Sunday 16 November 2025, 7.30pm
Rafael Toral has been deeply involved with rock, ambient, contemporary, electronic, and free jazz music in different periods of his life. In the last 15 years he’s been thinking and practicing an understanding of silence as “space”, with a clear function in music creation but also as a metaphor for social relationships and a statement on information and sensory overload. The resulting music, “melodic without notes, rhythmic with no beat, familiar but strange, meticulous but radically free – riddled with paradox but full of clarity and space”, has been described as “a brand of electronic music far more visceral and emotive than that of his cerebral peers”. Currently, along the sound of slow motion harmonies over what sounds like an electronic rainforest in Jupiter, Rafael Toral picks up the guitar again to develop a new synthesis between several layers of past and future. An ambitious project beyond ambient, drone and electronic free-jazz, catching Toral’s “third phase” in its early stages. Performing solo or in numerous collaborations (including Jim O’Rourke, Sei Miguel, Chris Corsano, John Edwards, Evan Parker, Tatsuya Nakatani, Alvin Lucier, Phill Niblock, Christian Marclay, Sonic Youth, Rhys Chatham, Lee Ranaldo, Eiko Ishibashi, and many others), he has been touring throughout Europe, Canada, USA, Mexico, South Korea, Japan, New Zealand and Australia.
Butcher is well known as a saxophonist who attempts to engage with the uniqueness of time and place. His music ranges through improvisation, his own compositions, multitracked pieces and explorations with feedback and unusual acoustics. Since the early 80s he has collaborated with hundreds of artists – including Derek Bailey, Rhodri Davies, Andy Moor, Phil Minton, Christian Marclay, Eddie Prévost, Magda Mayas, Spontaneous Music Ensemble, Sophie Agnel, Gino Robair, Mark Sanders, John Tilbury, Okkyung Lee, John Edwards, Chris Corsano, Polwechsel and Steve Beresford.
Alongside long term projects he values occasional encounters; from large groups such as the WDR Sinfonieorchester & Butch Morris’ “London Skyscraper”, to duo concerts with Joe McPhee, Fred Frith, Akio Suzuki, Paal Nilssen-Love, Keiji Haino, David Toop, Angharad Davies, Otomo Yoshihide and Matthew Shipp.
Recent compositions include “Penny Wands” for Futurist Intonarumori, three HCMF commissions for his own groups, “Good Liquor Caused my Heart for to Sing” for the London Sinfonietta and “Tarab Cuts”, a response to recordings of early Arabic classical music which was shortlisted for a British Composer’s Award.
“English saxophonist John Butcher may be among the world’s most influential musicians, operating at the cutting-edge of improvisatory practice since the ‘80s. Whenever an acoustic musician starts to sound like a bank of oscillators, a tropical forest, a brook or an insect factory, Butcher’s influence is likely nearby.” – New York City Jazz Record.
Angharad Davies is a violin player who’s work exists between the thresholds of improvisation, composition and experimental music.
Her approach to sound involves attentive listening and exploring beyond the sonic confines of her instrument and performance expectation. Being an intrepid collaborator has seen her work with the likes of Tony Conrad, Elaine Radigue, Tarek Atoui, Gwenno, Lina Lapelyte, Richard Dawson, JG Thirlwell and Annea Lockwood.
As a composer she has been commissioned by Counterflows, LCMF, Tŷ Cerdd, Nawr, Explore Ensemble, GBSR duo, + AndPLAY and her music is often played on BBC Radio 3’s New Music Show.
angharaddavies.com
Instagram : @angharaddavie
