Tuesday 31 July 2018, 7.30pm
Duo: Mark Sanders (drums and percussion) & Uwe Oberg (piano)
Duo: Maggie Nicols (voice) & Hannah Marshall (cello)
Trio: Tom Jackson (clarinets), Daniel Thompson (guitar) & Benedict Taylor (viola)
Mark has worked with a host of renowned musicians including Derek Bailey, Henry Grimes, Mathew Shipp, Evan Parker, Roswell Rudd, in duo and quartets with Wadada Leo Smith and trios with Charles Gayle with Sirone and William Parker.
In situations using composition Mark works in a number of projects including Christian Marclay’s Everyday for film and live music and John Butcher’s Tarab Cuts - both projects have performed major festivals throughout Europe and Brazil. He has performed works by guitarist John Coxon in Glasgow and Sydney playing with the Scottish and Sydney Symphony Orchestras. With New York’s ICE Ensemble he has performed John Zorn’s The Tempest in London and at Huddersfield New Music Festival.
Mark also works in the groups of Paul Dunmall including Deep Whole Trio with Paul Rogers, and the ensembles of Sarah Gail Brand, including a long-standing duo. He has a lengthy discography including a solo album, has performed internationally and played at major festivals including, Nickelsdorf, Ulrichsburg, Womad and notably at Glastonbury with legendary saxophonist John Tchicai.
"ubiquitous, diverse and constantly creative, drummer Mark Sanders always outdoes himself, whether playing with restraint or erupting like a dynamo." Bruce L Gallenter, Downtown Music Gallery. NY
Maggie Nicols joined London's legendary Spontaneous Music Ensemble in 1968 as a free improvisation vocalist. She then became active running voice workshops with an involvement in local experimental theatre. She later joined the group Centipede, led by Keith and Julie Tippets and in 1977, with musician/composer Lindsay Cooper, formed the remarkable Feminist Improvising Group. She continues performing and recording challenging and beautiful work, in music and theatre, either in collaborations with a range of artists (Irene Schweitzer, Joelle Leandre, Ken Hyder, Caroline Kraabel) as well as solo.
Hannah Marshall is a cellist who is continuing to extract, invent, and exorcize as many sounds and emotional qualities from her instrument as she can. She has been a regular member of Alexander Hawkins’ Ensembles and has toured in Europe and South America with Luc Ex and Veryan Weston’s ensembles – SOL 6 & 12. She plays with ‘String Terrorists’ - Barrel (a trio with Violinist Alison Blunt & Violist/poet Ivor kallin). And has been invited by Fred Frith and Suichi Chino in their residencies at café Oto. She also plays with Terry Day, Tim Hodgkinson, Roger Turner, Paul May, Kay Grant, and the London Improvisers Orchestra.
Tom Jackson is a clarinettist and saxophonist active in London and Europe, largely dedicated to the fields of contemporary classical music and free improvisation. He maintains an extensive and eclectic performance schedule and has performed throughout Europe, Australia and Asia.
Tom has worked with various contemporary chamber groups such as Apartment House, Lontano, Plus-Minus, ChampdAction, Ictus and Splinter Cell. He has recently completed a PhD at Canterbury Christ Church University on relational aesthetics and free improvisation.
“Tom Jackson conjured a jaw-dropping array of sonic effects.” – Cusp Magazine
Daniel is a part of the fertile London improvising music scene and has played at many venues across the UK and Europe. As well as being a musician Daniel has been organising concerts since 2007 and organised the monthly 'Foley Street Improvised Music Concert Series' in London between 2013 and 2016.
Benedict Taylor is a solo violist & composer. He is an active figure within the area of contemporary string performance, at the forefront of the British & European new and improvised music scene.
He performs, records & composes internationally, featuring in many venues and festivals including: Cafe Oto, Jazz en Nord France, Royal Court Theatre, The Vortex, Ronnie Scott's, BBC Arts Online, BBC Radio 3 & 2, Huddersfield Contemporary Music Festival, London Contemporary Music Festival, Aldeburgh Festival, Cantiere D'Arte di Montepulciano, Edinburgh Fringe, CRAM Festival, The Barbican, Royal Albert Hall, Southbank Centre, ICA London, Radio Libertaire Paris, Resonance FM London.
As an improviser, he has worked with Evan Parker, Terry Day, Keith Tippett, Wadada Leo Smith, Alex Ward, Renee Baker, Steve Beresford, Angharad Davies, Hannah Marshall, Tom Jackson, Phil Minton, Pat Thomas, Miya, Tetsu Saito, Gianni Mimmo, Daniel Thompson, Veryan Weston, Sylvia Hallett, Dirk Serries, Stephen Crowe amongst others.
He is involved with a number of higher education institutions, giving lectures in performance, improvisation & composition at the Royal College of Music, City University of London, Goldsmiths College, Royal Holloway College London.
He is the founder, and a curator of CRAM, a music collective and independent label.
The German pianist Uwe Oberg (*1962) plays at the intersection of Jazz and new improvised music. He bends the bow from inside-piano to originals and music of different origin. With ROPE it’s free improvisation, with LACY POOL pieces by Steve Lacy, with SILKE EBERHARD originals as well as music linked with 1960s Free Jazz. Whatever he plays he transforms in his unique sound without musical borders.
Cooperation with: Peter Kowald, Xu Fengxia, Alfred Harth, Matthias Schubert, Baby Sommer, Tony Oxley, Sven-Ake Johansson, Rudi Mahall, Urs Leimgruber, Saadet Türköz, Heinz Sauer, Subroto Roy Chaudhuri, Paul Lovens, Eric Plandé, Evan Parker, Paul Rogers, Frank Gratkowski a.m.o. Also he works with dancers, composes and performs music for theatre & silent films. Numerous CDs, concerts all over Europa. He lives in Wiesbaden/Germany and is a member of the Kooperative New Jazz, where he conducts the festival JUST MUSIC.
In 2007 he received the jazzprize of the state of Hessen/Germany.