Saturday 6 December 2014, 8pm
A great line-up featuring some of the most exciting musicians currently working in improvised music. London-based German cellist Ute Kanngiesser will be performing in a duo with drummer Paul Abbott. Percussionist/analogue electronics artist Michael Speers, double bassist Tom Wheatley, and violinist Billy Steiger perform in a new trio, and drummer Pascal Nichols (Part Wild Horses Mane on Both Sides) performs solo.
Ute Kanngiesser is a German, London based cellist:
“For over 10 years, I have only played unscripted/improvised music. I have experimented with the sound of the cello, limiting myself to the alive material at hand: vast and complicated layers within the instrument and myself; and to let this music evolve continuously in relationship with others. It relates to the process of uncovering an endless multiplicity of coexisting sense perspectives. And it deals with the energy that this gives rise to. For me, it is the most exciting place to play music from.”
Most recent collaborations have been with Seymour Wright, Dimitra Lazaridou Chatzigoga, Rie Nakajima, Jennifer Allum, John Butcher, Terry Day, Billy Steiger, Tom Wheatley, Paul Abbott, Guillaume Viltard, and Daniel Blumberg.
Paul Abbott is an artist and musician based in London, working through questions and feelings connecting music, language and politics: using drums, performance, writing, and publishing. He is currently one of the Sound and Music “Embedded” resident artists at Cafe Oto and a co-editor of Cesura//Acceso journal.
His current collaborations include XT (with Seymour Wright), lll人 (with Daichi Yoshikawa and Seymour Wright) and ULAPAARC (with Cara Tolmie). A series of solo performances in Cafe OTO’s project space are documented here. Recent releases include qno, Vagus, Pah', and vjerhanxsk.
/third person narrative/
“Michael Speers is a musician from Northern Ireland, currently based in London. Feedback is the basis of most of his practice, using the limitations of himself and electronic / acoustic equipment - namely percussion, no-input mixer, sampled media, test equipment and field recordings - to depict his engagement with reality through sound phenomena. The resultant soundscape is generally dense and abrasive, focussing on texture and spatial / material resonance, which is formed live in improvised performances and in electronic compositional work.“
#noise #sound #music #fieldrecording #electroacoustic #percussion #testequipment #experimental #bait #sterile #opaque #meaningless #soundcloud
Tom Wheatley plays double bass:
- with Daniel Blumberg & Billy Steiger – HEBRONIX
- and electric bass with Seymour Wright & Billy Steiger – CYNTHIA
- with John Edwards – YOKE
- with Mark Sanders & Yoni Silver – NAX/XUS
- with Grundik Kasyansky & Yoni Silver – DENIS D'OR
and in other emergent and/or ancillary groupings.
Tom Wheatley lives in London.
Billy Steiger was born in Howth, Ireland on the 16th December, 1986. Now he plays on the violin.
“Then he sat down by a pond and began to play a tune. As he played, the most extraordinary thing happened. One by one the fish in the pond began to jump out and fly about in the air. And what is more, they were all different colours and they were singing to the music.”
Patrick, Quentin Blake.
Pascal Nichols is a multi-disciplinary artist working mostly in ceramics, sound and illustration. He lives and works in Manchester. He is one half of Part Wild Horses Mane On Both Sides alongside Kelly Jones and his work has been exhibited, commissioned and sold worldwide.