Paul Dunmall Quintet ft Hamid Drake - 8.11.18

After touring together in 2016, Paul Dunmall's joyous Quintet returned to OTO last winter. Known for his past collaborations with saxophonist Elton Dean and drummer Tony Bianco, and his work with improvising quartet Mujician (with pianist Keith Tippett, bassist Paul Rogers, and percussionist Tony Levin), Paul's work as a writer really shines brightest with this Quintet. The first set showcases totally new material - The Soultime Suite - and the second an emphatic rendition of 2016's Dreamtime Suite. Pure melody switches through pennywhistle, trumpet, tenor and alto with an elated rhythm section keeping things high energy.

"When I listen to Paul, which is a great pleasure, and when I play with him, I hear the whole history of everything. You hear the history of the saxophone. You hear what Yusef Lateef called 'The Great Tradition'. That's the type of artist I want to be, one that reflects, as Paul does, the great tradition." Hamid Drake in conversation with Soweto, BBC.

“Ever since I heard UK sax colossus Paul Dunmall with Keith Tippett’s Mujician quartet, I knew that there was something special, spiritual about his (tenor) sax playing. Nobody has a sound like him, he is in a class of his own!” – Bruce Lee Gallanter, Free Jazz Collective

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Paul Dunmall / tenor & alto saxophone, pennywhistle

Hamid Drake / drums & framedrum

Percy Pursglove / trumpet

Steve Tromans / piano

Dave Kane / bass

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Recorded live at Cafe OTO on Thursday 8th November 2018 by Shaun Crook. Mixed and mastered by James Dunn. Artwork by Paul Dunmall. 

Available as 320k MP3 or 24 bit FLAC

Tracklisting:

1. Set 1 - "Soultime" - 41:18

Inasummer - 
We Hear You In The Wilderness 
Masked Intruder 
Hamid 

2. Set 2 - "Dreamtime" - 37:56

It Dawned On Me
Call an Elephant
Sacred Hymn  

Paul Dunmall

“A robust and heavy hitting performer who has gone on to concentrate largely on free improvisation without sacrificing a rigorous melodic logic, a sparing lyricism and the technique to drop in on bebop occasionally.” – John Fordham, The Guardian

For 30 years Paul has carved out a reputation for himself and is now widely recognized as one of the most uncompromising and talented reed players on the International jazz/improvised music scene. Whether playing in Small or large groups, his musical sensitivity and imagination, combined with a powerful sound, make him one of the most distinctive improvisers playing today. He has performed with Alice Coltrane, Johnny Guitar Watson, Danny Thompson, LJCO, Mujician, Henry Grimes/Andrew Cyrille and a duo with Chris Corsano. 

Hamid Drake

Hamid Drake is an American jazz drummer and percussionist. He lives in Chicago, IL but spends a great deal of time touring worldwide. By the close of the 1990s, Hamid Drake was widely regarded as one of the best percussionists in jazz and avant improvised music. Incorporating Afro-Cuban, Indian, and African percussion instruments and influence, in addition to using the standard trap set, Drake has collaborated extensively with top free-jazz improvisers. Drake also has performed world music; by the late 70s, he was a member of Foday Musa Suso’s Mandingo Griot Society and has played reggae throughout his career. 

Drake has worked with trumpeter Don Cherry, pianist Herbie Hancock, saxophonists Pharoah Sanders, Fred Anderson, Archie Shepp and David Murray and bassists Reggie Workman and William Parker (in a large number of lineups).

"[Drake's] mastery of pulse drumming, textural sculpting, hand drum techniques, reggae, funk and garage punk makes him one of the most articulate and linguistically advanced musicians on the circuit… Cecil Taylor once claimed that each man is his own academy. If that's the case, Drake is surely one of the mystery schools." - David Keenan, The WIRE

Hamid Drake

Hamid Drake is an American jazz drummer and percussionist. He lives in Chicago, IL but spends a great deal of time touring worldwide. By the close of the 1990s, Hamid Drake was widely regarded as one of the best percussionists in jazz and avant improvised music. Incorporating Afro-Cuban, Indian, and African percussion instruments and influence, in addition to using the standard trap set, Drake has collaborated extensively with top free-jazz improvisers. Drake also has performed world music; by the late 70s, he was a member of Foday Musa Suso’s Mandingo Griot Society and has played reggae throughout his career. 

Drake has worked with trumpeter Don Cherry, pianist Herbie Hancock, saxophonists Pharoah Sanders, Fred Anderson, Archie Shepp and David Murray and bassists Reggie Workman and William Parker (in a large number of lineups).

"[Drake's] mastery of pulse drumming, textural sculpting, hand drum techniques, reggae, funk and garage punk makes him one of the most articulate and linguistically advanced musicians on the circuit… Cecil Taylor once claimed that each man is his own academy. If that's the case, Drake is surely one of the mystery schools." - David Keenan, The WIRE