Monday 16 March 2026, 7.30pm

The IMPROVESISTANCE Ensemble

£16 £14 Advance £10 MEMBERS

Dirar Kalash's ever evolving IMPROVESISTANCE Ensemble emerges from urgency and solidarity. It demands, in sound and music, nothing less than what Palestine demands: the breaking of the siege, an end to starvation, and the pursuit of total freedom and justice. This marks the second editon of The IMPROVESISTANCE Ensemble at OTO. Dirar Kalash (Electronics + Piano), will be joined by Caius Williams (Bass), Barbie Mukodo (Winds), Momoko Gill (Drums + Voice), and John Macedo (Electronics).

The ensemble centres electro-acoustic processing of sounds from Palestine - expanded instrumentally and electronically - forging a sonic force that does more than express or protest. It persists, resists, and amplifies in real time. This is not metaphorical. This is sound as a direct act of solidarity, disruption, and insistence.

Dirar Kalash is a Palestinian musician and sound artist whose work spans a wide range of musical and sonic practices within a variety of instrumental, compositional and improvisational contexts. He is mostly known for his politically driven soundscape / electro-acoustic project "The Sonic Front", and the compositions "we can't breathe (for eric garner, george floyd, and frantz fanon)" and "by any means necessary (for Malcolm X)"

Line-up

Caius Williams / Bass
Momoko Gill / Drums + Voice
Dirar Kalash / Electronics + Piano
Barbie Mukoda / Winds
John Macedo / Electronics

dirar kalash

dirar kalash (b. 1982) is a musician and sound artist whose work spans a wide range of musical and sonic practices within a variety of instrumental, compositional and improvisational contexts. kalash also extends his practice into inter-disciplinary theoretical research. he has produced several solo and collaborative musical albums and is active as touring musician, in addition to that he also created several sound installations, live audio-visual performances, field recordings and soundscape compositions series under the title of Sonic Front.

John Macedo

John Macedo is an artist and performer from London. His work explores connections, relationships, interdependence and revealing the hidden potential in all sounds, environments and technologies, often in intimate, immersive and intuitive ways.

He performs live solo and has collaborated with a wide variety of musicians and artists including Phil Julian, Graham Dunning, Tom White, Yoni Silver, John Butcher, Cath Roberts, John Edwards, Michael Speers, Steve Noble, Sue Lynch, Lee Fraser and Adam Bohman, to name a few. He has had work released by The Tapeworm, Hideous Replica, Sound Holes, and Beartown Records as well as releasing small run and object editions on his own label, The Black Plume Editions. He has performed and presented work in the UK, Europe and US and has led workshops and produced collaborative, educational and community-based projects for Whitechapel Gallery, South London Gallery, Artsadmin and New Contemporaries.

Caius Williams

Caius Williams is a musician from London who plays the double bass, guitar, and bass guitar. He works in collaboration with others, alongside an ongoing solo project, and often works with improvisation.

Some projects include ‘Crosspiece’ (with Theodora Laird), a duo with guitarist Tara Cunningham, alongside recent performances or collaborations with

Lifetones (Charles Bullen of This Heat), Steve Noble, feeo, Daniel O’Sullivan, Mark Sanders, Sachiko M, Tom Challenger, Maggie Nicols, Mark Wastell, amongst others.

Caius has been running the GRAIN series at Avalon Cafe in Bermondsey for the last 3 years, which is focussed on programming new and adventurous music and nurturing a growing community with cross-scene and cross-generational collaboration.

https://caiuswilliams.bandcamp.com/music
https://www.instagram.com/caiuswilliams_
https://www.youtube.com/@GrainResidency

Barbie Mukoda

Barbie Mukoda is a London-based Flautist. Her experiments with silence and tone, has led to the artistic choice on using little to no vibrato across her three instruments; Piccolo Flute, Classical Flute and Alto Flute, whilst she explores the Improvisational realms.

Over the recent years, Barbie has played with BBC Elstree Concert Band, Lo-Fi, The London Video Game Orchestra, ONe_Orchestra New and Queen Charlotte’s Global Orchestra, recording at Abbey Road Studios and BBC Maida Vale Studios and being broadcast live over Resonance FM as a member of AMM All-Stars.

Today, Barbie's World consists of intentional music making; whether that be solo, trio, wind band, orchestral or other, she indulges in the Classical, Improvisational and Experimental, Video Game Music and Show Tunes. She finds the variety of genres and musicians she plays with, as well as the artists whose Sound-Worlds she experiences as an audience member both stimulating and inspiring for her own World Building endeavours.

Momoko Gill

Momoko Gill is a London-based composer, producer, drummer, vocalist, and multi-instrumentalist whose work moves fluidly between jazz, soul, electronic production, and experimental ambient textures. Raised in Japan in a family of musicians and music lovers, Gill took up drums and percussion to make herself heard amidst a pianist uncle, a guitarist brother, and a singer mother , before relocating to London where she studied anthropology and became embedded in the city’s vital experimental music community.

A self-taught drummer, producer, songwriter, and vocalist, she has brought her unique touch to collaborations with Matthew Herbert, Coby Sey, Tirzah, and Nadeem Din-Gabisi. Years of extensive touring as a drummer, keyboardist, and vocalist have honed her distinctive compositional and production instincts.

In 2025, Momoko stepped fully into the spotlight with two major new projects: her debut solo album Momoko (2026 via Strut Records) and a collaborative album Clay with electronic-music pioneer Matthew Herbert. Clay, released in June 2025, showcased a soulful, elastic collaboration that treads nimbly between the dancefloor and the more introspective moods of the early hours, drawing on found sources from Japanese kotos to basketballs creating an unmistakably organic feel.

Her self-titled debut Momoko, recorded at Total Refreshment Centre and mixed by Matthew Herbert, presents an artistic statement shaped by instinct rather than tradition. The album features contributions from her long-time collaborators and showcases her restrained vocals alongside inventive rhythmic complexity and jazz-leaning electronic production—including standout tracks like “When Palestine Is Free” and “Heavy”.


Momoko Gill is a London-based composer, producer, drummer, vocalist, and multi-instrumentalist whose work moves fluidly between jazz, soul, electronic production, and experimental ambient textures. Raised in Japan in a family of musicians and music lovers, Gill took up drums and percussion to make herself heard amidst a pianist uncle, a guitarist brother, and a singer mother , before relocating to London where she studied anthropology and became embedded in the city’s vital experimental music community. A self-taught drummer, producer, songwriter, and vocalist, she has brought her unique touch to collaborations with Matthew Herbert, Coby Sey, Tirzah, and Nadeem Din-Gabisi. Years of extensive touring as a drummer, keyboardist, and vocalist have honed her distinctive compositional and production instincts. In 2025, Momoko stepped fully into the spotlight with two major new projects: her debut solo album Momoko (2026 via Strut Records) and a collaborative album Clay with electronic-music pioneer Matthew Herbert. Clay, released in June 2025, showcased a soulful, elastic collaboration that treads nimbly between the dancefloor and the more introspective moods of the early hours, drawing on found sources from Japanese kotos to basketballs creating an unmistakably organic feel. Her self-titled debut Momoko, recorded at Total Refreshment Centre and mixed by Matthew Herbert, presents an artistic statement shaped by instinct rather than tradition. The album features contributions from her long-time collaborators and showcases her restrained vocals alongside inventive rhythmic complexity and jazz-leaning electronic production—including standout tracks like “When Palestine Is Free” and “Heavy”.