"The recently composed Ricochet Lady (2016) is the only work for solo acoustic glockenspiel by the American experimental composer Alvin Lucier. Following in the manner of his pieces I am sitting in a room and Vespers, Ricochet Lady embodies Lucier’s approach toward sound’s individual function and mobility within space. This recording defines this approach through four realizations recorded in four dissimilar spaces, ranging from the standard to extraordinary: a university rehearsal hall with walls of drywall and glass, a chapel made of oak and stone, an empty forge and foundry warehouse for steel railway wheels, and a 36-meter tall dilapidated cement grain elevator.
Never one to shy away from convention, Lucier intensifies each performance by instructing that the glockenspiel be placed against a wall or other reflective surface where the soloist systematically traverses the entire range of the instrument in rapid, repetitive patterns, actively disseminating the glockenspiel’s sustain, clicks, and interferences throughout the space. In doing so, the glockenspiel maps the unique acoustical characters of each space as each space helps to compose the piece.
Created in close collaboration with Trevor Saint, a rare (if not the only) specialist of experimental music for glockenspiel, Lucier has further enhanced the sophistication of this re-imagined instrument while maintaining his devotion to letting spaces speak.
Mixed and mastered by Matt Sargent at Bard College, Annandale-on-Hudson, New York. (For an optimal listening experience it is recommended that these recordings be played at high volume)."
Available as a 320k MP3 or 16bit FLAC download
1. Ricochet Lady (Blum Hall)
2. Ricochet Lady (Chapel Of The Holy Innocents)
3. Ricochet Lady (Basilica Hudson)
4. Ricochet Lady (Marine A Grain Elevator)
Alvin Lucier (born May 14, 1931) is an American composer of experimental music and sound installations that explore acoustic phenomena and auditory perception. A long-time music professor at Wesleyan University, Lucier was a member of the influential Sonic Arts Union, which included Robert Ashley, David Behrman, and Gordon Mumma. Much of his work is influenced by science and explores the physical properties of sound itself: resonance of spaces, phase interference between closely tuned pitches, and the transmission of sound through physical media. (Wikipedia)