Sunday 6 January 2019, 7.30pm

Photo by Pierre Bouvier

Peter Urpeth Trio (Peter Urpeth / Olie Brice / Terry Day) plus Special Guest Mark Hewins

No Longer Available

Peter Urpeth / piano
Mark Hewins / guitar
Olie Brice / bass
Terry Day / drums

“These were intensely free sounds, with the listener’s ways of hearing as creative as the inventions of the musicians. Urpeth is a tempestuous pianist, whose free thoroughfares of notes head in multiple directions simultaneously, while Brice’s pounding bass made the Balls Pond Road shake and Day tapped his drums with the thinnest of sticks, sparklers of sound.” – Chris Searle, Morning Star

Terry Day

Terry Day is a first generation pioneer improviser from the 1960s: an improviser, multi-instrumentalist, lyricist, songwriter, visual artist and poet.

A self-taught musician in a family of musicians, he began improvising on the drums with his brother in 1955. In the early ‘60s he formed the Hardy Holman Day trio, focusing on free improvisation. Later he became part of the band Kilburn & the Highroads, with Ian Dury. Sharing their interest in visual art and painting they both studied at Walthamstow School of Art and later at the Royal College of Art, London. As an art student in the ‘60s he was also a pioneer of free improvisation, free jazz & experimental music.

He formed a duo with guitarist Derek Bailey in the late ´60s and was a regular member of The Continuous Music Ensemble,The People Band and, later on, Alterations with David Toop, Steve Beresford & Peter Cusack.

Terry has collaborated with many musical luminaries, groups, dancers, painters, poets and performed in theatre. He now plays bamboo reed flutes, drums, recorders, balloons & improvises with his lyrics, prose and verse. Since 2000 he has been part of London Improvisers Orchestra. In recent years he has toured twice in both Japan and Brazil, and has performed with improvising orchestras in Malaga, Tokyo and Madrid.

http://www.terryday.co.uk/

Peter Urpeth

Peter Urpeth is a pianist and performance artist playing in ad-hoc collective and group improvisation and ‘new’ music projects. Over more than 35 years as a performer he has worked with Derek Bailey, Lol Coxhill, Evan Parker, Sue Ferrer, Maggie Nicols, Makeshift, Geoff Hearn, Shabaka Hutchings, Olie Brice, Jon Impett, Jon Russell, Phil Wachsmann and many more improvising musicians.

Olie Brice

Olie Brice is an improvising double bassist from London. He leads two bands - a quintet that plays his original compositions and a freely improvising trio featuring Tobias Delius and Mark Sanders. He has also worked with musicians including Paul Dunmall, Tony Malaby, Steve Swell, Achim Kaufmann, Alex Ward and Ingrid Laubrock.

“Brice makes the entire body of his bass sing. He has the ability to deliver a fractal line that is as purposeful as any by the great jazz bassists, but to do so within an entirely abstract setting” - Brian Morton, Point of Departure

Mark Hewins

Mark Hewins is one of the generation of musicians which followed in the wake of the experimental groups of the sixties, represented by Pink Floyd and Soft Machine among others, whose attitudes to sound and music were forever coloured by the experience. However, he started playing guitar professionally in 1970 at the age of 15 on the famous London 'Pub Rock' circuit with Mother Sun, and by the mid-seventies was an established figure working around the more innovative music circuits in London, whether at the London Musicians' Collective or playing solo interval slots at London's 100 Club and Trevor Watts' New Merlin's Cave. Many of the radical techniques Hewins employs in his guitar play stem from this time; in particular from 16-hours-per-day sessions in duet with guitarist and filmmaker Richard Coldman. At that time in the mid-70's he first met Anne Beverly, Sid Vicious' mother, and after the New York family tragedy Anne stayed with Mark for a while on her return to London from America.

Hewins' creativity brought him to the attention of musicians such as Watts (Amalgam), and John Stevens (Away) who gave him opportunities to play with South African musicians, Dudu Pukwana, Louis Moholo and Mervyn Afrika and a place in the Dance Orchestra (CD A Luta Continua - featuring Phil Collins, John Martyn, bassist Danny Thompson (with whom he subsequently worked alongside Julie Felix) and Elton Dean who he has probably duetted more frequently with than with any other musician. Over the years musical liaisons have flourished; US jazz collaborations include work in New York with Dennis Gonzalez and Andrew Cyrille, CD âÄòThe Earth and Heart; in Europe with Django Bates in Research Social Systems and as a continuing member of the Elton Dean Quartet. Hewins' first solo CD, Electric Guitar, was released by Daagnim Records in the USA (1987)...[more]