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Monday 29 February 2016, 8pm

Photo by Andrew Bourne

75 Dollar Bill + Paul Abbott / Ute Kanngiesser ( duo) + C Joynes

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75 Dollar Bill formed in New York City in 2012; the singular music of this instrumental duo draws various sources from around the world and across disciplines, everything from Mauritanian guitar to raw minimalism and blown-out urban blues, yet brings these sounds into something wholly their own.

“Chen has developed a kind of intuitive approach to Saharan guitar, playing a conventional electric guitar and another with frets adapted to play quartertones. The style he creates in doing so is all his own: fierce art-punk meets dirty blues meets African trance. Together the pair create a low-budget instrumental-music hoedown of unalloyed beauty and power, as heard on this year’s album Wooden Bag (Other Music) as well as a handful of great self-released tapes—they actually busked in their early days and have retained that portability and in-the-red fury.” – The Chicago Reader

Che Chen / electric guitar, quartertone electric guitar, alto saxophone
Rick Brown / percussion, alto saxophone

75 Dollar Bill

75 Dollar Bill was formed in 2012 in New York City by percussionist Rick Brown and guitarist Che Chen. Played on a deeply resonant plywood crate, Brown’s earthy, elemental rhythms are both the foundation and foil for Chen’s ecstatic, modal guitar style. The duo’s electric, richly patterned music can shape shift from joyful dance tunes to slowly changing trance minimalism, an uncategorizable hybrid which draws on the modal traditions of West Africa, India and the Middle East, early electric blues, Sun Ra’s space chords and the minimalist and No Wave histories of their hometown. While Brown and Chen are always at the band’s core, the duo frequently draws on an extended family of players, expanding into other configurations live and on record, from compact trios to their “little big band” to 25-piece marching band. 75 Dollar Bill has released a string of cassettes and three LPs. Their most recent record, the double album I Was Real, was released in 2019 (on Thin Wrist in North America, and on tak:til, a sub-imprint of Glitterbeat, in Europe and the UK) and was named #1 record of the year by WIRE magazine.
Percussionist Rick Brown has been in bands in NYC since the late 70s, including Blinding Headache, V-Effect and Run On. Guitarist and multi-instrumentalist Che Chen is also a member of the band True Primes and has been an energetic organizer and improviser in the American underground since the mid-2000s. Andrew Lafkas is based in Berlin where he continues to develop solo music and music for large ensembles thru his Model Infinity Orchestra project. He is also a member of Oceans Roar 1,000 Drums, a trio with Todd Capp and Bryan Eubanks.

75dollarbill.bandcamp.com

C Joynes

Over the last decade, C Joynes has ploughed a singular furrow through solo guitar, with a body of work incorporating English folk-tunes alongside North & West African music, and lifting proto-minimalist and improvised techniques from the European classical tradition. Shifting to solo electric guitar on his most recent releases, the ‘33 Chatsworth Rd’ EP on alt.vinyl (2015) and ‘Split Electric’ LP on Thread Recordings (2016), he’s currently exploiting the instrument’s potential for placing overdriven garage blues throw- downs alongside the brittle ringing tones of electric folk.

“As much Conlon Nancarrow and Ali Farka Toure as Blind Lemon Jefferson, the compositional mind at work here can take apparently disparate threads of modernism and ethnic tradition and treat them as though they were all archaic blues styles learnt from dusty 78s.” – BRUCE RUSSELL, THE WIRE

“An inheritor to Davy Graham; a lone operator prone to unexpected collaborations, with a repertoire that crosses continents and timezones with consummate ease, and dashed off with a phenomenal, yet lightly applied technique.” ROB YOUNG, THE WIRE

http://cjoynes.tumblr.com/
http://cjoynes.bandcamp.com/

Paul Abbott, drum kit

Paul Abbott

Paul Abbott is an artist and musician based in London, working through questions and feelings connecting music and language: using real and imaginary drums, synthetic sounds, performance and writing.

His current collaborations include XT & lll人 with Seymour Wright and Daichi Yoshikawa, Falls with Keira Greene, ULAPAARC with Cara Tolmie and an ongoing project with Will Holder.  A series of solo performances in Cafe OTO’s project space are documented here. Recent releases include solo's Sphuzo, qno, & Vagus and Pah' (XT), and vjerhanxsk (lll人). He is one of the co-editor’s of Cesura//Acceso and was one of the Sound and Music “Embedded” resident artists at Cafe Oto 2015-2016.

In addition Abbott has collaborated and performed with numerous other artists and musicians, including: Benedict Drew, Pat Thomas, Ute Kanngiesser, Billy Steiger, Bill Orcutt, Danny Haywood, Joel Grip, Brandon La Belle, Eddie Prevost, Steve Noble, Sebastian Lexer, Evan Parker and Otomo Yoshihide.

www.paulabbott.net

Ute Kanngiesser, cello

Ute Kanngiesser is a London based musician from Germany. She has played classical cello since early childhood and turned to improvisation and experimental music while training in physical theatre and dance in Berlin. Since then, she has thoroughly deconstructed her classical roots and focussed on the immediate material of her instrument - its limitless resonance and pulse, its potential for an elemental music that dissolves conventional notions of rhythm and pitch and what it means to be lyrical.

Most recent collaborations have been with Seymour Wright, Crystabel Riley, Paul Abbott, Keira Greene, Billy Steiger, Evie Ward, Daniel Blumberg, Tom Wheatley, Jim White, Taku Sugimoto, Minami Saeki, Joe McPhee, David Ornette Cherry, and Steve Noble.

Her music has been released on Otoroku, Matchless, Earshots, Another Timbre and Mute. www.utekanngiesser.com