The Bailey/Gaines duo collides head-on with the IST string trio; the groups fracture & reform in a myriad fascinating ways.
"Features a little-league superstar line-up joined by the veteran American hoofer Will Gaines. Some fascinating interplay between guitar, bass, cello, harp and Gaines’s amazing, Duracell-powered feet." Stewart Lee, Sunday Times
Will Gaines / danse claquettes
Mark Wastell / cello
Rhodri Davies / harp
Derek Bailey / guitar
Simon H. Fell/ double bass
Recorded on January 13 & 14th, 1999 at the Théâtre des Bernadines, Marseille. Artwork & design by Karen Brookman. Photos by Mark Wastell.
Available as 16bit FLAC or 320kbp MP3
1. RD / SF / MW - 6:45
2. WG / DB - 6:40
3. MW / DB / RD - 10:30
4. SF / WG - 11:00
5. DB / SF / WG / RD / MW - 14:00
6. SF / DB - 14:29
7. MW / WG / RD - 8:55
8. RD / DB / MW / SF / WG - 21:36
Rhodri Davies is immersed in the worlds of improvisation, musical experimentation, composition and contemporary classical performance. He plays harp, electric harp, live-electronics and builds wind, water, ice, dry ice and fire harp installations and has released six solo albums. His regular groups include: HEN OGLEDD, Cranc, Common Objects and a duo with John Butcher. He has worked with the following artists: David Sylvian, Jenny Hval, Derek Bailey, Sofia Jernberg, Lina Lapelyte, Pat Thomas, Simon H Fell and Will Gaines.
For the last ten years Davies has been closely associated with the pioneering composer Eliane Radigue performing seventeen of her pieces. She composed OCCAM I for Davies in 2011, the first in an ongoing series of solo and ensemble pieces for individual instrumentalists in which a performer’s personal performance technique and particular relationship to their instrument function as the compositional material of the piece. New pieces for solo harp have also been composed for him by: Christian Wolff, Carole Finer, Philip Corner, Phill Niblock, Ben Patterson, Alison Knowles, Mieko Shiomi and Yasunao Tone.
In 2008 he collaborated with the visual artist Gustav Metzger on ‘Self-cancellation’, a large-scale audio-visual collaboration in London and Glasgow. In 2012 he was the recipient of the Foundation for Contemporary Arts, Grants to Artists Award, he was a Chapter Associate Artist (2016-19) and in 2017 he received a Creative Wales Award. He is a co-organiser of the NAWR concert series in Swansea.
Mark Wastell has been active as a musician since 1995, making his initial concerts with the trio IST featuring Rhodri Davies and Simon H. Fell. He has performed and recorded extensively and has collaborated with the likes of Derek Bailey, John Butcher, Evan Parker, Lasse Marhaug, John Tilbury, Mattin, Mark Sanders, Tony Conrad, Tim Barnes, Bernhard Günter, Keith Rowe, John Zorn, Peter Kowald, Joachim Nordwall, Otomo Yoshihide, Burkhard Beins, Paul Dunmall, David Toop, Alan Wilkinson, Max Eastley, Hugh Davies, Julie Tippetts and David Sylvian. Mark also runs the Confront Recordings record label.
Derek Bailey was one of the most influential and adventurous experimental guitarists to come from England (Sheffield), evolving out of the trad-jazz scene of the fifties into the avant/jazz scene in '60s London. By the late sixties he was a member of the Joseph Holbrooke Trio, Spontaneous Music Ensemble and Music Improvisation Company which later became the amorphous Company under his leadership. These groups were at the birth and center of the British free-jazz scene. In the early seventies, Derek Bailey and Evan Parker started their own record label called Incus Records - one of the first artist-run labels.
Although Derek played with members of the British free/jazz scene, he also forged relationships with a number of European players like Han Bennink & Peter Brötzmann, Japanese free players like Abe Kaoru, Toshinori Kondo, as well as American improvisers like Anthony Braxton, George Lewis and John Zorn to name a few.
Derek organized an annual festival called Company Week in the 80's & 90's, which brought together a unique group of international improvisers from varied backgrounds.
"He was a man who repelled pretension, refused to be shoehorned into comfortable categories, and played amazing guitar." - John Butcher
"I do not subscribe to the idea that free improvisation began or ends with any individual. This only suggests that somehow the music Derek made was so individualistic that it failed to communicate anything beyond personal expression." - Eddie Prevost