Friday 17 January 2014, 8pm
Launch event for L.M. Duplication release 'Mountains of Tongues: Musical Dialects of the Caucasus' with a special Caucasus inspired set by The Family Elan, rare performance by London based Georgian polyphonic choir Maspindzeli along with screening of footage from The Sayat Nova Projects video archives.
Because of its unique geography—situated at the borders of Europe and Asia, between the Caspian and Black seas—the Caucasus has been at the crossroads of multiple empires as well as home to an exceptionally diverse population, resulting in a rich mosaic of history, culture, religion and language. Early Arab travelers referred to the region as the “Mountains of Tongues,” a term that reflected both the geographic and linguistic variety. An incredible number of languages and traditions still exist, but many have yet to be thoroughly documented and are close to disappearing completely.
Mountains of Tongues: Musical Dialects from the Caucasus includes recordings of songs in languages that have rarely been caught on tape (Lezgi and Batsbi), instruments that only exist in extremely small numbers (the Tushetian chianuri, of which there are only two, and the agach komuz from the remote territory of Dagestan) and performances from a variety of underrepresented ethnic minority communities. The Sayat Nova Project is a non-profit group with the goal of preserving and promoting the musical dialects of the Caucasus. The recordings on this album were made between September 2012 and June 2013 in villages, towns and cities across the South Caucasus. Members of the project recorded more than 50 musicians playing a wide variety of instruments and singing in ten different languages. Mountains of Tongues presents the music of the Caucasus without regard to political borders. Through the inclusion of recordings by Armenians, Azerbaijanis, Georgians, Chechens and many others ethnicities, it represents this region’s unique traditions and shared histories and emphasize the diversity that exists within these “mountains of music.”
'The joy of Mountains of Tongues is that it leaves the ethnic, self-indentifying dimensions of these unfamiliar musical utterances intact, and the poetry still shines through' THE WIRE
‘When Hladowski achieves instrumental levitation, the ghosts of Comus, Jan Dukes De Grey and The Incredible String Band might be hovering over his shoulder; there’s a similar sense of acid-spiked, dervish abandon. Like the latter, he references ethnic music - Indian ragas, Balkan gypsy dances, Greek rembetika - but with a rare feeling and finesse, and not a trace of whimsy.’ THE WIRE
www.thefamilyelan.com/