Welcome Abroad

People Like Us

1 Sing 3:24
2 Happy Lost Songs 3:09
3 Stuck In The USSR 0:37
4 The Look 7:37
5 Help Me To Help Myself 1:49
6 What Will I Do 4:46
7 Lost In The Dark 2:35
8 Push The Clouds Away 2:57
9 The Sound Of The End Of Music 3:37
10 Wonderful Wonderful 5:59
11 Driving Flying Rising Falling 5:34
12 Ever 2:35
13 Hush 2:15
14 Wandering 7:34
15 The Seven Hills Of Rome 4:47
16 You've Got To Know When 1:34
17 The Atlantic Conveyor 2:51

Originally released in May 2011 when People Like Us aka Vicki Bennett became stranded in the US after the Icelandic Eyjafjallajökull volcano eruption closed much of northern Europe’s airspace, Welcome Aboard was reissued by Discrepant in the limboland of 2021. 

Volcanically marooned in Baltimore and NYC, Bennett utilized some of her “free” time to work on the album and even gained audio contributions from fellow experimental musicians Jason Willett (of Half Japanese) and M.C. Schmidt (of Matmos) via her extended stay.

Bennett derived thematic material of displacement, travel, and a longing for elsewhere from the natural disaster that caused her own predicament. Now strangely echoed by the Covid-19 outbreak and the various grounding of planes and stay at home policies worldwide.

While the general mashup culture often centres on the instant gratification of seamlessly juxtaposing hooks, People Like Us tracks transform the source material into collages that are equal parts dissonance and pleasure, making artful commentaries on our culture and Bennett’s own existential amusement within such a wondrous world. No one could have predicted how relevant this album would have been 10 years later.

Volcanoes or Viruses, Welcome Abroad is what happens when you’re stranded due to a freak natural occurrence trapping people all over the world and causing mass plane cancellations.

People Like Us

Based in the UK, Vicki Bennett has spent decades pioneering the art of audio-visual plunderphonics. Digging deep into archival media, she cuts and pastes found audio and film into sharp, witty collages that question how we archive, own, and consume culture, cementing her status as a foundational figure in experimental sampling.