Sunday 6 January 2019, 7.30pm
Peter Urpeth / piano
Mark Hewins / guitar
Olie Brice / bass
Terry Day / drums
“These were intensely free sounds, with the listener’s ways of hearing as creative as the inventions of the musicians. Urpeth is a tempestuous pianist, whose free thoroughfares of notes head in multiple directions simultaneously, while Brice’s pounding bass made the Balls Pond Road shake and Day tapped his drums with the thinnest of sticks, sparklers of sound.” – Chris Searle, Morning Star
Terry is an improviser, multi-instrumentalist, lyricist, song writer, visual artist and poet. He is a ‘first generation’ pioneer improviser from the 1960s.
A self-taught musician in a family of musicians, he began improvising on the drums with his brother in 1955. In the early 1960s he formed the Hardy Holman Day trio focusing on free improvisation. Later he became part of Kilburn & the Highroads, a band led by Ian Dury.
Sharing their interest in visual art and painting, Terry and Ian both studied at Walthamstow School of Art and later at the Royal College of Art, London. As an art student in the 1960s he was a pioneer of improvisation, free jazz & experimental music.
Day also formed a duo with Derek Bailey in the late 1960s and was a regular member of The Continuous Music Ensemble, later known as The People Band. Since then he has collaborated with many musical luminaries, groups, dancers, painters, poets and performed in theatre, events, and rock & roll.
Peter Urpeth is a pianist and performance artist playing in ad-hoc collective and group improvisation and ‘new’ music projects. Over more than 35 years as a performer he has worked with Derek Bailey, Lol Coxhill, Evan Parker, Sue Ferrer, Maggie Nicols, Makeshift, Geoff Hearn, Shabaka Hutchings, Olie Brice, Jon Impett, Jon Russell, Phil Wachsmann and many more improvising musicians.
Olie Brice is an improvising double bassist from London. He leads two bands - a quintet that plays his original compositions and a freely improvising trio featuring Tobias Delius and Mark Sanders. He has also worked with musicians including Paul Dunmall, Tony Malaby, Steve Swell, Achim Kaufmann, Alex Ward and Ingrid Laubrock.
“Brice makes the entire body of his bass sing. He has the ability to deliver a fractal line that is as purposeful as any by the great jazz bassists, but to do so within an entirely abstract setting” - Brian Morton, Point of Departure