Tuesday 30 October 2018, 7.30pm
What is the mass of sound? How much space does it occupy?
Without matter there is no sound, but sound is not the matter that carries it.
Sound Matter brings together three unique performers in a program of intimate sets. The concert presents different perspectives and instrumentations, focusing on the various materials used for music and sound creation. It will explore improvisation and other methods of composition, highlighting collaboration as a process of offering and sharing creative visions.
Áine O'Dwyer, (b. Co.Limerick, Ireland) lives and works between Ireland and the UK. She graduated from the Limerick School of Art and Design in 2006 and the Slade School of Art in 2011. She creates live and recorded events which embrace the broader aesthetics of sound and its relationship to environment, time, audience and structure. The notion of a holding space as-extension-of-instrument is a cornerstone of her artistic investigation and the crux of her live performances. Her most recent live works include Civil Twilight (Rhubaba Gallery, Edinburgh 2017), Down at Beasty Rock (CCA, Glasgow 2017), Poems for Daedalus (Daedalus street, Athens 2018) and Pianowalk (Novas Frequências, Rio de Janeiro 2018). Notable releases include Music for Church Cleaners, Beast diaries, Locusts, Gegeinschein, Gallarais and Poems for play which was released on her publishing imprint Cloch.
Sharon Gal is an interdisciplinary artist, performer, vocalist, free improviser and composer. Her work explores presence, listening, embodiment, and the relationship between people, sound and space. She performs solo and in collaborations with David Toop, Steve Beresford, Phil Minton, Yoni Silver, Charles Hayward, Lina Lapelyte, Andie Brown and Blanca Regina.
Sharon directs site specific, participatory group compositions: L’esprit D’escalier for Voices in a staircase, Toy Orchestra & Room to Breathe with children/adults, Long Drone for mixed ensembles, Gals with Guitars with female players, Sound Out for M/Any Voices and Feel the Noise for guitars & micro amps.
Sharon is a co-founder of Resonance 104.4 FM arts radio. Her music was released by various labels; The Tapeworm, American Tapes, Ash International, A Silent Place Records, Chocolate Monk, Emanem Records, Ecstatic Yod , Paradigm Records , My Dance the Skull and Wild Silence, with 2 solo releases in 2018, Delicious Fish (Fractal Meat Cuts Label) and The Garden of Earthly Delights (Visible Near Midnight Recordings).
She performed in the UK & internationally including: The V&A, Science Museum, ICA, The Whitechapel Gallery, Arnolfini Gallery, Tate Modern & Tate Britain, MACBA and Colour Out of Space, Borealis and Supernormal festivals. http://www.sharon-gal.com/
David Toop (born 1949) has been developing a practice that crosses boundaries of sound, listening, music and materials since 1970. This encompasses improvised music performance, writing, electronic sound, field recording, exhibition curating, sound art installations and opera. It includes seven acclaimed books, including Rap Attack (1984), Ocean of Sound (1995), Sinister Resonance (2010), Into the Maelstrom (2016) and forthcoming - Flutter Echo, a memoir first published in Japan in 2017 (May 2019) and Inflamed Invisible: Writing On Art and Sound 1976-2018 (2020). Briefly a member of David Cunningham’s pop project The Flying Lizards in 1979, he has released thirteen solo albums, from New and Rediscovered Musical Instruments on Brian Eno’s Obscure label (1975) and Sound Body on David Sylvian’s Samadhisound label (2006) to Entities Inertias Faint Beings (2016). His 1978 Amazonas recordings of Yanomami shamanism and ritual were released on Sub Rosa as Lost Shadows (2016). In recent years his collaborations include Rie Nakajima, Akio Suzuki, Tania Chen, John Butcher, Ken Ikeda, Elaine Mitchener, Henry Grimes, Sharon Gal, Camille Norment, Sidsel Endresen, Alasdair Roberts, Thurston Moore, Ryuichi Sakamoto and a revived Alterations, the iconoclastic improvising quartet with Steve Beresford, Peter Cusack and Terry Day first formed in 1977. Curator of sound art exhibitions including Sonic Boom at the Hayward Gallery (2000), his opera – Star-shaped Biscuit – was performed as an Aldeburgh Faster Than Sound project in 2012. He is currently Professor of Audio Culture and Improvisation at London College of Communication.