Tuesday 12 February 2019, 7.30pm
AINE O'DWYER & GRAHAM LAMBKIN
Unheimlich Schön (Very Beautiful, 1971)
— 20 minutes
Stereo magnetic tape
Production: Hörspiel S.W.F., Baden-Baden (in German)
CD Metamkine, KCD008 — 1993
“How does a young woman breathe when her mind is elsewhere...” – Luc Ferrari
Áine O'Dwyer creates live and recorded events which embrace the broader aesthetics of sound and its relationship to environment, time, audience and structure. The notion of a holding space as-extension-of-instrument is a cornerstone of her artistic investigation and the crux of her live performances and recorded works to date: Gallarais, Beast Diaries, Sound Walks from Medjugorje, Music for Church Cleaners, Locusts and Gegenschein, and her most recent publication Poems for Play which was released on her publishing imprint Cloch.
Graham Lambkin is a multidisciplinary artist based in Upstate New York, who first came to prominence in the early 90′s through the formation of his music group The Shadow Ring. Combining a D.I.Y. post-punk ethic with folk music, cracked electronics, and surreal wordplay, The Shadow Ring created a unique hybrid sound that set them apart from their peers and continues to show as an influence today.
Following the dissolution of The Shadow Ring Lambkin embarked on a series of striking and highly original solo releases, including Salmon Run (2007) and Amateur Doubles (2012), a critically acclaimed trilogy with experimental tape musician Jason Lescalleet: The Breadwinner (2007), Air Supply (2010) and Photographs (2013), and Making A (2013) a collaboration with renowned table-top guitarist and founding member of the AMM group, Keith Rowe. His latest release, Schwarze Riesenfalter sees Lambkin paired with Wandelweiser composer Michael Pisaro in a musical reimagining for the texts of Georg Trakl.
Lambkin also curates the Kye label, which, since it's conception in 2001 has published audio work by contemporary artists such as Vanessa Rossetto, Malcolm Goldstein, and Joe McPhee, as well as archival collections from the likes of Henning Christiansen, Moniek Darge and Anton Heyboer.
Lambkin’s reputation as a visual artist came into focus during the 1990′s, designing record sleeves, t-shirts, posters/flyers for a slew of underground labels and bands including The Dead C, Harry Pussy, and Double Leopards. His playful combination of figurative and abstract elements lend Lambkin’s work a jarring, dreamlike quality, placing childlike totems against a darker adult undercurrent. Five books of Lambkin’s art/text have been published to date: Unfocused Hands (2004), Dumb Answer To Miracles (2009), Dripping Junk (2010) Millows (2012), and most recently Came To Call Mine (2014) a sumptuous collection of illutration and prose for children. To date Lambkin has had his artwork exhibited in three solo shows: Came To Mine at Audio Visual Arts, NYC (2014), Marble On The Rot, at 356 Mission Gallery, Los Angeles (2015), and most recently Moon blows close at Kunstlerhaus Stuttgart, Germany.
Lambkin is has just released his fifth solo LP/2CD Community (Kye / Erstwhile) this Oct, and is working on a collaborative project with Tokyo-based conceptual artist Taku Unami for 2017.
Ashley Paul is an American performer and composer based in London. She uses an array of instruments including saxophone, clarinet, voice, guitar, bells and percussion, mixing disparate elements to create a colorful palate of sound that works its way into her intuitive songs; free forming, introverted melodies. This blend manifests beautiful and simple musical forms against acoustic experimentation.
Ashley has performed or recorded with Phill Niblock, Rashad Becker, Nik Colk Void, Loren Connors, Heatsick, Aki Onda, C. Spencer Yeh, Anthony Coleman, Bass Clef, Joe Maneri, Joe Morris, Seijiro Murayama, Greg Kelley, Bill Nace and Eli Keszler appearing on such labels as Important, PAN, ESP-DISK’ and Tzadik. She received a Masters of Music from New England Conservatory in 2007.