Wednesday 11 October 2017, 7.30pm

Still from ‘Deproduction’

Terre Thaemlitz – ‘Deproduction’ (UK Premiere)

No Longer Available

Terre Thaemlitz makes a welcome return to OTO for two nights spanning the extensive and eclectic range of a formidable creative output, including the UK premiere of the new film, Deproduction, on Wednesday night.

“Deep house idol, queer theorist, media manipulator, seasoned contrarian – Terre Thaemlitz (alias DJ Sprinkles) operates in a field of one.” – FACT

Terre Thaemlitz (1968) is an award winning multi-media producer, writer, public speaker, educator, audio remixer, DJ and owner of the Comatonse Recordings record label. Her work combines a critical look at identity politics - including gender, sexuality, class, linguistics, ethnicity and race - with an ongoing analysis of the socio-economics of commercial media production. He has released over 15 solo albums, as well as numerous 12-inch singles and video works. Her writings on music and culture have been published internationally in a number of books, academic journals and magazines. As a speaker and educator on issues of non-essentialist Transgenderism and Queerness, Thaemlitz has lectured and participated in panel discussions throughout Europe and Japan. As of January, 2001, he resides in Japan.

Terre Thaemlitz: Deproduction

UK premiere: We live in an era in which dominant LGBT agendas are increasingly revolving around themes of family, matrimony, breeding and military service. The cultural terms for social analyses and organizing around such issues requires an aggressive capitulation to peculiarly Western Humanist notions of the nuclear family, as well as private and public space. As a result, Feminist and Queer critical rejections of family structures are increasingly scarce. An ability to understand the abuses of family and domestic violence as symptoms of larger institutionalized dominations becomes virtually impossible.

In a stereotypically familiar and heteronormative manner, the anticipated promise behind today's Queer families is nothing more than the egocentric notion that familial abuses will be resolved by this generation being better parents than the previous generation. What is forever absent are discussions of what it means to deliberately not be a parent. They remain as taboo as the notion of celebrating the relief of an abortion. In “Deproduction,” a multi-media project involving audio, text and video, Terre Thaemlitz investigates the awkward, uncomfortable and hypocritical power dynamics behind Western Humanist notions of family, and how they function internationally through processes of globalization.