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1 | Squeal, Sough, Stidulate | 12:42 |
| 2 | Octavian Law | 4:33 | |
| 3 | Rumble, Buzz, Hum, Pound And Crash | 7:23 | |
| 4 | Azurine | 9:05 | |
|
5 | Bermondsey Breakdown | 10:08 |
| 6 | Loci of Change | 19:54 |
"After a life-long study of percussion, Eddie Prévost has discovered ways of making the instruments reveal hidden aspects of thei voices. These, his first solo recordings, comprise and anthology of this long study but at the same time there is a freshness here that suggests the research is far from over." - Evan Parker
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Eddie Prévost / percussion
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Tracklisting:
1. Squeal, Sough and Stidulate - 12:40
2. Octavian Law - 4:31
3. Rumble, Buzz, Pound and Crash - 7:22
4. Azurine - 9:03
5. Bermondsey Breakdown - 10:07
6. Loci of Change - 19:54
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Recorded at Gateway Studios, Kingston, England on September 10th 1996 by Steve Lowe. Produced by Evan Parker. Artwork by Keith Rowe using photographs of Paige Mitchell and Keith Rowe.
A founder-member of AMM (1965-2022)
“[Eddie Prévost’s] is one of the greatest metallurgists that music has produced. […] sparks delicately arcing through the air, of slow lava ingesting its surroundings, of the shifting grind of tectonic plates across each other, of the rustle and glint of a firebird darting between shadows, and of ore smashing into the surface of the earth; but perhaps this language is overwrought: all that needs to be remarked upon is Prévost's industry, his diligence.”
Nathan Moore — liner note to AMM’s ‘Indúsria’
Matchless Recordings mrcd105.
But beyond this work Prévost has also maintained a relationship with the jazz drum-kit.
“His free drumming flows superbly making perfect use of his formidable technique, but his most startling feature is his stylelessness. It’s as though there has never been an Elvin Jones or a Max Roach.” - review of a set with saxophonist Lou Gare, Melody Maker (27.03.1975)
“Prévost, meanwhile, was simply miraculous; it was fascinating to watch him and to compare his approach with that of a Kern or a Nilssen-Love. I can only say that he was possessed of an uncanny, burning intentness that navigated the ensemble through passages of stark, sculpted beauty, grave concentration and full-on, bristling energy.”
Blue Tomato, Vienna 2012. In concert with Marilyn Crispell and Harrison Smith. Richard Rees-Jones
“An excellent release from one of the finest percussionists around, jazz or otherwise.” review of Prévost’s solo CD ‘Collider’
Matchless Recordings mrcd106 – Brian Olewnic, Squidsear (2022).
“Relentlessly innovative yet full of swing and fire.” – Morning Star
