9–10 January 2026
Excited to present a two-day residency with four remarkable improvising musicians in the form of Alexander von Schlippenbach (piano), Evan Parker (saxophone), Paal Nilssen-Love (drums) and John Edwards (bass)!
Having performed together in various pairings over the years, this quartet only came together for the first time as part of our 3-day tribute to Peter Brötzmann in February 2024. Having established something very special right from the get-go, we couldn't wait to invite them back for an extended residency. Don't miss!
Well known - in improvising circles - for his trio with Evan Parker and Paul Lovens and as constant moving force behind the Globe Unity Orchestra, Alex von Schlippenbach's involvement with the music spans over 30 years and, inevitably, many other associations.
Schlippenbach started to play piano from the age of 8 and went on to study composition at Cologne under Bernd Alois Zimmermann. While studying he started to play with Manfred Schoof. At the age of 28 he founded the Globe Unity Orchestra. In 1988, he founded the Berlin Contemporary Jazz Orchestra, a big band that has over the years comprised, among others, Willem Breuker, Paul Lovens, Misha Mengelberg, Evan Parker, Schlippenbach's wife Aki Takase and Kenny Wheeler. In 1994 he was awarded the Albert Mangelsdorff prize.
Schlippenbach has produced various recordings and worked for German radio channels. He played with many players of the European free jazz community. In 2005 he recorded the complete works of Thelonious Monk, which were released on CD as Monk's Casino.
"If you've ever been tempted by free improvisation, Parker is your gateway drug." - Stewart Lee
Evan Parker has been a consistently innovative presence in British free music since the 1960s. Parker played with John Stevens in the Spontaneous Music Ensemble, experimenting with new kinds of group improvisation and held a long-standing partnership with guitarist Derek Bailey. The two formed the Music Improvisation Company and later Incus Records. He also has tight associations with European free improvisations - playing on Peter Brötzmann's legendary 'Machine Gun' session (1968), with Alexander Von Schlippenbach and Paul Lovens (A trio that continues to this day), Globe Unity Orchestra, Chris McGregor's Brotherhood of Breath, and Barry Guy's London Jazz Composers Orchestra (LJCO).
Though he has worked extensively in both large and small ensembles, Parker is perhaps best known for his solo soprano saxophone music, a singular body of work that in recent years has centred around his continuing exploration of techniques such as circular breathing, split tonguing, overblowing, multiphonics and cross-pattern fingering. These are technical devices, yet Parker's use of them is, he says, less analytical than intuitive; he has likened performing his solo work to entering a kind of trance-state. The resulting music is certainly hypnotic, an uninterrupted flow of snaky, densely-textured sound that Parker has described as "the illusion of polyphony". Many listeners have indeed found it hard to credit that one man can create such intricate, complex music in real time.
John Edwards grew up in London and started experimenting with the bass guitar before he switched in his twenties to play double bass. He is deeply rooted in the creative free jazz and improvisation genre. Since the 80ties he is as soloist and in many groups and ensembles in Europe active and became one of the most renowned bass players. He played/plays regular for example with Peter Brötzmann, Joe Mc Phee, Phil Minton, Maggie Nichols, Evan Parker, Roscoe Michtell, Louis Moholo-Moholo, Mark Sanders, Caroline Kraabel, John Butcher, Pat Thomas, Irène Schweizer, Hans Koch, Florian Stoffner, Gabriele Mitelli, John Dikeman.
"I think John Edwards is absolutely remarkable: there’s never been anything like him before, anywhere in jazz." - Richard Williams, The Blue Moment
Nilssen-Love has, during the last couple of years, established himself on the international scene as a powerful drummer with high energy and creativity. In 2002 he was "Artist in Residence" at Molde International Jazz Festival, a title Chick Corea and Pat Metheny held in previous years. After 7 days and 9 concerts at the festival, Down Beat stated, "His week at Molde proved a revelation: Nilssen-Love is one of the most innovative, dynamic and versatile drummers in jazz."
