nikki Moran. He is currently undertaking research at Royal Conservatoire/Academy Fine Arts Antwerp.

Recent releases include: solos NsularDuctus; XT+Pat Thomas “Akisakila” / Attitudes of Preparation (Mountains, Oceans, Trees); XT Deorlaf XPalina’Tufa; Creaking Breeze Ensemble & Nathaniel Mackey Fugitive EquationF.R.David very good*; RP Boo Trio 31.12.18.

Ute Kanngiesser, cello

Ute Kanngiesser is a London based cellist and composer from Germany. Over the years, she has carefully deconstructed her classical roots and almost exclusively performs unscripted, improvised music. Much of her work has evolved in relationship with other art forms such as film, poetry, dance, and site specific performance.
Cafe Oto has been her musical home since its beginnings and where she has collaborated with a wide spectrum of local and visiting artists. She has also performed at Whitstable Biennale, The Serpentine Gallery, Tate Modern, the V&A and international festivals.
www.utekanngiesser.net