"Alan Wilkinson’s best known for his work with the high-energy Hession-Wilkinson-Fell trio. His discography includes just two duets, both with guitar players, but anyone who can stand up to both Derek Bailey and Stefan Jaworzyn comes out of a large and resource-rich bag.
He is by far the most energy-oriented player to join Prévost in this particular ring, but the latter’s overriding determination to play exactly what the music of the moment requires serves him well here. Despite what I said a moment, ago, don’t get the idea that there’s any sparring going on here; while Wilkinson hits hard on both alto and baritone sax, this is a record where the two men work together, not against each other. Each is respectful of the other’s individuality and ability. Wilkinson does contribute some feral blowing; his unbridled snorts and whinnies on the title track are positively Ayleresque in their dimensions. But Prévost’s contributions take the music to a different place, unstable yet completely assured.
His work in AMM has labeled him a percussionist, and rightly so, but listen to “Supa, Supa;” with its shuffling high-hat and dancing brushes – this is idiomatically aware jazz drumming of a very high order. Some of the best music occurs when they bring things down. On the lengthy and languorous “For Marlene,” baritone first sings quietly and then bubbles while toms rumble; a melody winds and twists whilst discovering itself in empty space. Exquisite." - Bill Meyer, Dusted Magazine
Eddie Prévost / drums
Alan Wilkinson / alto & baritone saxophones
Recorded at Barefoot Studios, London, on 10th January 2006, by Mark Richie. Front cover by Gina Southgate.
Available as a 320k MP3 or 16bit FLAC download.
1. On Green Street - 17:09
2. East, East, East, London - 13:33
3. Supa, Supa - 14:43
4. For Marlene - 10:14
5. So Are We, So Are We - 18:18
Alan Wilkinson was a formative part of the Leeds experimental music scene in the 80s, founding the Termite Club and as part of the ferocious Hession/Wilkinson/Fell trio. Since relocating to London in 1990 he has continued to play and promote the music and remains one of the most powerful saxophone voices around today, recently adding bass clarinet to his usual Alto and Baritone. He has played with Derek Bailey, Peter Brötzmann, Chris Corsano, Akira Sakata, Thurston Moore, Spiritualized and many others, and is currently active with his Norwegian quartet Akode, Wilkinson/Edwards/Noble, Mark Wastell groups, The Founder Effect and running his club night flimflam.
"At its highest points, this session unleashes some of the most preposterously powerful energy jazz heard since Peter Brötzmann's Yatagarasu trio with Takeo Moriyama and Masahiko Satoh" - Daniel Spicer, The WIRE
Eddie Prévost plays with immense fire, grace and invention. Founder of the essential AMM, collaborator of the greatest improvisers internationally, since the 60's he has kept a continuous contact with the scene and always manages to invent anew his contribution to "meta-music".
“Prévost's free drumming flows superbly making use of his formidable technique. It’s as though there has never been an Elvin Jones or Max Roach.” - Melody Maker
“Relentlessly innovative yet full of swing and fire.” – Morning Star