Concert, v - Prévost / Weston

Eddie Prévost & Veryan Weston. Recorded in England, 5/98, mixed by Evan Parker. "'Beauty as an Ear Thing' is a meticulous exploration of texture, full of soft explosions, the reverberant ring of spinning metals, and overtones that glow like embers, dying into silence; this music wouldn't be misplaced on an AMM disc. 'Clustered' rebuilds something out of the emptiness. The dislocated rhythmic feel is like an abstraction of something Monk and Max Roach might have played together. 'Fingers and drums' also conveys the sense of inventing almost from scratch, asking 'what material?' and digging into it to find out. Finally, 'Hammer and Tonic' a roaring thing, leaps from the starting gate as if all questions were resolved long ago..." - Steve Lake


Eddie Prévost  / drums 

Veryan Weston / piano



1. Pinna - 2:52

2. Malleus - 5:56

3. Symphony of Surfaces - 11:08

4. Finger the Fine Needle - 4:32

5. Tympanic - 5:50

6. With Greazie Aprons - 11:08

7. Brush Up - 7:52

8. Sticks and Tones - 7:20

9. Beauty as an Ear Thing - 8:43

10. Clustered - 5:30

11. Fingers and Drums - 3:36

12. Hammer and Tonic - 6:41


Recorded at Gateway Studios, Kingston, England by the great Steve Lowe on 5th & 29th June. Mixed by Evan Parker. 

Available as a 320k MP3 or 16bit FLAC download.   

Eddie Prévost

Eddie Prévost plays with immense fire, grace and invention. Founder of the essential AMM, collaborator of the greatest improvisers internationally, since the 60's he has kept a continuous contact with the scene and always manages to invent anew his contribution to "meta-music".

“Prévost's free drumming flows superbly making use of his formidable technique. It’s as though there has never been an Elvin Jones or Max Roach.” - Melody Maker

“Relentlessly innovative yet full of swing and fire.” – Morning Star

Veryan Weston

Veryan Weston (born 1950) was awarded ‘Young Jazz Musician of 1979’ by the Greater London Arts Association. In the '80s, Veryan worked internationally with Lol Coxhill (with whom he made his first recordings – Ogun 525 and Random Radar), the Eddie Prévost Quartet and Trevor Watts – an innovator who, in his band Moiré Music, used a unique combination of African rhythmic structures with the European musical tradition (Arc 02).

In the '90s, collaborations with Phil Minton included the Ways duos, Songs from a Prison Diary awarded the Cornelius Cardew composition prize, a quartet performing extracts from Joyce’s Finnegans wake, and 4Walls with Luc Ex and Michael Vatcher.

Collaborations with Jon Rose on the ‘Temperament Project’ use improvisation with different acoustic keyboards and violins with selected tunings derived from science, history and the imagination. Most recent project has included Hannah marshall with the Tuning Out Tour (EMANEM double 4141).

He also collaborated with Caroline Kraabel (EMANEM 4048), John Edwards and Mark Sanders (EMANEM 4028, 4214, and 4205), the Trio of Uncertainty with cellist Hannah Marshall and violinist Satoko Fukuda (EMANEM 4141), Luc Ex in Sol6 (Red Note 15) which included saxophonist Ingrid Laubrock and Hannah Marshall in a trio called Haste. (EMANEM 5025).

‘Tessellations’ is an ongoing composition project based around research on pentatonic scales and has produced: 1. Tessellations for piano (EMANEM 4095), 2 a commissioned piece for Austrian singers - the Vociferous Choir (EMANEM 5015), a string quartet, and 'Make' – a Toronto based project commissioned by Canadian Arts (to be released).

Peripheral excursions: Carla Bley's Escalator Over the Hill big band project, and Cobra with John Zorn in Berlin, Lindsay Cooper memorial project with Henry Cow (2014).

Veryan has worked with Trevor Watts for more than 40 years; their paths have crossed frequently because of shared musical interests particularly in rhythmic ideas. Now their music has one focus – improvisation, also a thread throughout Veryan’s work which reveals new aspects of an ever-changing musical identity depending on who he is playing with. Website with links -